The Child in Time

The Child in Time

by Ian McEwan
The Child in Time

The Child in Time

by Ian McEwan

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Overview

Notes From Your Bookseller

The Child in Time is an astonishingly profound story about a successful children’s book author whose only child is kidnapped during a trip to the supermarket. McEwan plays into the surreal aspects of time in this novel, skillfully weaving a narrative about the effects of grief and how one moves on after tragedy. A masterful reflection on both childhood and parenthood, McEwan further cements himself as one of the greats.

A child’s abduction sends a father reeling in this Whitbread Award-winning novel that explores time and loss with “narrative daring and imaginative genius” (Kirkus Reviews, starred review).
 
Stephen Lewis, a successful author of children’s books, is on a routine trip to the supermarket with his three-year-old daughter. In a brief moment of distraction, she suddenly vanishes—and is irretrievably lost. From that moment, Lewis spirals into bereavement that effects his marriage, his psyche, and his relationship with time itself: “It was a wonder that there could be so much movement, so much purpose, all the time. He himself had none at all.”
 
In The Child in Time, acclaimed author Ian McEwan “sets a story of domestic horror against a disorienting exploration in time” producing “a work of remarkable intellectual and political sophistication” that has been adapted into a PBS Masterpiece movie starring Benedict Cumberbatch (Kirkus Reviews, starred review).
 
“A beautifully rendered, very disturbing novel.” —Publishers Weekly

Product Details

ISBN-13: 9780795304095
Publisher: RosettaBooks
Publication date: 09/05/2019
Series: Ian McEwan Series , #1
Sold by: Barnes & Noble
Format: eBook
Pages: 274
Sales rank: 39,249
File size: 786 KB

About the Author

About The Author

First Love, Last Rites was McEwan's first published book and is a collection of short stories that in 1976 won the Somerset Maugham Award. A second volume of his work appeared in 1978. These stories--claustrophobic tales of childhood, deviant sexuality and disjointed family life--were remarkable for their formal experimentation and controlled narrative voice. McEwan's first novel, The Cement Garden (1978), is the story of four orphaned children living alone after the death of both parents. To avoid being taken into custody, they bury their mother in the cement of the basement and attempt to carry on life as normally as possible. Soon, an incestuous relationship develops between the two oldest children as they seek to emulate their parents roles. The Cement Garden was followed by The Comfort of Strangers (1981), set in Venice, a tale of fantasy, violence, and obsession. The Child in Time (1987) won the Whitbread Novel Award and marked a new confidence in McEwan's writing. The story revolves around the devastating effects of the loss of a child through child abduction. Readers may know McEwan's work through these and other books, or more recently through his novel, Atonement, which was made into a major motion picture.


First Love, Last Rites was McEwan's first published book and is a collection of short stories that in 1976 won the Somerset Maugham Award. A second volume of his work appeared in 1978. These stories--claustrophobic tales of childhood, deviant sexuality and disjointed family life--were remarkable for their formal experimentation and controlled narrative voice. McEwan's first novel, The Cement Garden (1978), is the story of four orphaned children living alone after the death of both parents. To avoid being taken into custody, they bury their mother in the cement of the basement and attempt to carry on life as normally as possible. Soon, an incestuous relationship develops between the two oldest children as they seek to emulate their parents roles. The Cement Garden was followed by The Comfort of Strangers (1981), set in Venice, a tale of fantasy, violence, and obsession. The Child in Time (1987) won the Whitbread Novel Award and marked a new confidence in McEwan's writing. The story revolves around the devastating effects of the loss of a child through child abduction. Readers may know McEwan's work through these and other books, or more recently through his novel, Atonement, which was made into a major motion picture.

Hometown:

Oxford, England

Date of Birth:

June 21, 1948

Place of Birth:

Aldershot, England

Education:

B.A., University of Sussex, 1970; M.A., University of East Anglia, 1971

Read an Excerpt

CHAPTER 1

"... and for those parents, for too many years misguided by the pallid relativism of self-appointed child-care experts ..."

— The Authorized Child-Care Handbook, Her Majesty's Stationery Office

Subsidizing public transport had long been associated in the minds of both government and the majority of its public with the denial of individual liberty. The various services collapsed twice a day at rush hour and it was quicker, Stephen found, to walk from his flat to Whitehall than to take a taxi. It was late May, barely nine-thirty, and already the temperature was nudging the eighties. He strode towards Vauxhall Bridge past double and treble files of trapped, throbbing cars, each with its solitary driver. In tone the pursuit of liberty was more resigned than passionate. Ringed fingers drummed patiently on the sill of a hot tin roof, white-shirted elbows poked through rolled-down windows. There were newspapers spread over steering wheels. Stephen stepped quickly through the crowds, through layers of car radio blather — jingles, high-energy breakfast DJs, news flashes, traffic "alerts." Those drivers not reading listened stolidly. The steady forward press of the pavement crowds must have conveyed to them a sense of relative motion, of drifting slowly backwards.

Jigging and weaving to overtake, Stephen remained as always, though barely consciously, on the watch for children, for a five- year-old girl. It was more than a habit, for a habit could be broken. This was a deep disposition, the outline experience had stenciled on character. It was not principally a search, though it had once been an obsessive hunt, and for a long time too. Two years on, only vestiges of that remained; now it was a longing, a dry hunger. There was a biological clock, dispassionate in its unstoppability, which let his daughter go on growing, extended and complicated her simple vocabulary, made her stronger, her movements surer. The clock, sinewy like a heart, kept faith with an unceasing conditional: she would be drawing, she would be starting to read, she would be losing a milk tooth. She would be familiar, taken for granted. It seemed as though the proliferating instances might wear down this conditional, the frail, semiopaque screen whose fine tissues of time and chance separated her from him; she is home from school and tired, her tooth is under the pillow, she is looking for her daddy.

Any five-year-old girl — though boys would do — gave substance to her continued existence. In shops, past playgrounds, at the houses of friends, he could not fail to watch out for Kate in other children, or ignore in them the slow changes, the accruing competences, or fail to feel the untapped potency of weeks and months, the time that should have been hers. Kate's growing up had become the essence of time itself. Her phantom growth, the product of an obsessive sorrow, was not only inevitable — nothing could stop the sinewy clock — but necessary. Without the fantasy of her continued existence he was lost, time would stop. He was the father of an invisible child.

But here on Millbank there were only ex-children shuffling to work. Further up, just before Parliament Square, was a group of licensed beggars. They were not permitted anywhere near Parliament or Whitehall or within sight of the square. But a few were taking advantage of the confluence of commuter routes. He saw their bright badges from a couple of hundred yards away. This was their weather, and they looked cocky with their freedom. The wage-earners had to give way. A dozen beggars were working both sides of the street, moving towards him steadily against the surge. It was a child Stephen was watching now, not a five-year-old but a skinny prepubescent. She had registered him at some distance. She walked slowly, somnambulantly, the regulation black bowl extended. The office workers parted and converged about her. Her eyes were fixed on Stephen as she came. He felt the usual ambivalence. To give money ensured the success of the government program. Not to give involved some determined facing-away from private distress. There was no way out. The art of bad government was to sever the line between public policy and intimate feeling, the instinct for what was right. These days he left the matter to chance. If he had small change in his pocket, he gave it. If not, he gave nothing. He never handed out banknotes.

The girl was brown-skinned from sunny days on the street. She wore a grubby yellow cotton frock and her hair was severely cropped. Perhaps she had been deloused. As the distance closed he saw she was pretty, impish and freckled, with a pointed chin. She was no more than twenty feet away when she ran forward and took from the pavement a lump of still glistening chewing gum. She popped it in her mouth and began to chew. The little head tilted back defiantly as she looked again in his direction.

Then she was before him, the standard-issue bowl held out before her. She had chosen him minutes ago, it was a trick they had. Appalled, he had reached into his back pocket for a five- pound note. She looked on with neutral expression as he set it down on top of the coins.

As soon as his hand was clear, the girl picked the note out, rolled it tight into her fist, and said, "Fuck you, mister." She was edging round him.

Stephen put his hand on the hard, narrow shoulder and gripped. "What was that you said?"

The girl turned and pulled away. The eyes had shrunk, the voice was reedy. "I said, Fank you, mister." She was out of reach when she added, "Rich creep!"

Stephen showed empty palms in mild rebuke. He smiled without parting his lips to convey his immunity to the insult. But the kid had resumed her steady, sleepwalker's step along the street. He watched her for a full minute before he lost her in the crowd. She did not glance back.

* * *

The Official Commission on Child Care, known to be a pet concern of the prime minister's, had spawned fourteen subcommittees whose task was to make recommendations to the parent body. Their real function, it was said cynically, was to satisfy the disparate ideals of myriad interest groups — the sugar and fast-food lobbies; the garment, toy, formula milk, and firework manufacturers; the charities; the women's organizations; the pedestrian-controlled crosswalk pressure group people — who pressed in on all sides. Few among the opinion-forming classes declined their services. It was generally agreed that the country was full of the wrong sort of people. There were strong opinions about what constituted a desirable citizenry and what should be done to children to procure one for the future. Everyone was on a subcommittee. Even Stephen Lewis, an author of children's books, was on one, entirely through the influence of his friend, Charles Darke, who resigned just after the committees began their work. Stephen's was the Subcommittee on Reading and Writing, under the reptilian Lord Parmenter. Weekly, through the parched months of what was to turn out to be the last decent summer of the twentieth century, Stephen attended meetings in a gloomy room in Whitehall where, he was told, night bombing raids on Germany had been planned in 1944. He would have had much to say on the subjects of reading and writing at other times of his life, but at these sessions he tended to rest his arms on the big polished table, incline his head in an attitude of respectful attention, and say nothing. He was spending a great deal of time alone these days. A roomful of people did not lessen his introspection, as he had hoped, so much as intensify it and give it structure.

He thought mostly about his wife and daughter, and what he was going to do with himself. Or he puzzled over Darke's sudden departure from political life. Opposite was a tall window through which, even in midsummer, no sunlight ever passed. Beyond, a rectangle of tightly clipped grass framed a courtyard, room enough for half a dozen ministerial limousines. Off-duty chauffeurs lounged and smoked and glanced in at the committee without interest. Stephen ran memories and daydreams, what was and what might have been. Or were they running him? Sometimes he delivered his compulsive imaginary speeches, bitter or sad indictments whose every draft was meticulously revised. Meanwhile, he kept half an ear on the proceedings. The committee divided between the theorists, who had done all their thinking long ago, or had had it done for them, and the pragmatists, who hoped to discover what it was they thought in the process of saying it. Politeness was strained, but never broke.

Lord Parmenter presided with dignified and artful banality, indicating chosen speakers with a flickering swivel of his hooded, lashless eyes, raising a feathery limb to subdue passions, making his rare, slow-loris pronouncements with dry, speckled tongue. Only the dark double-breasted suit betrayed a humanoid provenance. He had an aristocratic way with a commonplace. A long and fractious discussion concerning child development theory had been brought to a useful standstill by his weighty intervention — "Boys will be boys." That children were averse to soap and water, quick to learn, and grew up all too fast were offered up similarly as difficult axioms. Parmenter's banality was disdainful, fearless in proclaiming a man too important, too intact, to care how stupid he sounded. There was no one he needed to impress. He would not stoop to being merely interesting. Stephen did not doubt that he was a very clever man.

The committee members did not find it necessary to get to know one another too well. When the long sessions were over, and while papers and books were shuffled into briefcases, polite conversations began which were sustained along the two-tone corridors and faded into echoes as the committee descended the spiral concrete staircase and dispersed onto many levels of the ministry's subterranean car park.

Through the stifling summer months and beyond, Stephen made the weekly journey to Whitehall. This was his one commitment in a life otherwise free of obligations. Much of this freedom he spent in his underwear, stretched out on the sofa in front of the TV, moodily sipping neat Scotch, reading magazines back to front or watching the Olympic Games. At night the drinking increased. He ate in a local restaurant alone. He made no attempt to contact friends. He never returned the calls monitored on his answering machine. Mostly he was indifferent to the squalor of his flat, the meaty black flies and their leisurely patrols. When he was out he dreaded returning to the deadly alignments of familiar possessions, the way the empty armchairs squatted, the smeared plates and old newspapers at their feet. It was the stubborn conspiracy of objects — lavatory seat, bedsheets, floor dirt — to remain exactly as they had been left. At home too he was never far from his subjects: his daughter, his wife, what to do. But here he lacked the concentration for sustained thought. He daydreamed in fragments, without control, almost without consciousness.

* * *

The members made a point of being punctual. Lord Parmenter was always the last to arrive. As he lowered himself into his seat he called the room to order with a soft gargling sound which cleverly transformed itself into his opening words. The clerk to the committee, Peter Canham, sat on his right, with his chair set back from the table to symbolize his detachment. All that was required of Stephen was that he should appear plausibly alert for two and a half hours. This useful framework was familiar from his schooldays, from the hundreds or thousands of classroom hours dedicated to mental wandering. The room itself was familiar. He was at home with the light switches in brown Bakelite, the electric wires in dusty piping tacked inelegantly to the wall. Where he had gone to school, the history room had looked much like this: the same worn-out, generous comfort, the same long battered table which someone still bothered to polish, the vestigial stateliness and dozy bureaucracy mingling soporifically. When Parmenter outlined, with reptilian affability, the morning's work ahead, Stephen heard his teacher's soothing Welsh lilt croon the glories of Charlemagne's court or the cycles of depravity and reform in the medieval papacy. Through the window he saw not an enclosed car park and baking limousines but, as from two floors up, a rose garden, playing fields, a speckled gray balustrade, then rough, uncultivated land which fell away to oaks and beeches, and beyond them the great stretch of foreshore and the blue tidal river, a mile from bank to bank. This was a lost time and a lost landscape — he had returned once to discover the trees efficiently felled, the land plowed, and the estuary spanned by a motorway bridge. And since loss was his subject, it was an easy move to a frozen, sunny day outside a supermarket in south London. He was holding his daughter's hand. She wore a red woolen scarf knitted by his mother and carried a frayed donkey against her chest. They were moving towards the entrance. It was a Saturday, there were crowds. He held her hand tightly.

Parmenter had finished, and now one of the academics was hesitantly arguing the merits of a newly devised phonetic alphabet. Children would learn to read and write at an earlier age and with greater enjoyment, the transition to the conventional alphabet promised to be effortless. Stephen held a pencil in his hand and looked poised to take notes. He was frowning and moving his head slightly, though whether in agreement or disbelief it was hard to tell.

Kate was at an age when her burgeoning language and the ideas it unraveled gave her nightmares. She could not describe them to her parents but it was clear they contained elements familiar from her storybooks — a talking fish, a big rock with a town inside, a lonely monster who longed to be loved. There had been nightmares through this night. Several times Julie had got out of bed to comfort her, and then found herself wakeful till well after dawn. Now she was sleeping in. Stephen made breakfast and dressed Kate. She was energetic despite her ordeal, keen to go shopping and ride in the supermarket cart. The oddity of sunshine on a freezing day intrigued her. For once she cooperated in being dressed. She stood between his knees while he guided her limbs into her winter underwear. Her body was so compact, so unblemished. He picked her up and buried his face in her belly, pretending to bite her. The little body smelled of bed warmth and milk. She squealed and writhed, and when he put her down she begged him to do it again.

He buttoned her woolen shirt, helped her into a thick sweater, and fastened her dungarees. She began a vague, abstracted chant which meandered between improvisation, nursery rhymes, and snatches of Christmas carols. He sat her in his chair, put her socks on, and laced her boots. When he knelt in front of her she stroked his hair. Like many little girls she was quaintly protective towards her father. Before they left the flat she would make certain he buttoned his coat to the top.

He took Julie some tea. She was half asleep, with her knees drawn up to her chest. She said something which was lost to the pillows. He put his hand under the bedclothes and massaged the small of her back. She rolled over and pulled his face towards her breasts. When they kissed, he tasted in her mouth the thick, metallic flavor of deep sleep. From beyond the bedroom gloom Kate was still intoning her medley. For a moment Stephen was tempted to abandon the shopping and set Kate up with some books in front of the television. He could slip between the heavy covers beside his wife. They had made love just after dawn, but sleepily, inconclusively. She was fondling him now, enjoying his dilemma. He kissed her again.

They had been married six years, a time of slow, fine adjustments to the jostling principles of physical pleasure, domestic duty, and the necessity of solitude. Neglect of one led to diminishment or chaos in the others. Even as he gently pinched Julie's nipple between his finger and thumb he was making his calculations. Following her broken night and a shopping expedition, Kate would be needing sleep by midday. Then they could be sure of uninterrupted time. Later, in the sorry months and years, Stephen was to make efforts to reenter this moment, to burrow his way back through the folds between events, crawl between the covers, and reverse his decision. But time — not necessarily as it is, for who knows that, but as thought has constituted it — monomaniacally forbids second chances. There is no absolute time, his friend Thelma had told him on occasions, no independent entity. Only our particular and weak understanding. He deferred pleasure, he caved in to duty. He squeezed Julie's hand and stood. In the hall Kate came towards him talking loudly, holding up the scuffed toy donkey. He bent to loop the red scarf twice around her neck. She was on tiptoes to check his coat buttons. They were holding hands even before they were through the front door.

(Continues…)


Excerpted from "The Child in Time"
by .
Copyright © 2009 RosettaBooks, LLC.
Excerpted by permission of RosettaBooks.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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