Spectacular Modernity: Dictatorship, Space, and Visuality in Venezuela, 1948-1958

Spectacular Modernity: Dictatorship, Space, and Visuality in Venezuela, 1948-1958

by Lisa Blackmore
Spectacular Modernity: Dictatorship, Space, and Visuality in Venezuela, 1948-1958

Spectacular Modernity: Dictatorship, Space, and Visuality in Venezuela, 1948-1958

by Lisa Blackmore

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Overview

Winner, 2018 LASA Venezuela Section Fernando Coronil Award

In cultural history, the 1950s in Venezuela are commonly celebrated as a golden age of modernity, realized by a booming oil economy, dazzling modernist architecture, and nationwide modernization projects. But this is only half the story. In this path-breaking study, Lisa Blackmore reframes the concept of modernity as a complex cultural formation in which modern aesthetics became deeply entangled with authoritarian politics. Drawing on extensive archival research and presenting a wealth of previously unpublished visual materials, Blackmore revisits the decade-long dictatorship to unearth the spectacles of progress that offset repression and censorship. Analyses of a wide range of case studies—from housing projects to agricultural colonies, urban monuments to official exhibitions, and carnival processions to consumer culture—reveal the manifold apparatuses that mythologized visionary leadership, advocated technocratic development, and presented military rule as the only route to progress. Offering a sharp corrective to depoliticized accounts of the period, Spectacular Modernity instead exposes how Venezuelans were promised a radically transformed landscape in exchange for their democratic freedoms.

Product Details

ISBN-13: 9780822964384
Publisher: University of Pittsburgh Press
Publication date: 04/24/2017
Series: Pitt Illuminations
Edition description: 1
Pages: 240
Product dimensions: 5.90(w) x 8.90(h) x 0.80(d)

About the Author

Lisa Blackmore is a postdoctoral researcher at the University of Zurich and will join the school of philosophy and art history at the University of Essex as a lecturer in art history and interdisciplinary studies in 2017. She has taught at the University of Leeds, Universidad Simón Bolívar, and Universidad Central de Venezuela, and is coeditor of the forthcoming volume El Helicoide: From Futuristic Mall to Panoptic Prison.

Table of Contents

Acknowledgments ix

Introduction: Rethinking the Politics and Aesthetics of Modernity 3

Part I Official Libretto

1 Telling Stories: The Historiographical Foundations of Military Rule 29

2 Ruling Ideology: Radical Transformations of Space and Body 48

Part II Setting the Scene

3 Nation Branding: From Covert Propaganda to Corporate Publicity 75

4 Spectacular Visuality: Enframing the Landscape, Training the Gaze 101

5 Exhibiting Modernity: Cultures of Display and the Dictator's Visionary Gaze 126

Part III Performing Progress

6 Subjects Onstage: Organized Walking in Scripted Spaces 153

7 Bringing Progress Home: Modern Mythologies in Daily Life 179

Epilogue: Specters of Spectacle 207

Notes 215

Bibliography 239

Index 251

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