Your Mother's Not a Virgin!: The Bumpy Life and Times of the Canadian Dropout who changed the Face of American TV!

Your Mother's Not a Virgin!: The Bumpy Life and Times of the Canadian Dropout who changed the Face of American TV!

by John Barbour
Your Mother's Not a Virgin!: The Bumpy Life and Times of the Canadian Dropout who changed the Face of American TV!

Your Mother's Not a Virgin!: The Bumpy Life and Times of the Canadian Dropout who changed the Face of American TV!

by John Barbour

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Overview

A high school dropout at 15, and deported from Canada at 17, John Barbour is recognized as "the godfather of reality TV" for his role as the creator, producer, co-host, and writer of the trendsetting hit Real People. He won the first of his five Emmys as the original host of AM LA in 1970, where he interviewed controversial anti-war guests like Mohammed Ali, Cesar Chavez, and Jane Fonda. He was the first in America to do film reviews on the news, winning three more consecutive Emmys as KNBC’s Critic-At-Large. He spent ten years as Los Angeles Magazine’s most widely read and quoted critic and early in his career, he made stand-up comedy appearances on The Dean Martin Show, The Tonight Show, and others. In 1992 he wrote and directed the award-winning The Garrison Tapes, which Director Oliver Stone heralded as "the perfect companion piece to my movie, JFK." In 2017 he wrote and directed part two: The American Media and the Second Assassination of President John F. Kennedy, which was applauded as "the definitive film on JFK and the rise of Fake News." In this highly entertaining, deeply informative autobiography, readers will discover what a multifaceted storyteller Barbour is. 

Product Details

ISBN-13: 9781634242462
Publisher: Trine Day
Publication date: 04/01/2019
Edition description: None
Pages: 738
Product dimensions: 6.00(w) x 8.80(h) x 1.70(d)

About the Author

John Barbour changed the face of American television as the creator, producer, principal writer, and co-host of Real People, television's first reality show. He is a five-time Emmy award winner, a storied actor and performer, a joke and script writer, and entertainment professional across genres.

Read an Excerpt

CHAPTER 1

IN AMERICA: Standing Alone

See that black and white picture of me? That was taken near the pool at the old Flamingo Hotel in Las Vegas. I was sixteen or seventeen years old. Sometime around 1950. I can't quite remember. I can remember why I had a Stetson on, though. I thought it'd make me look like a big shot. I was a gambler – albeit, a small-time one. The same with those two-tone shoes. Where did they come from? And where did they go? Maybe I thought they'd look good when I ran away from Toronto and got to kick the world in the ass. Of course, the ass-kicking capital of the world was America. I have no idea who took the picture, or even what the occasion was. Or why I still have it. What I do know is that it's the only photo of me under the age of seventeen. Maybe that's why I hung onto it. There was certainly nothing else in my life I wanted to hang onto. Especially the memories. Perhaps I was just trying to hang onto me.

Everybody I know has childhood pictures; certainly, baby pictures. Even if they had lousy parents, or divorced parents, or were being put up for adoption, there was someone who cared enough to welcome them into the world with just a snapshot. Even if it wasn't going to be a welcoming world, there was this photographic proof that they existed. Or even mattered.

The only other pictures of me under the age of twenty are in someone else's possession. The first, if it still exists, would probably be gathering dust somewhere in the archives of Adam Beck Public School in Toronto's east end, which I haphazardly attended for seven shaky years, (having skipped a grade) under the non-birth name of MacLaren. One or two more photos would be headshots taken by the Toronto Police Department on Main Street. Later versions of those two same poses would be in the possession of US Immigration at Terminal Island, San Diego, long after leaving Las Vegas. I do remember the suit, though. It was soft blue; the only one I had. I should have been smiling because, by God, I was so happy to be away from a home that would have to be seriously mended just to be called broken. I was also happy to be out of the reach of some angry cash-short card players who didn't believe a teenage kid could fleece them fair and square.

My hands were in my pockets; one of which had a serious hole in it. The other had the six hundred dollars left of my winnings, after buying the train ticket and the used wardrobe, except for the kick-ass shoes, which were new. I look like I was wondering how long that money would last. Or how long the two-tones would last before they got holes in them. But the holes in my wardrobe were nonexistent compared to the hole in my soul.

I planned on going to Vegas because, to the addicted gambler that I'd been for two years, Vegas was the Vatican. My habit was so emotionally hopeless, even as a kid, I'd have to cut down just to be a junkie. I once stood under the maple tree in our front yard in autumn and bet my favorite and only hockey stick against my neighbor-buddy-adversary, Mel Nixon, on which leaf would fall first. I lost. Of course. Gamblers always do. But I didn't know that then. Vegas was where I wanted my financial prayers to be answered.

If I didn't have to stay there to make the easy money I envisioned, I might have gone to Hollywood. After Canadian winters, I loved the thought of picking an orange off a tree in December. And, in Los Angeles, with mostly sunny days, my blue suit wouldn't have to go to the dry cleaners so often. Those thoughts about the Golden State came to me around the age of six. In Toronto, with little to go home to, from that age on, when not at a rink, I would spend a nickel and hours sitting through two double-features at the Manor Theater on Kingston Road. The end of every film, of course, said, "Made in Hollywood." That's the place where the movies told me the rainbow ends and dreams really do come true. But I had to earn a living; so, Las Vegas was it. At least I thought it was, especially after learning how to gamble properly.

For the two years prior to boarding that train, the first time I'd ever paid to ride one, every cent earned working as a coal-shoveling fireman on the Canadian National Railway or bussing dishes at Kresge's or delivering mail at the Parliament buildings downtown, or borrowed, begged, or stolen, all four of which I was very adept at, I lost in marathon midnight-till-morn gambling orgies. I was the youngest loser in a group of usually eight. The two oldest were in their forties. One was a soldier; the other a truck driver. If I ever won, I stayed until I lost it. I had nowhere to go, so I figured what the hell, it was as good a place to be as any. It was usually poker, but sometimes it was craps. I was always the first to lose, and the last to leave.

I couldn't understand why I didn't do better because unlike those guys, I wasn't distracted by drinking and smoking. I was a clear-headed and clear-eyed loser! They didn't have any trouble getting my money, so when they were pushing drinks and cigarettes at me it was because they wanted me to be more like one of the boys.

One night they pushed me to the point of rudeness for my disinterest in imbibing or inhaling, asking if I was some kind of religious nut; I told them there was a reason I didn't smoke or drink. In one of the convenience stores I had worked part-time, I once stole a carton of cigarettes. I was so afraid of getting caught I tried to smoke them all, one after the other, and got sick. So, I never smoked again. Then another time, I confessed, I stole a carton of beer. And again, to hide the evidence, I drank them all and got even sicker. Then I pulled out a large pack of condoms and put them next to the chips, and said, "A year ago I stole a carton of condoms. I still have six left!" They laughed and never again offered me a beer or smoke. Thereafter, they started every session asking how many condoms I still had.

Hearing them laugh got my mind separated from the game; it was then I realized I wasn't really there to make money; I was there to make friends. But in reality, these guys were not friends; just acquaintances. My needs weren't monetary; they were emotional. So, I thought, if I'm going to gamble, which I did enjoy, obviously too much, then I'd better learn how to do it properly. I got two books from the library. One was called, Scarne on Dice, the other was called Scarne on Cards. Here was an expert who laid out all the mathematical odds on all the possible combinations and permutations of every bet on any pull of any card or roll of a die. When to press or when to back off. When to double; when to fold. What games offered the greatest odds of winning, and why. In two weeks I memorized nearly every page. If I'd been Kenny Rogers, I would have written a song about it.

I started my next midnight session with under forty dollars and played every night for a week. I found myself no longer needing to be in every hand. I no longer had to stay until dawn. At the end of the week, I had over seven hundred dollars, and seven very leery, unfriendly acquaintances. When l got up to leave, again before the sun, they asked if I'd be back Sunday to give them a chance to get their money back.

I said, "Of course. I may want more." I lied.

Sunday morning, I was on a train to Las Vegas, Nevada with over six hundred bucks. I had informed US Immigration authorities I'd only be in Buffalo for two days. Somehow or another on the way to Las Vegas the train had to stop. There had been a wreck a mile in front of us. For over an hour we were not informed that a wreck was the purpose of the delay, just that it would be long. Of course, as an almost ex-convict, I was convinced immigration had wired ahead and had them halt the train so they could haul me off. So, I scurried off. At the tiny depot where we were delayed, a nice man informed me that the nearest bigger locale was a place called Lake Tahoe, a three or four-hour bus ride away. I was on that next bus, smiling, thinking about how the law would find an empty seat on the train they stopped.

Lake Tahoe was stunning. It reminded me of a smaller version of pictures and movies I'd seen of Lake Louise and Banff National Park in Alberta; nature's perfect rendering of conifer trees, shapely mountains, and blue water. It was late afternoon when the bus stopped, not far from a gambling chalet called the Cal-Neva Lodge. Thrilled by the newness and elegance of it, not wanting to waste my time or talents, I rushed inside.

I had only seen luxury and sets like those in the movies. A Technicolor casino abuzz with smartly attired adults crowded happily and noisily around crap tables, blackjack tables and a lush bar. Surprisingly, I felt at home. After half an hour of wandering around, savoring every sight and sound, I ended up at the end of a crap table, my back to the entrance. I was five years too young to be doing that legally. But this was Nevada. This was gambling. Who cares? In that Texas outfit, no one questioned my age. For over an hour I held my own, and even some of the House's. The stick boss and a couple of fellows across from me began to eye me like they thought I knew what I was doing. Proudly, I did. After about half an hour, the guys across from me, who seemed to be matching my bets, stopped betting. They were looking behind me. Others also stopped, even dealers. They, too, were looking behind me. It was like a wave at a sporting event. Then all activity ceased entirely. I turned to see what had brought everything to a halt.

Strutting halfway across the casino, having just entered through the huge front glass doors, was a sight that was impossibly unreal to me. I literally had to shake my head so my eyes and mind could refocus. It was Frank Sinatra, a long black overcoat draped over his shoulders like an Italian Superman; he was arm in arm with a face I'd just read about and seen in the newspapers, Sam Giancana, Chicago's crime boss. Close behind them, their praetorian guard; three dark, tough-looking Italians. Just a few months earlier I had seen Sinatra in a movie at the Manor Theater. He was in a white tuxedo standing on a tall white pedestal singing beautifully, Old Man River. Now, he was walking right past me. Who could imagine? Certainly not me, that a fabulous celluloid star would be walking out of my recent past right into my present. All because of an accident. What sixteen-year-old runaway gambler could possibly dream other accidents would make Sinatra, this icon, a significant part of my later life? Right then, though, daydreams of movie stars were not for me. Dreams of being rich were. Lake Tahoe was not the place I saw that dream coming true. Las Vegas was.

The first month in Las Vegas saw me realizing the image of easy riches. I still had my six hundred and a few hundred more. Of course, I couldn't sit at the tables all day. There were only a couple of movie theaters, so I found myself going to the live shows. I did not see one that was not more thrilling than the best movie. At the Sahara, France's tiny Edith Piaf in a plain black dress standing in front of a red curtain filled the showroom with people and a huge voice that made it feel like a religious experience. At the Desert Inn, England's Noel Coward exquisitely performing his Mad Dogs and Englishmen. My favorite, though, that I saw often at The El Rancho, was comedian Joe E. Lewis with the greatest opening I'd ever seen. He was the opening act for famed stripper, Lily St. Cyr. She concluded her act by hopping into a curtained four-poster bed where she removed all her clothes. When the lights came back up, an announcer said, "Ladies and gentlemen, directly from the bar, Joe E. Lewis." There was loud applause and laughter, but no Joe E. Lewis. After about thirty seconds of silence he emerged from under the bed covers. There was an ovation. Seeing all this, and with a wallet that was growing slowly, I thought I was happy.

In one fateful night, though, it suddenly was lost. Not the money. The happiness. The dream. It came to this unexpected weird end at a blackjack table. My favorite game. Especially with one deck. It was at the Flamingo Hotel. I was at a table with a two-dollar minimum. I was not superstitious, but I kept sitting at the same table in the same chair. If it wasn't vacant, I wouldn't play. This particular night, I sat for three hours. Other gamblers had come and gone. Nearly all had lost. I wasn't up, but I wasn't down. I was holding my own. However, I wasn't smiling. Something had turned off inside me. I didn't know what was wrong with me. My mind went blank. The joy was gone. The challenge was gone. The rushes were gone. The dealer had a face card; I had a six, so I had to pull. The dealer had a three showing; I had twelve. I had to stand. The dealer had an eight. I had two tens. I couldn't split. I had to stay. I was no longer emotionally involved in what I was doing. I had become a disconnected mathematician. I had no emotional attachment to money. So, winning became meaningless. It was almost like an out of body experience. It wasn't me at the table. It was a stranger in a blue suit and Stetson. I had no interest in him. Or what he was doing. Or what I was doing. I was not engaged. Feeling as empty as my pockets used to be, I picked up my chips, walked away from the table, and cashed them in.

Watching my money being counted out, I panicked. What was I going to do? I had to find something, anything that would engage me. Mean something to me. But what? All I could think of, was how much fun it was watching the live shows. I have not gambled since, except on golf courses. So, there you see me standing alone in front of the Flamingo Hotel feeling that one hole in my pocket, with a much, much bigger one in my life.

Six decades later, at this typewriter, I'm happily sitting alone, recalling all the wonders that did engage me. However, before we pack up again and I take you to California where I did pick oranges for a while, I'm going to pause this picture. And put our story in flashback like the movie Citizen Kane. Only ours is called, Not Yet Citizen Barbour.

IN CANADA: We'll Meet A Stranger

There's someone I'd like you to meet. I'm introducing him to you very reluctantly because I have no real desire to meet him again. I haven't seen or thought about him for over sixty years. Even when I knew him well, I couldn't wait to get away from him. Because right now he is somewhere I never want to be. That is the past.

It is me. As a boy.

To me, revisiting a childhood is as useless as trying to taste a meal that's already been consumed and eliminated. Who would want to taste a meal again that was bitter to begin with? You can't truly recapture the taste, and in the end it all turned to shit anyway.

When I was a kid listening to adults, I was always given the advice and impression that if one was good and worked hard that cream would rise to the top. But in the world I was experiencing, I noticed that maybe cream did rise to the top, but so did shit. For cream to rise it must be stirred. Not shit. Shit floats up all by itself. When cream gets to the top and stays, it doesn't get creamier. It turns to shit. Even though it was all around me, I was surprised when people were evil or cruel. Now that I'm no longer that boy, I am surprised when people are good.

A few years before Dean Martin died, I was playing golf with him at the Riviera Country Club in Los Angeles. Just before we teed off, a fellow about Dean's age came up to him, extended his hand, and said, "Dean, you'll never believe this, but I saw you in a club in Steubenville when you were just starting."

Dean declined the handshake, walked away ignoring the fellow, and teed up his ball, saying to me, "Let's play."

I was embarrassed for the stranger, but said nothing. Dean noticed I was very quiet, which was not like me on a golf course. He said, "I hate the past, it means absolutely nothing. I never want to hear about it. There are only two things in my past that ever cross my mind. They were the two best things that ever happened to me." He stopped his swing, and looked directly at me. "That was meeting Jerry Lewis ... and leaving Jerry Lewis." Then he hit his shot. "Life's like golf. You can never re-hit a bad shot, or any shot, or even think about it. It'll only get in the way of the most important shot, the one right in front of you!"

Nearly everyone I met who is screwed up, (and that could fill a football field) can't seem to live his or her life happily; they're too busy trying to psychoanalyze their unchangeable past. Driving forward is hazardous staring into the rearview mirror. It is true that when you're too young to understand or play in the game of life that the bad shots, and if there any good shots, they are all hit for you or at you by others, a parent, a guardian, whoever, but, like in golf, as Dean said, there comes a time when you have to take those shots where they lay, and continue the game on your own. Fortunately for me, that awareness came early.

(Continues…)


Excerpted from "Your Mother's Not a Virgin"
by .
Copyright © 2018 John Barbour.
Excerpted by permission of Trine Day LLC.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Table of Contents

Foreword 1

In America: Standing Alone 4

In Canada: We'll Meet a Stranger 9

On the Street Where I Live 10

Two Houses Don't Make a Home 11

1939 13

Unframed Photos 14

The Big Parade to World War II 17

A Growing Boy's Menu 21

A Mental Multiplex 25

The Last Two Arenas 31

Playoffs and Gas-offs 33

Adam Beck School Daze 39

A Midnight Enterprise 41

A Woman Named Peggy 49

An Uncle Named Garth 52

I'm Dreaming of a White-Knuckled Christmas 57

A Summer Short Cut 62

The Little Outhouse in the Prairie 66

A Couple of Killings 69

Farmer John 72

The Slaughterhouse 76

Hay Fever 79

Ann 85

The Long Shortcut 86

Rescued and Rebuked 94

The Spell Broken 98

The New Boarder, New Visitor and Drop Out 102

Whistle While You Work 108

Buffalo Bound 110

From Mail Boy to Male Man 114

How to Spell Real Relief 118

T.G.L.F 121

Back in America: Lost and Found in Las Vegas 123

A House Not on Elm Street 123

The New House I Live In 125

The Lady in Black 131

Another Familiar Face 137

A Jewish Superstition 141

Who's That Knocking on My Door? 143

Last Call 148

The Great Escape 150

IN CANADA AGAIN: Boomerang Boy and Unfinished Business 154

IN AMERICA AGAIN: A Good Fit for A Misfit 160

The $64,000.00 Question 164

Take me out to the Ballgame 166

An Offer I Couldn't Refuse 169

Some Say Cheese Better Than Others 171

Extras, Extras 173

Another Greek with Another Idea 176

The Meeting 178

The Waiting Game 180

What's A Blacklist 182

So That's What Blacklist Means 186

Here Comes the Son 189

IN ENGLAND: London Bridge is Falling Down 191

Agdas 194

Where There's A Will 199

The Call 201

Birth of a Salesman 205

A Foggy Year in London Town 209

An Untossed Coin 211

IN AMERICA … AGAIN: a Goodbye Burger 213

Friends and Neighbors 215

A Goodbye Gathering 218

Another Script 222

Endless Summer 224

A Pink Slip of the Tongue 225

Showbiz and Other Odd Jobs 227

Two Deaths of a Salesman 230

Mirror, Mirror on the Wall 234

A Closed Mouth Goes Farther than an Opened Mind 236

Knock, Knock … and it's No Joke 238

The Last Supper 239

Sidney Kaplan 241

Where to Start? 244

Finding Mel 245

Woman in Blue 250

IN AMERICA, YET AGAIN: The Green Card 255

Send in the Clown 260

My Kingdom for a Joke 263

The Horn 266

Advice from the Future Gomer Pyle 270

The Hungry I 272

Pat Morita 280

November 22, 1963 283

Fresno 289

The Bottom of the Ladder 293

It's tough to be White 295

Dick Gregory and Mort Sahl 300

Catch a Falling Star 305

Smoke Gets in Your Eyes 306

All the King's Horses' Asses 311

Art Linkletter's Talent Scouts 314

And Send Two Copies 318

Whitey 322

Manley and the Mob 328

Jack Rollins 334

Mister Kelly's and Ms. Warwick 339

Merv, Murray and Management Three 345

Remembering Lenny Bruce 367

The Dean of Variety Shows 372

Dis-Connections 378

June 6, 1968 382

Roger, Me and Merv … Again 386

More Things on Heaven and Earth 391

Sitting In For Merv 394

In the Eye of the Hurricane 398

The John Barbour Show 402

January 29, 1969 408

A Child Born; A Father Created 411

Am Los Angeles 417

How Do These People Get These Jobs? 420

The Fairness Doctrine 424

Be My Guest 430

Jane Fonda 431

Mohammed Ali 436

Ronald Reagan 439

Cesar Chavez 444

Jim Garrison 449

Critic-At-Large 458

One Foot in the Stirrup 464

The Not So Great Gatsby 468

Three producers 470

Backlash from Biggies 476

Critical Tidbits 489

Joyce Haber and the Oscars 494

More Kelly Lange and Bryant Gumbel 495

The Gong Show 500

The Laugh-ln Revival, Sinatra's Arrival, Redd's Departure, and a Small Dinner 505

My Friend, Francis 513

Chicago, My Kind of Town … Almost 520

Oh, Boy, Oh, Danny Boy 526

There's No Business 540

Giving Up 544

The Best Things Happen by Accident 547

Not Heavenly Hosts 550

Real People 555

A House Call 559

This Shit's Not Going Anywhere 562

Crazy George 566

A Show for All Seasons 570

Jolene 574

Real People …. Stories, Stories, Stories 576

All About the T-Shirt 580

The Ides of March 585

The Power and the Glory 596

Kill All the Lawyers, Henry VI 603

Speak Up, Jim Garrison 611

January 29, 1982 620

That Awful Quiz Show 625

The Little Engine and Ernie Kovacs 632

A Late-Night Dinner with George Burns 639

John Barbour's World vs. The Real World 641

Showtime on Showtime 645

If at First You Succeed, It's Harder to Do It Again 648

Almost Above Being Local Again 650

Really … news? 654

The Barbour Report and Reliable Sources 662

The Garrison Tapes 671

The City of Second Chances 684

54 Pine Isle Court 688

A Brief Break About Money 692

The Last Word on the Assassination 694

The American Media and the 2nd Assassination of President John F. Kennedy 704

Epilogue 706

Postscript 710

Pictures 711

Postcript Poem 720

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