In the second novel in his "Jonas Wegeland" trilogy (after The Seducer), celebrated Norwegian author Kjærstad offers a dark narrative exploring both the Norwegian national character and, more broadly, the human condition. A scholar has been contracted to write the definitive biography of Wegeland, one of Norway's most famous personages, now infamous after murdering his wife. After two years of research, the scholar is mired in contradictory details and suffering from acute writer's block-until a mysterious stranger arrives at his doorstep. What follows is a set of eccentric but intimate stories, ostensibly recalled by the stranger-"the sequence is crucial; only by following it can you hope to understand anything at all [...] just one story out of place and it all falls apart"-that may yield a coherent picture of Wegeland if woven together. Translator Haveland's prose is clean and attentive to detail. In conjunction with the other two books in the trilogy (which also includes The Discoverer), this work is appropriate for academic libraries.
—Karen Walton Morse
From Norwegian novelist and short-story writer Kjaerstad, a gloomy investigation of how the past spills into the present, and why otherwise nice Norwegians would be moved to murder. This book is the second volume in the Wergeland trilogy. Back in the day, Jonas Wergeland was an inquisitive student, brilliant, capable of speculating that "Dante's observations on the celestial spheres, based on Ptolemy's theories, were at least as right or wrong as the theories about the universe with which he was confronted in his astrophysical studies." Alas, it's the here and now, and Jonas is a television personality, the most popular in all of Norway. The here and now doesn't always agree with him; when we meet Wergeland, early in the pages of this sprawling postmodern whodunit, our hero, breast-obsessed ("it's a long story altogether, that of men and breasts") and bewildered, is being copiously sick, feeling "as if he were spewing over Oslo, over the whole of Norway, in fact." Wergeland has reason to feel ill over the course of much of this novel, and it's not just from all the aquavit; his wife, Margrete, has been shot dead in the first volume of the trilogy, The Seducer, and all fingers point at him. Ironically titled, The Conqueror finds Wergeland on trial for murder, and, more than that, being examined by a curious biographer who hits hard walls at every turn in the maze that is Wergeland's life. "For so it is," writes Kjaerstad, "even though life is lived forward, it is always understood backward." Kjaerstad takes the occasion of Wergeland's pickle to ponder the meaning of memory, reality, justice, sex and being Norwegian ("To be a Norwegian is to express indignation at an unfair distribution ofthe assets that a society has created collectively"), all in elegant prose shot through with puckish humor-and leaving off on a cliffhanger that will await the third volume in the trilogy (titled The Discoverer, it will be published in the United States by Open Letter in 2009) for resolution. Think of it as Kafka-meets-Billy Connolly, and you're almost there. Sly, intelligent and a pleasure for fans of philosophically inclined literature.
