Aristotle's Poetics / Edition 1

by Aristotle, James Hutton

Overview

Here is a new translation, remarkable for its accuracy and refreshing clarity of exposition, of the first major work of literary criticism.

Aristotle's doctrines are basic to every critical discussion of Greek tragedy and of other literary forms. Although the Poetics has often been denounced or rejected, such rejection is usually the result of a misunderstanding of what Aristotle says. And that is where Hutton's work is uniquely important.

Commentators have long recognized the need to view the Poetics in the context of its creation and it re-emergence in the Renaissance. Few, if any, however, have had the necessary combination of talents that James Hutton possessed as an accomplished Hellenist with a particularly strong background in Greek philosophy, a graceful stylist in English, and a leading authority on the Renaissance humanists.

To supplement his translation, Hutton has provided full explanatory and glossarial notes. In his introduction he discusses the work in terms of Aristotelian thought and its Platonic roots, thereby correcting the dogmatism that often attends study of the Poetics. The introduction also fully outlines the work's historical influence.

Product Details

ISBN-13:	9780393952162
Publisher:	Norton, W. W. & Company, Inc.
Publication date:	05/17/1982
Series:	Norton Critical Editions Series
Edition description:	New Edition
Pages:	128
Product dimensions:	5.30(w) x 8.30(h) x 0.40(d)

About the Author

Other works by the renowned classical scholar, translator, and literary critic Francis Fergusson include The Idea of a Theater: A Study of Ten Plays, Sallies of the Mind: Essays, Trope and Allegory: Themes Common to Dante and Shakespeare, and Dante's Drama of the Mind: A Modern Reading of the Purgatorio.

Translator and scholar S. H. Butcher served as editor for the Dover Thift Edition of the Poetics, as well as for the Orationes, Volume 1 by Demosthenes. Butcher is also the author of Aristotle's Theory of Poetry and Fine Art.

Table of Contents

Introduction to 1988 edition
Abbreviations
I. The Setting of the Poetics
II. Aristotle's Aesthetics 1: Art and its Pleasure
III. Aristotle's Aesthetics 2: Craft, Nature and Unity in Art
IV. Mimesis
V. Action and Character
VI. Tragedy and the Emotions
VII. Fallibility & Misfortune: The Securlarisation of the Tragic
VIII. The Chorus of Tragedy
IX. Epic, Comedy and Other Genres
X. Influence & Status: the Nachleben of the Poetics
App. 1 The Date of the Poetics
App. 2 The Poetics and Plato
App. 3 Drama in the Theatre: Aristotle on Spectacle (opsis)
App. 4 Aristotle on Language (lexis)
App. 5 Interpretations of katharsis
Bibliography
Index

Editorial Reviews

This useful book, an extended study of the Poetics , treats such subjects as Aristotle's general aesthetic views; mimesis; pity, fear, and katharsis; recognition, reversal, and hamartia; tragic misfortune; the nontragic genres; and the historical influence of the work. Aristotle emerges as holding a deeply cognitivist view of poetry and as rejecting the attempt to judge art primarily by external (e.g., moral, political) criteria; his call for the relative autonomy of art, however, neither commits him to an aestheticist view nor prevents him from attributing to art a significant moral dimension. Halliwell's attempts to keep Plato in close view and to keep the Poetics within the context of Aristotle's philosophy as a whole are illuminating. For academic collections. Richard Hogan, Philosophy Dept., Southeastern Massachusetts Univ., N. Dartmouth

Library Journal

Pivoting on the argument that at its heart lies a philosophical urge to work out a secularized understanding of Greek tragedy, Halliwell (Greek, U. of St. Andrews, Scotland) offers a sustained interpretation of the . He assumes no knowledge of Greek. The 1986 edition published by Gerald Duckworth and Company is here reprinted with a new introduction. Annotation c. Book News, Inc., Portland, OR (booknew.com)

Booknews

A work which must become essential reading no only for all serious students of the Poetics, including those who, like [this] reviewer, have dabbled in it from time to time, but also for those (the great majority) who have prudenty fought shy of it altogether.
— Classical Review

B. R. Rees

A work which must become essential reading not only for all serious students of the Poetics . . . but also for those (the great majority) who have prudenty fought shy of it altogether.” —B. R. Rees, Classical Review

From the Publisher