“ONE OF THE SHARPEST, FUNNIEST, AND BEST BOOKS EVER ABOUT ANY ROCK ARTIST”—Rolling Stone
“WEIRD AND WONDROUS”—New York Times
“I ADORED IT”—Michael Chabon
A literary and visual exploration of the songs of Steely Dan.
Steely Dan’s songs are exercises in fictional world-building. No one else in the classic-rock canon has conjured a more vivid cast of rogues and heroes, creeps and schmucks, lovers and dreamers and cold-blooded operators—or imbued their characters with so much humanity. Pulling from history, lived experience, pulp fiction, the lore of the counterculture, and their own darkly comic imaginations, Donald Fagen and Walter Becker summoned protagonists who seemed like fully formed people with complicated pasts, scars they don’t talk about, delusions and desires and memories they can’t shake. From Rikki to Dr. Wu, Hoops McCann to Kid Charlemagne, Franny from NYU to the Woolly Man without a Face, every name is a locked-room mystery, beguiling listeners and earning the band an exceptionally passionate and ever-growing cult fandom.
Quantum Criminals presents the world of Steely Dan as it has never been seen, much less heard. Artist Joan LeMay has crafted lively, color-saturated images of her favorite characters from the Daniverse to accompany writer Alex Pappademas’s explorations of the famous and obscure songs that inspired each painting, in short essays full of cultural context, wild speculation, inspired dot-connecting, and the occasional conspiracy theory. All of it is refracted through the perspectives of the characters themselves, making for a musical companion unlike any other. Funny, discerning, and visually stunning, Quantum Criminals is a singular celebration of Steely Dan’s musical cosmos.
Alex Pappademas is the author of Keanu Reeves: Most Triumphant—The Movies & Meaning of an Irrepressible Icon and the writer and host of the acclaimed podcast The Big Hit Show. His work has also appeared in GQ, the New York Times, and Grantland.
Joan LeMay is an artist based in London and New York City (although the paintings for this book were created in Portland). Her work appears in multiple publications and books and has been shown in museums, galleries, and public spaces internationally.
To classify this book as interesting would be as reductionist as calling a Steely Dan album well-produced. The illustrations are fantastic and the writing is sublime: interpretive portraits of people who don't exist, a deep history of two geniuses impossible to understand, and the sharpest criticism ever published about a catalog of songs that actively defy analysis. A perfect book about perfect music.
Aimee Mann
Steely Dan has always sounded like the future, a phenomenon that makes me want to dissect their past to see how they got there. They’re a band with a thousand wormholes, and Alex Pappademas explores every one of them. With luminous illustrations by Joan LeMay, Quantum Criminals is a strange and fascinating love story worthy of the Dan.
Matt Fraction
The shibboleth of Steely Dan, spelled out across fifty years and nine records, can’t be explained or sold: if you know, you know. And if you know… rejoice. Quantum Criminals is a fiend folio for Dan freaks, an astonishing, joyous, vibrant book capturing the Becker and Fagan canon of cosmic losers, doomed loners, jazz narcs, and star-bummers, along with half the truth and all the bullshit that makes being into Steely Dan such a delightful, unsolvable puzzle. Alex writes like Iain Sinclair in the streets and Greil Marcus in the sheets; Joan paints like Steve Keene doing a presidential portrait of Maira Kalman. Of course. Who better? Who else? They know, too. Like the man says, if it good to ya, it gotta be good for ya—and this book is very, very good.
John Darnielle
Like most hardcore Steely Dan aficionados, I usually think anybody else's opinion on Steely Dan is misinformed, poorly considered, or just wrong. So it is with profound surprise, and a mild resentment born of great pleasure, that I must report having found Quantum Criminals fascinating, illuminating, edifying, generally meticulous, and only very occasionally dead wrong. An indispensable volume for anybody who's ever stayed up late obsessing about this most delightful of bands. Don't tell the others I said this.
Michael Chabon
Having made several attempts to concoct a blurb that might display some of the thoughtfulness, cleverness, craft, wit, style, and strong point of view that are the hallmarks both of this book and of the band it so fiercely and fannishly and lovingly analyzes, I’m just going to give up and write the simple truth: I adored it.
