06/20/2016 In this concise biography of Willa Cather (1873–1947), Ehrlich (With a Mighty Hand) focuses on the profound impact the author’s youth had on her writing. Portrayed as idyllic and ever-changing, Cather’s early life in Virginia contrasted sharply to the barren Nebraska prairie where she moved, at age nine, and initially thought “she’d come to the end of everything.” Fortunately, Cather quickly came to revere her fellow settlers and later incorporated their experiences and her love of the open space into her best-known novels. Throughout, Ehrlich makes good use of engaging details (children “built campfires on the beach and told stories and watched the flickering stars”) and imagery (“it was as if her personality and the world she had known were being erased”). Occasionally abrupt changes of time and place result from Ehrlich’s telescopic narrative of the half century Cather lived in East Coast cities, but she concludes with a satisfying assessment of the author’s literary achievement. Minor’s sepia and color paintings bring a warm sense of place to the urban and rural settings, and a timeline and appendix of female writers of Cather’s time are included. Ages 7–10. (Sept.)
In this chapter-book biography of Willa Cather, elementary-grade readers may be lured by a story initially reminiscent of Laura Ingalls Wilder; Cather was trans- planted from the East (in this case, Virginia) to the Midwestern plains (for Cather, Nebraska), and later notably chronicled the experiences of pioneers during white settlement. Wilder’s writing is accessible to younger children, though, while Cather’s work leans toward an older audience, and it’s unlikely that Ehrlich’s intended reader will have encountered Cather’s work. Perceptive kids will glean the basics here—that Cather’s Western sojourn and acquaintances formed the basis of many of her novels, even though her own education and experiences were broader than this interest might suggest. Minor’s illustrations, some color, some monochromatic sepia-toned, offer stiff, literal images drawn from the text, a timeline extends the list of people Cather met, a bibliography is directed to adult readers, and fifteen thumbnail bios of noted American women writers.
July/August 2016 - Bulletin of the Center for Children's Books
Willa Cather’s work is seminal in describing the American experience, and her life story is emblematic of the turbulent time in which she lived and worked. This biography touches on myriad issues that were formative in the U.S. in the nineteenth century, including slavery, the rise of industry, women’s struggle for equality, and westward expansion. Cather encountered many of these conflicts firsthand, and the anecdotes that Ehrlich conveys about her life lend a personal bent to the time period, such as when Cather witnessed a slave mother reuniting with her free daughter, or the loneliness that she felt on the wide expanse of the Great Plains. Minor’s flair for nature illustrations lends itself well to Cather’s love of the prairie, while also contextualizing the narrative. Short capsule biographies of other women during Cather’s lifetime are included in the end matter and offer ideas for further reading. This biography is a captivating look at a celebrated artist and a slice of life from a time period marked by change and progress. — Erin Anderson
Willa Cather’s work is seminal in describing the American experience, and her life story is emblematic of the turbulent time in which she lived and worked. This biography touches on myriad issues that were formative in the U.S. in the nineteenth century, including slavery, the rise of industry, women’s struggle for equality, and westward expansion. Cather encountered many of these conflicts firsthand, and the anecdotes that Ehrlich conveys about her life lend a personal bent to the time period, such as when Cather witnessed a slave mother reuniting with her free daughter, or the loneliness that she felt on the wide expanse of the Great Plains. Minor’s flair for nature illustrations lends itself well to Cather’s love of the prairie, while also contextualizing the narrative. Short capsule biographies of other women during Cather’s lifetime are included in the end matter and offer ideas for further reading. This biography is a captivating look at a celebrated artist and a slice of life from a time period marked by change and progress. — Erin Anderson
08/01/2016 Gr 2–6—Ehrlich pieces together the life story of Willa Cather in this short illustrated biography. The narrative is divided into segments that follow the travels of Cather and her family, beginning in 1877, in her childhood home in Virginia. Brief chapters cover her family's move west to Nebraska and a bit of her adult life in New York City. Cather is shown to be inquisitive and thoughtful; she spent time with pioneer women and read adventure tales. The author stresses Cather's circumstances, her desire to escape her community's shortsighted expectations of girls, and the importance of writing as a passion and an outlet. Ehrlich assumes a familiarity with the subject matter as she describes Cather's life "on the Divide" but does not go into detail about where or what the "Divide" was. Back matter includes a time line of Cather's life and work, as well as short profiles of 15 other women writers who were her contemporaries. Minor's watercolor paintings and drawings give readers an idyllic rendering of the American West and post–Civil War life. VERDICT An accessible biography for elementary students learning about late 19th- and early 20th-century U.S. history.—Annette Herbert, F. E. Smith Elementary School, Cortland, NY
2016-06-01 Ehrlich renders an admiring portrait of Cather, focusing on the relationship between her writing and the places she lived and visited.Willa and family followed her grandparents from Virginia to Nebraska in 1883. Willa was lonely, but she had a pony and freedom to roam. When her father traded farming for real estate, the family moved to Red Cloud. She read keenly, enjoying adult friends, who "were more interesting than children and...talked to Willa in a serious and cultured way." During her freshman year at the University of Nebraska in Lincoln, an essay's publication changed Willa's path from doctor to writer. Cather worked at magazines in Pittsburgh and New York. The writer Sarah Orne Jewett urged her to focus on her own writing. Journeys to Europe, the American Southwest, back to Nebraska and Virginia—all resonated in her accomplished fiction. Ehrlich writes with little inflection, sometimes adopting Cather's viewpoint. The Civil War and slavery are briefly treated. (Cather's maternal grandparents were slaveholders.) Native Americans receive only incidental mentions: that Red Cloud is named for the Oglala Lakota chief and that, as children, Willa and her brothers had "imagined themselves in Indian country in the Southwest desert. What adventures they would have!" Minor's watercolor-and-gouache pictures depict bucolic prairie scenes and town and city life; meadowlarks appear frequently. A simplistic treatment for an audience likely unfamiliar with its subject. (timeline, thumbnail biographies of American women writers of Cather's time, bibliography) (Biography. 7-10)