06/29/2015
Anderson’s ambitious nonfiction hybrid strives to meld the history of the bloody events of Russia from the 1917 Revolution through its transformation into the Soviet Union to the atrocities of WWII with a biography of prolific Russian composer Dmitri Shostakovich (1906–1975), who was both a victim and a hero of the times he lived in. Anderson has clearly done his research, much of it original, and some of the strongest chapters—especially one on starvation and cannibalism in Leningrad during the winter of 1942—are filled with gruesome details from primary sources. But his treatment of Shostakovich’s life and character is often speculative, failing to richly evoke the composer’s passion and talent for music. In some heavily historical chapters, Shostakovich is only a minor presence. With numerous anecdotes incorporating language like “apparently,” “supposedly,” and “may have,” Anderson draws attention to the difficulty of verifying source material from this historical period in Russia, even questioning one of the major sources on Shostakovich’s life. A fascinating, if uneven, examination of an important musical figure living in a time of extraordinary political and social turmoil. Ages 14–up. (Sept.)
The storytelling is captivating, describing how Shostakovich began composing the symphony under relentless bombardment in Leningrad and later finished it in Moscow, its triumphant performance in Leningrad during the siege, and how it rallied worldwide sympathy for Russia's plight. Music is at the heart of the story. As Anderson writes in the prologue, "it is a story about the power of music and its meanings," and he communicates them with seeming effortlessness in this brilliantly written, impeccably researched tour de force. A triumphant story of bravery and defiance that will shock and inspire.
—Kirkus Reviews (starred review)
In a gripping narrative, helped along by ample photos and shockingly accurate historical details, Anderson offers readers a captivating account of a genius composer and the brutally stormy period in which he lived. Though easily accessible to teens, this fascinating, eye- opening, and arresting book will be just as appealing for adults.
—Booklist (starred review)
This ambitious and gripping work is narrative nonfiction at its best...The book has all the intrigue of a spy thriller, recounts the horrors of living during the three year siege, and delineates the physical oppression and daunting foes within and outside of the city. This is also the story of survival against almost impossible odds. Through it all, Anderson weaves the thread of the composer’s music and the role it played in this larger-than-life drama. A must-have title with broad crossover appeal
—School Library Journal (starred review)
Anderson brings his narrative A-game to this dense work of nonfiction, blending the complex strands of the story into a satisfying whole. Embellished with scores of photographs and peppered with the author’s own commentary on the symphony, the text and supporting materials supply historical background for music enthusiasts and musical interpretation for history buffs. Source notes, index, and bibliography will aid report writers, but the most appreciative audience is likely to be engaged readers who settle into the tragic yet uplifting story of a suffering nation and its musical documentarian.
—Bulletin of the Center for Children's Books (starred review)
A fascinating...examination of an important musical figure living in a time of extraordinary political and social turmoil.
—Publishers Weekly
It culminates in a rich and moving understanding of the intersection of culture and history, and of the power of the arts to save a nation.
—Shelf Awareness
Symphony for the City of the Dead is an intense historical account that is highly recommended reading for anyone studying World War II or readers with an interest in history or music.
—VOYA
M.T. Anderson presents a thrilling history of music and the terrible events of World War II. Extensively researched and passionately told, Symphony for the City of the Dead exposes the strengths and weaknesses of humanity through an engrossing tale of war, art and undying creativity.
—BookPage
An ambitious work of nonfiction ... sweeping and emotionally charged.
—The Horn Book
...a sweeping work of narrative nonfiction for adolescent readers.
—The Wall Street Journal
A must-have for high-school classrooms and libraries. It’s the work of an author who has never jumped onto any trend-wagon, but has instead followed his own keen intelligence toward a big, essential story.
—New York Journal of Books
[Anderson's] not just parading the events of Shostakovich’s life before the reader; he’s by the reader’s side, helping them to make sense of what they see...It’s been a while since a book about Shostakovich impressed me this much. Symphony for the City of the Dead is worth reading whatever your age.
—DSCH Journal
Fans of M.T. Anderson’s National Book Award-winning YA novel, “The Astonishing Life of Octavian Nothing, Traitor to the Nation Volume 1” and acclaimed dystopian novel “Feed,” will not be surprised at the brilliance of the writing and the meticulous research on display in this marvelous, compulsively readable biography of composer Dmitri Shostakovich and the great city that inspired his Seventh Symphony.
—The Buffalo News
★ 09/01/2015
Gr 9 Up—This ambitious and gripping work is narrative nonfiction at its best. Anderson expertly sets the scene of the tumultuous world into which Dmitri Shostakovich was born in 1906 and traces his development as an artist and a public figure. He also tells the story of the composer's beloved Leningrad, focusing on the creation and legacy of the symphony written in its honor at the height of World War II. In his author's note, Anderson poses an intriguing question: "How do we reconstruct the story of someone who lived in a period in which everyone had an excuse to lie, evade, accuse, or keep silent?" The compelling, well-researched narrative relates what is known of Shostakovich's story, what is speculation, what is revisionist history, and what new sources have revealed. The chilling details of the Stalin regime and the plight of the Russian people even before the Germans arrived will be eye-opening to many teen readers. The book has all the intrigue of a spy thriller, recounts the horrors of living during the three year siege, and delineates the physical oppression and daunting foes within and outside of the city. This is also the story of survival against almost impossible odds. Through it all, Anderson weaves the thread of the composer's music and the role it played in this larger-than-life drama. VERDICT A must-have title with broad crossover appeal—Luann Toth, School Library Journal
M.T. Anderson narrates his own extensively researched work in a gentle, emphatic tenor, simultaneously methodical and sympathetic. Although his discussion focuses on Shostakovich's personal experiences, Anderson incorporates a great deal of historical information, using primary sources and detailed accounts of events to give listeners an immersive account of one of Russia's darkest periods. With a balanced, impartial tone, Anderson recounts the daily lives of Shostakovich's friends, family, and fellow citizens amid the actions of corrupt dictators, outlining how machinations from above affected ordinary people. Anderson's use of Shostakovich's music and his thorough, direct approach as an author and narrator make this an immersive listen for music and history enthusiasts alike. K.S.B. © AudioFile 2016, Portland, Maine
★ 2015-06-10
The epic tale of the siege of Leningrad and its native son, composer Dmitri Shostakovich, whose seventh symphony comforted, consoled, and rallied a population subjected to years of unspeakable suffering. Anderson vividly chronicles the desperate lengths residents went to, including acts of cannibalism, to survive the Wehrmacht's siege, a 3-year-long nightmare that left more than 1 million citizens dead. The richly layered narrative offers a keen-eyed portrait of life in the paranoid, ruthlessly vengeful Stalinist Soviet Union, its citizens living under a regime so capriciously evil that one could be heralded a hero of the motherland one day and condemned as a traitor the next. The storytelling is captivating, describing how Shostakovich began composing the symphony under relentless bombardment in Leningrad and later finished it in Moscow, its triumphant performance in Leningrad during the siege, and how it rallied worldwide sympathy for Russia's plight. Music is at the heart of the story. As Anderson writes in the prologue, "it is a story about the power of music and its meanings," and he communicates them with seeming effortlessness in this brilliantly written, impeccably researched tour de force. A triumphant story of bravery and defiance that will shock and inspire. (photos, author's note, sources notes, bibliography, index) (Biography. 14 & up)
