The Nolan Variations: The Movies, Mysteries, and Marvels of Christopher Nolan

by Tom Shone

Overview

Notes From Your Bookseller

What an amazing look into the creative mind of one of Hollywood's most exciting directors, Christopher Nolan. The author of multiple film books and a former movie critic, Tom Shone is the perfect person — other than Nolan himself — to do a deep dive into the subject. Never-before-seen photos and ephemera are sure to delight film buffs and fans who want some idea of how this eclectic filmmaker thinks.

An in-depth look at Christopher Nolan, considered to be the most profound, commercially successful director at work today, written with his full cooperation. A rare, revelatory portrait, "as close as you're ever going to get to the Escher drawing that is Christopher Nolan's remarkable brain" (Sam Mendes). 

In chapters structured by themes and motifs ("Time"; "Chaos"; "Dreams"), Shone offers an unprecedented intimate view of the director. Shone explores Nolan's thoughts on his influences, his vision, his enigmatic childhood past—and his movies, from plots and emotion to identity and perception, including his latest blockbuster, the action-thriller/spy-fi Tenet ("Big, brashly beautiful, grandiosely enjoyable"—Variety). 

Filled with the director's never-before-seen photographs, storyboards, and scene sketches, here is Nolan on the evolution of his pictures, and the writers, artists, directors, and thinkers who have inspired and informed his films. 

"Fabulous: intelligent, illuminating, rigorous, and highly readable. The very model of what a filmmaking study should be. Essential reading for anyone who cares about Nolan or about film for that matter."—Neal Gabler, author of An Empire of Their Own: How the Jews Invented Hollywood and Walt Disney, The Biography

Product Details

ISBN-13:	9780525655329
Publisher:	Knopf Doubleday Publishing Group
Publication date:	11/03/2020
Pages:	400
Sales rank:	149,534
Product dimensions:	7.40(w) x 9.20(h) x 1.10(d)

About the Author

TOM SHONE was the film critic of the Sunday Times from 1994 until he moved to New York in 1999. He is the author of five books, including Tarantino: A Retrospective and Martin Scorsese: A Retrospective. His writing has appeared in The New Yorker, The New York Times, the Times Literary Supplement, Intelligent Life, and Vogue. He currently teaches film history and criticism at New York University.

Editorial Reviews

08/24/2020

Drawing on interviews conducted over three years, film critic Shone (The Irishman: The Making of the Movie) shines a light on Christopher Nolan, who has “long perfected the art of talking about his films while giving away nothing about himself.” Shone devotes a chapter to each of Nolan’s films, from his 1998 debut, Following, to the forthcoming Tenet, while tracing a few common themes. These include what the Anglo-American Nolan gained from his teenage years attending a “really establishment, old-fashioned” U.K. boarding school (principally, “how to relate to an establishment you’re inherently rebelling against but can’t push too far”). Another is the counterpoint between his exacting planning while scripting and shooting (“rules are very important” in giving a fantastical story credibility) and his openness to experimentation and “surprise,” as when he unexpectedly discovered the perfect last shot for The Dark Knight in unedited stunt footage. Shone also emphasizes the importance of collaboration for Nolan, including with composer Hans Zimmer (who “teaches me a new musical term with each film”) and Inception’s star Leonardo DiCaprio, whom Nolan credits with pushing the project from a genre heist film toward a “more character-based direction.” Shone provides thoughtful context for Nolan’s commentary, but readers will most value Nolan’s own words about his work. (Oct.)

Publishers Weekly

"This is the book for which Christopher Nolan's many admirers have long been waiting ... Shone sat with Nolan for numerous conversations over three years, producing what is almost a coauthored exploration of Nolan's creative process, his extensive influences, and his films ... Shone seamlessly weaves these conversations within a narrative that stretches from Nolan's formative boarding school days in England to the evolution of his career and work ... a thoroughly entertaining and fascinating portrait. For the foreseeable future, this is the definitive word on Nolan and a must for film buffs."—Library Journal (starred review)

"Nolan is a wonderfully unlikely contemporary filmmaker. We're fortunate indeed to have him, and fortunate now to have this book."—William Gibson

"Drawing on interviews conducted over three years, film critic Shone shines a light on Christopher Nolan, who has 'long perfected the art of talking about his films while giving away nothing about himself.' Shone devotes a chapter to each of Nolan's films [and] provides thoughtful context for Nolan's commentary."—Publishers Weekly

"An up-close and personal look at one of Hollywood's most successful directors ... unique access to the 'most successful filmmaker to come out of the British Isles since Alfred Hitchcock.' This erudite book is packed with extensive, expansive discussions about Nolan's films, all written or co-written by the director; insight into what he was trying to accomplish with each film; methodologies; and the movies, directors, books, art, architecture, and music that influenced him ... revealing ... invaluable."—Kirkus (starred review)

From the Publisher

★ 09/01/2020

Quite simply, this is the book for which director Christopher Nolan's many admirers have long been waiting. While his enigmatic and labyrinthine filmmaking style has drawn praise from viewers and critics alike, he has kept a similarly mysterious air about himself and his work. Yet film critic Shone (Tarantino: A Retrospective) sat with Nolan for numerous conversations over three years, producing what is almost a coauthored exploration of Nolan's creative process, his extensive influences, and his films, from 1998's Following to his latest, Tenet. Shone seamlessly weaves these conversations within a narrative that stretches from Nolan's formative boarding school days in England to the evolution of his career and his work with key contributors such as composer Hans Zimmer, his screenwriter brother Jonathan, and his wife Emma Thomas, who has served as a producer on all his films. Only a handful of contemporary writer-directors truly merit this kind of mid-career assessment, and Shone has crafted a thoroughly entertaining and fascinating portrait. VERDICT For the foreseeable future, this is the definitive word on Nolan and a must for film buffs.—Peter Thornell, Hingham P.L., MA

Library Journal

★ 2020-07-29
An up-close and personal look at one of Hollywood’s most successful directors.

In his latest, film historian and critic Shone wrote in close collaboration with Nolan (b. 1970), and their longtime friendship (they met in 2001, not long after Memento was released) provides him with unique access to the “most successful filmmaker to come out of the British Isles since Alfred Hitchcock.” This erudite book is packed with extensive, expansive discussions about Nolan’s films, all written or co-written by the director; insights into what he was trying to accomplish with each film; methodologies; and the movies, directors, books, art, architecture, and music that influenced him. Shone calls Nolan a “classicist” who prefers “to shoot every frame himself.” His films, writes the author, are “variations on a series of themes, repeated in different voices and keys, inverted, slowed down or sped up, creating an impression of ceaseless movement.” On Following, his first film, Nolan says he tried “to tell a story in something like three dimensions.” With Memento, he wondered: “Can you really make a movie backward?” For Shone, the “world’s first spoiler-proof movie” is like “Groundhog Day as written by Mickey Spillane.” Nolan believes that Insomnia, his first studio film with big-time actors (Al Pacino, Robin Williams, Hilary Swank) is the “most underrated” of all his films. His three Batman films, Nolan suggests, trace “what being Batman is costing Bruce Wayne,” and The Prestige, writes Shone, “is the “locus classicus of all his themes and concerns.” After the $1 billion box-office take for The Dark Knight, Nolan was free to do anything. He first had the idea for Inception when he was a student. The film, which broke all kinds of conventional notions of cinema, is “possibly Nolan’s greatest feat of structural engineering.” Interstellar “came from a very personal place,” and Dunkirk, notes Shone, “narrows as it proceeds, like a noose.” The author concludes that “Nolan’s films leave an echo whose reverberations are felt only once it is over.”

Fans of Nolan’s films will find this revealing book invaluable.

Kirkus Reviews