Old Rendering Plant

by Wolfgang Hilbig, Isabel Fargo Cole (Translator)

Overview

What falsehoods do we believe as children? And what happens when we realize they are lies—possibly heinous ones? In Old Rendering Plant Wolfgang Hilbig turns his febrile, hypnotic prose to the intersection of identity, language, and history’s darkest chapters, immersing readers in the odors and oozings of a butchery that has for years dumped biological waste into a river. It starts when a young boy becomes obsessed with an empty and decayed coal plant, coming to believe that it is tied to mysterious disappearances throughout the countryside. But as a young man, with the building now turned into an abattoir processing dead animals, he revisits this place and his memories of it, realizing just how much he has missed. Plumbing memory’s mysteries while evoking historic horrors, Hilbig gives us a gothic testament for the silenced and the speechless. With a tone indebted to Poe and a syntax descended from Joyce, this suggestive, menacing tale refracts the lost innocence of youth through the heavy burdens of maturity.

Product Details

ISBN-13:	9781931883672
Publisher:	Two Lines Press
Publication date:	11/07/2017
Edition description:	New Edition
Pages:	120
Sales rank:	1,067,574
Product dimensions:	4.40(w) x 6.80(h) x 0.40(d)
Age Range:	15 Years

About the Author

Wolfgang Hilbig (1941–2007) was one of the major German writers to emerge in the postwar era. Though raised in East Germany, he proved so troublesome to the authorities that in 1985 he was granted permission to emigrate west. The author of over 20 books, he received virtually all of Germany’s major literary prizes, capped by the 2002 Georg Büchner Prize, Germany’s highest literary honor.

Isabel Fargo Cole is a U.S.-born, Berlin-based writer and translator. Her translations include Boys and Murderers by Hermann Ungar (Twisted Spoon Press, 2006), All the Roads Are Open by Annemarie Schwarzenbach (Seagull Books, 2011), The Jew Car by Franz Fühmann (Seagull Books, 2013), and The Sleep of the Righteous by Wolfgang Hilbig. The recipient of a prestigious PEN/Heim Translation Grant in 2013, she is the initiator and co-editor of No-mans-land.org, an online magazine for new German literature in English.

Editorial Reviews

09/18/2017
Hilbig evokes a vivid and unsettling atmosphere in his slim but dense novel, the third of his titles to be translated into English by Cole (after The Sleep of the Righteous and ‘I’), a sinuous meditation on a landscape haunted by a horrific past. Set in an unspecified town in the German countryside, the book is narrated by an unnamed middle-aged male, self-described as an “outsider,” who has earned, through his peculiar inclinations, the disapproval of peers and family alike. His singular and alienating preoccupation is with the woodsy landscapes surrounding his hometown, which he takes pains to illustrate in meticulous—and poetic—detail. Through the narrator’s senses, the novel creates a vivid and unsettling portrait of the area’s factories, ponds, brooks, and vegetation. As a child, the narrator says, he roamed this land freely, exploring its particulars while aware of its reputation for danger. Approaching adulthood, he explains, he took an interest in Germania II, an old plant where “animals were rendered to make the fats contained in soap” and that employs dejected and cast-off men. The plant is a representation of the unnamed yet ubiquitous horror of the town’s past; the plant’s stench is so nauseating and inescapable it is taken for granted by the citizens as part of their heritage. What this volume lacks in character and plot development, it makes up for in its ability to capture the uncanny mood and feel of a community burdened by history. (Nov.)

Publishers Weekly

"Wolfgang Hilbig is an artist of immense stature" — László Krasznahorkai, recipient of the 2015 International Man Booker Prize and author of Satantango and Seiobo There Below
"In Old Rendering Plant, Hilbig finds his way back to poetry's origins, his language penetrates time and space, penetrates the earth itself, dissolves, finds itself once more, and, in incredible beauty and sadness, brings to light almost-forgotten things." — Clemens Meyer, author of Bricks and Mortar "Evokes the luminous prose of W.G. Sebald.” — The New York Times
"Out of the ugliness of history and the wasted landscape of his home, he has created stories of disconsolate beauty." — The Wall Street Journal
“[Hilbig writes as] Edgar Allan Poe could have written if he had been born in Communist East Germany.” — Los Angeles Review of Books
"Hilbig’s prose is vivid and poetic." — Publishers Weekly

From the Publisher