In 2019,
Bruce Watson, the impresario behind
Fat Possum, launched the Memphis-based
Bible & Tire Recording Company. He wanted to shed light on the city's gospel tradition by reissuing vintage recordings and new titles. The latter includes 2021 masterpieces by
Elizabeth King (
Living in the Last Days) and
Elder Jack Ward (
Already Made). The two compilations of
The D-Vine Spirituals Records Story offer great music of course, but tell another story, too: Of the collaborative relationship between two men, one Black -- gospel DJ, engineer, pastor and producer
Rev. Juan D. Shipp -- and one white -- Tempo Recording Studio owner
Clyde Leoppard, a former
Sun Records session drummer and current of the western swing outfit
Clyde Leoppard & the Snearly Ranch Boys. Unlike many homegrown gospel labels of the era,
D-Vine Spirituals' singles offer excellent sound and production values -- including the use of pure, first-generation black vinyl -- without being slick.
Volume One kicks off with
Elizabeth King's monster single "I Heard the Voice" from 1973, with her soul-drenched alto supported by a backing chorus of doo woppers, B-3, guitar vamps, and a swinging rhythm section. Despite its unmistakable Memphis vibe, the song could just as easily have been an early release for
Motown. Next up,
the Southern Sons' "I'm a Soldier in God's Army" mines the sultry gospel blues with reverbed guitar (a la
Pops Staples) offering a slow, brooding intensity.
The Gospelaires' fingerpopping "I'm Going Home" intersects the gospel vocal group tradition with deep blues and shuffling funk.
Evelyn Taylor's "Look at Your Life" is Sunday morning altar-call fare, with a bluesy piano framing breakbeats and a walking bassline, as she wails the truth over a responsorial chorus. "You Got to Live the Life" is roaring, raw, boogie-drenched electric gospel that sounds like it was recorded in church.
Ward joins
the Gospel Four to offer the electrifying "God's Gonna Blow Out the Sun." A bubbling snare and hi-hat undergird an ominous Farfisa organ as
Ward and singers engage in canny, syncopated, call-and-response. The spacy keys on
the Kingdom Airs' "The Reason I Love Him" wed storefront gospel to
Stax's gritty groove. "Where You Gonna Run?" by the
D-Vine Spiritualettes, is a sweet yet strange midtempo ballad whose arrangement borrows from the girl group pop-soul of the early 1960s. It also features a gloriously weird lead guitar improvising throughout.
The Gospel Four sans
Ward showcase their singular. harmonically sophisticated vocal approach on the bubbling "The Devil Don't Like It" before
the Traveling Stars take it out with "When I Looked," a driving Sunday morning Benediction with hard-grooving organ, snaky guitar, and clattering snare. There isn't a weak moment on
The D-Vine Spirituals Records Story, Vol. 1. It is revelatory in its juxtaposition of the post-war,
Thomas Dorsey-influenced gospel tradition and modern approaches to popular Black music without sacrificing integrity, spirituality, or quality. ~ Thom Jurek