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Overview
After his masterpiece of travel writing, In Patagonia, put him on the literary map, Bruce Chatwin penned a novel about twin brothers who never venture far from their Welsh farm. On the Black Hill won the Whitbread Literary Award for Best First Novel and the James Tait Black Memorial Prize. Following that work of fiction, Chatwin turned his focus to Australia and Aboriginal culture, creating a wholly original hybrid of memoir, travelogue, and novel in the international bestseller, The Songlines.
On the Black Hill: For forty-two years, identical twins Lewis and Benjamin Jones have shared a bed, a farm, and a life. But the world has made its mark on them each in different ways. At eighty, Lewis is still strong enough to wield an ax, and though he’s hardly ever ventured outside his little village on the Welsh/English border, he dreams of far-off lands. Benjamin is gentler, a cook whose favorite task is delivering baby lambs, and even in his old age, remains devoted to the memory of their mother. With his delicate attention to detail, Chatwin’s intense and poetic portrait of their shared lives in a little patch of Wales is “beautiful and haunting” (Los Angeles Times).
“A brooding pastoral tale full of tender grandeur.” —The New York Times Book Review
The Songlines: Long ago, the creators wandered Australia and sang the landscape into being, naming every rock, tree, and watering hole in the great desert. Those songs were passed down to the Aboriginals, and for centuries they have served not only as a shared heritage, but also as a living map. Entranced by this cultural heritage, a narrator named Bruce travels to Australia to probe the deepest meaning of these ancient, living songs, and embarks on a profound exploration of the nomadic instinct.
“Extraordinary. A remarkable and satisfying book.” —The Observer
Product Details
| ISBN-13: | 9781504053730 |
|---|---|
| Publisher: | Open Road Media |
| Publication date: | 05/08/2018 |
| Sold by: | Barnes & Noble |
| Format: | eBook |
| Pages: | 841 |
| File size: | 10 MB |
About the Author
Bruce Chatwin was born in Sheffield in 1940. After attending Marlborough School, he began work as a porter at Sotheby’s. Eight years later, having become one of Sotheby’s youngest directors, he abandoned his job to pursue his passion for world travel. He worked for the Sunday Times from 1972 to 1975, before announcing his next departure in a telegram: “Gone to Patagonia for six months.” This trip inspired the first of Chatwin’s books, In Patagonia, which won the Hawthornden Prize and the E. M. Forster Award, and launched his writing career. Two of his books have been made into feature films: The Viceroy of Ouidah, retitled Cobra Verde and directed by Werner Herzog; and Andrew Grieve’s On the Black Hill. On publication, The Songlines went straight to number one on the Sunday Times bestseller list and remained in the top ten for nine months. On the Black Hill won the Whitbread Literary Award for First Novel. Utz, another work of fiction, was nominated for the Man Booker Prize. Chatwin died in January 1989 at the age of forty-eight.
Read an Excerpt
CHAPTER 1
For forty-two years, Lewis and Benjamin Jones slept side by side, in their parents' bed, at their farm which was known as 'The Vision'.
The bedstead, an oak four-poster, came from their mother's home at Bryn-Draenog when she married in 1899. Its faded cretonne hangings, printed with a design of larkspur and roses, shut out the mosquitoes of summer, and the draughts in winter. Calloused heels had worn holes in the linen sheets, and parts of the patchwork quilt had frayed. Under the goose-feather mattress, there was a second mattress, of horsehair, and this had sunk into two troughs, leaving a ridge between the sleepers.
The room was always dark and smelled of lavender and mothballs.
The smell of mothballs came from a pyramid of hatboxes piled up beside the washstand. On the bed-table lay a pincushion still stuck with Mrs Jones's hatpins; and on the end wall hung an engraving of Holman Hunt's 'Light of the World', enclosed in an ebonized frame.
One of the windows looked out over the green fields of England: the other looked back into Wales, past a clump of larches, at the Black Hill.
Both the brothers' hair was even whiter than the pillowcases.
Every morning their alarm went off at six. They listened to the farmers' broadcast as they shaved and dressed. Downstairs, they tapped the barometer, lit the fire and boiled a kettle for tea. Then they did the milking and foddering before coming back for breakfast.
The house had roughcast walls and a roof of mossy stone tiles and stood at the far end of the farmyard in the shade of an old Scots pine. Below the cowshed there was an orchard of wind-stunted apple-trees, and then the fields slanted down to the dingle, and there were birches and alders along the stream.
Long ago, the place had been called Ty-Cradoc – and Caractacus is still a name in these parts – but in 1737 an ailing girl called Alice Morgan saw the Virgin hovering over a patch of rhubarb, and ran back to the kitchen, cured. To celebrate the miracle, her father renamed his farm 'The Vision' and carved the initials A.M. with the date and a cross on the lintel above the porch. The border of Radnor and Hereford was said to run right through the middle of the staircase.
The brothers were identical twins.
As boys, only their mother could tell them apart: now age and accidents had weathered them in different ways.
Lewis was tall and stringy, with shoulders set square and a steady long-limbed stride. Even at eighty he could walk over the hills all day, or wield an axe all day, and not get tired.
He gave off a strong smell. His eyes – grey, dreamy and astygmatic – were set well back into the skull, and capped with thick round lenses in white metal frames. He bore the scar of a cycling accident on his nose and, ever since, its tip had curved downwards and turned purple in cold weather.
His head would wobble as he spoke: unless he was fumbling with his watch-chain, he had no idea what to do with his hands. In company he always wore a puzzled look; and if anyone made a statement of fact, he'd say, 'Thank you!' or 'Very kind of you!' Everyone agreed he had a wonderful way with sheepdogs.
Benjamin was shorter, pinker, neater and sharper-tongued. His chin fell into his neck, but he still possessed the full stretch of his nose, which he would use in conversation as a weapon. He had less hair.
He did all the cooking, the darning and the ironing; and he kept the accounts. No one could be fiercer in a haggle over stock-prices and he would go on, arguing for hours, until the dealer threw up his hands and said, 'Come off, you old skinflint!' and he'd smile and say, 'What can you mean by that?'
For miles around the twins had the reputation of being incredibly stingy – but this was not always so.
They refused, for example, to make a penny out of hay. Hay, they said, was God's gift to the farmer; and providing The Vision had hay to spare, their poorer neighbours were welcome to what they needed. Even in the foul days of January, old Miss Fifield the Tump had only to send a message with the postman, and Lewis would drive the tractor over with a load of bales.
Benjamin's favourite occupation was delivering lambs. All the long winter, he waited for the end of March, when the curlews started calling and the lambing began. It was he, not Lewis, who stayed awake to watch the ewes. It was he who would pull a lamb at a difficult birth. Sometimes, he had to thrust his forearm into the womb to disentangle a pair of twins; and afterwards, he would sit by the fireside, unwashed and contented, and let the cat lick the afterbirth off his hands.
In winter and summer, the brothers went to work in striped flannel shirts with copper studs to fasten them at the neck. Their jackets and waistcoats were made of brown whipcord, and their trousers were of darker corduroy. They wore their moleskin hats with the brims turned down; but since Lewis had the habit of lifting his to every stranger, his fingers had rubbed the nap off the peak.
From time to time, with a show of mock solemnity, they consulted their silver watches – not to tell the hour but to see whose watch was beating faster. On Saturday nights they took turns to have a hip-bath in front of the fire; and they lived for the memory of their mother.
Because they knew each other's thoughts, they even quarrelled without speaking. And sometimes – perhaps after one of these silent quarrels, when they needed their mother to unite them – they would stand over her patchwork quilt and peer at the black velvet stars and the hexagons of printed calico that had once been her dresses. And without saying a word they could see her again – in pink, walking through the oatfield with a jug of draught cider for the reapers. Or in green, at a sheep-shearers' lunch. Or in a blue-striped apron bending over the fire. But the black stars brought back a memory of their father's coffin, laid out on the kitchen table, and the chalk-faced women, crying.
Nothing in the kitchen had changed since the day of his funeral. The wallpaper, with its pattern of Iceland poppies and russet fern, had darkened over with smoke-resin; and though the brass knobs shone as brightly as ever, the brown paint had chipped from the doors and skirting.
The twins never thought of renewing these threadbare decorations for fear of cancelling out the memory of that bright spring morning, over seventy years before, when they had helped their mother stir a bucket of flour-and-water paste, and watched the whitewash caking on her scarf.
Benjamin kept her flagstones scrubbed, the iron grate gleaming with black lead polish, and a copper kettle always hissing on the hob.
Friday was his baking day – as it had once been hers – and on Friday afternoons he would roll up his sleeves to make Welsh cakes or cottage loaves, pummelling the dough so vigorously that the cornflowers on the oilcloth cover had almost worn away.
On the mantelpiece stood a pair of Staffordshire spaniels, five brass candlesticks, a ship-in-a-bottle and a tea-caddy painted with a Chinese lady. A glass-fronted cabinet – one pane repaired with Scotch tape – contained china ornaments, silver-plated teapots, and mugs from every Coronation and Jubilee. A flitch of bacon was rammed into a rack in the rafters. The Georgian pianoforte was proof of idler days and past accomplishments.
Lewis kept a twelve-bore shotgun propped up beside the grandfather clock: both the brothers were terrified of thieves and antique-dealers.
Their father's only hobby – in fact, his only interest apart from farming and the Bible – had been to carve wooden frames for the pictures and family photographs that covered every spare stretch of wall. To Mrs Jones it had been a miracle that a man of her husband's temper and clumsy hands should have had the patience for such intricate work. Yet, from the moment he took up his chisels, from the moment the tiny white shavings flew, all the meanness went out of him.
He had carved a 'gothic' frame for the religious colour print 'The Broad and Narrow Path'. He had invented some 'biblical' motifs for the watercolour of the Pool of Bethesda; and when his brother sent an oleograph from Canada, he smeared the surface with linseed oil to make it look like an Old Master, and spent a whole winter working up a surround of maple leaves.
And it was this picture, with its Red Indian, its birchbark, its pines and a crimson sky – to say nothing of its association with the legendary Uncle Eddie – that first awoke in Lewis a yearning for far-off places.
Apart from a holiday at the seaside in 1910, neither of the twins had ever strayed further than Hereford. Yet these restricted horizons merely inflamed Lewis's passion for geography. He would pester visitors for their opinions on 'them savages in Africky'; for news of Siberia, Salonika or Sri Lanka; and when someone spoke of President Carter's failure to rescue the Teheran hostages, he folded his arms and said, decisively, 'Him should'a gone to get 'em through Odessa.'
His image of the outside world derived from a Bartholomew's atlas of 1925 when the two great colonial empires were coloured pink and mauve, and the Soviet Union was a dull sage green. And it offended his sense of order to find that the planet was now full of bickering little countries with unpronounceable names. So, as if to suggest that real journeys only existed in the imagination – and perhaps to show off – he would close his eyes and chant the lines his mother taught him:
Westward, westward, Hiawatha Sailed into the fiery sunset Sailed into the purple vapours Sailed into the dusk of evening.
Too often the twins had fretted at the thought of dying childless – yet they had only to glance at their wall of photographs to get rid of the gloomiest thoughts. They knew the names of all the sitters and never tired of finding likenesses between people born a hundred years apart.
Hanging to the left of their parents' wedding group was a picture of themselves at the age of six, gaping like baby barn-owls and dressed in identical page-boy collars for the fête in Lurkenhope Park. But the one that gave them most pleasure was a colour snapshot of their great-nephew Kevin, also aged six, and got up in a wash-towel turban, as Joseph in a nativity play.
Since then, fourteen years had passed and Kevin had grown into a tall, black-haired young man with bushy eyebrows that met in the middle, and slaty grey-blue eyes. In a few months the farm would be his.
So now, when they looked at that faded wedding picture; when they saw their father's face framed in fiery red sideburns (even in a sepia photo you could tell he had bright red hair); when they saw the leg-o'-mutton sleeves of their mother's dress, the roses in her hat, and the ox-eye daisies in her bouquet; and when they compared her sweet smile with Kevin's, they knew that their lives had not been wasted and that time, in its healing circle, had wiped away the pain and the anger, the shame and the sterility, and had broken into the future with the promise of new things.
CHAPTER 2Of all the people who posed outside the Red Dragon at Rhulen, that sweltering afternoon in August 1899, none had better reason for looking pleased with himself than Amos Jones, the bridegroom. In one week, he had achieved two of his three ambitions: he had married a beautiful wife, and had signed the lease of a farm.
His father, a garrulous old cider-drinker, known round the pubs of Radnorshire as Sam the Waggon, had started life as a drover; had failed to make a living as a carter; and now lived, cooped up with his wife, in a tiny cottage on Rhulen Hill.
Hannah Jones was not an agreeable woman. As a young bride, she had loved her husband to distraction; had put up with his absences and infidelities, and, thanks to a monumental meanness, had always managed to thwart the bailiffs.
Then came the catastrophes that hardened her into a mould of unrelieved bitterness and left her mouth as sharp and twisted as a leaf of holly.
Of her five children, a daughter had died of consumption; another married a Catholic; the eldest son was killed in a Rhondda coalpit; her favourite, Eddie, stole her savings and skipped to Canada – and that left only Amos to support her old age.
Because he was her final fledgling, she coddled him more carefully than the others, and sent him to Sunday School to learn letters and fear of the Lord. He was not a stupid boy, but, by the age of fifteen, he had disappointed her hopes for his education; and she booted him from the house and sent him to earn his own keep.
Twice a year, in May and November, he hung round the Rhulen Fair, waiting for a farmer to hire him, with a wisp of sheep's wool in his cap and a clean Sunday smock folded over his arm.
He found work on several farms in Radnorshire and Montgomery, where he learned to handle a plough; to sow, reap and shear; to butcher hogs and dig the sheep out of snowdrifts. When his boots fell apart, he had to bind his feet with strips of felt. He would come back in the evenings, aching at every joint, to a supper of bacon broth and potatoes, and a few stale crusts. The owners were far too mean to provide a cup of tea.
He slept on bales of hay, in the granary or stable-loft, and would lie awake on winter nights, shivering under a damp blanket: there was no fire to dry his clothes. One Monday morning, his employer horsewhipped him for stealing some slices of cold mutton while the family was out at Chapel – a crime of which the cat, not he, was guilty.
He ran away three times and three times forfeited his wages. And yet he walked with a swagger, wore his cap at a rakish angle, and, hoping to attract a pretty farmer's daughter, spent his spare pennies on brightly coloured handkerchiefs.
His first attempt at seduction failed.
To wake the girl he threw a twig against her bedroom window, and she slipped him the key. Then, tiptoeing through the kitchen, his shin caught on a stool, and he tripped. A copper pot crashed to the floor; the dog barked, and a man's deep voice called out: her father was on the staircase as he bolted from the house.
At twenty-eight, he spoke of emigrating to Argentina where there were rumours of land and horses – at which his mother panicked and found him a bride.
She was a plain, dull-witted woman, ten years older than he, who sat all day staring at her hands and was already a burden on her family.
Hannah haggled for three days until the bride's father agreed that Amos should take her, as well as thirty breeding ewes, the lease of a smallholding called Cwmcoynant, and grazing rights on Rhulen Hill.
But the land was sour. It lay on a sunless slope and, at the snowmelt, streams of icy water came pouring through the cottage. Yet by renting a patch of ground here, another patch there; by buying stock in shares with other farmers, Amos managed to make a living and hope for better times.
There were no joys in that marriage.
Rachel Jones obeyed her husband with the passive movements of an automaton. She mucked out the pigsties in a torn tweed coat tied up with a bit of twine. She never smiled. She never cried when he hit her. She replied to his questions with grunts or monosyllables; and even in the agony of childbirth, she clenched her mouth so tightly that she uttered not a sound.
The baby was a boy. Having no milk, she sent him away to nurse, and he died. In November 1898, she stopped eating and set her face against the living world. There were snowdrops in the graveyard when they buried her.
From that day Amos Jones was a regular churchgoer.
CHAPTER 3One Sunday Matins, not a month after the funeral, the vicar of Rhulen announced that he had to attend a service in Llandaff Cathedral and that, next Sunday, the rector of Bryn-Draenog would preach the sermon.
This was the Reverend Latimer, an Old Testament scholar, who had retired from mission work in India and settled in this remote hill parish to be alone with his daughter and his books.
From time to time, Amos Jones had seen him on the mountain – a hollow-chested figure with white hair blowing about like cotton-grass, striding over the heather and shouting to himself so loudly that he frightened off the sheep. He had not seen the daughter, who was said to be sad and beautiful. He took his seat at the end of the pew.
On the way, the Latimers had to shelter from a cloudburst and, by the time their dog-cart drew up outside the church, they were twenty minutes late. While the rector changed in the vestry, Miss Latimer walked towards the choir-stalls, lowering her eyes to the strip of wine-red carpet, and avoiding the stares of the congregation. She brushed against Amos Jones's shoulder, and she stopped. She took half a step forwards, another step sideways, and then sat down, one pew in front of him, but across the aisle.
(Continues…)
Excerpted from "The Best of Bruce Chatwin"
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Table of Contents
ON THE BLACK HILL,
THE SONGLINES,
In the Beginning,
From the Notebooks,
An Excerpt from Elizabeth Chatwin's Journal,
A Biography of Bruce Chatwin,