What sets Maya’s Notebook apart from the usual teen-in-trouble fare is the soaring redemption Maya finds in Chile. The village’s peaceful pace is a tonic to both Maya and the reader…a captivating read by a great storyteller.” — John Barron, Chicago Tribune
“A brilliant storyteller, Allende creates a giant spiderweb of relationships; pull one thread and the whole structure shudders…fans of Allende and those new to her work will find a great deal of satisfaction in following the often-harrowing but always enlightening adventures of Maya Vidal.” — Philadelphia Inquirer
“A gritty, violent, cautionary tale set firmly in the present. . . . But the writing is still all Allende: driven by emotion…framed by her brand of lyrical description.” — Miami Herald
“Maya’s Notebook sings a contemporary tune…the narrative expands from harsh twenty-first century language to lyrical descriptions of Maya’s unfolding exterior and interior worlds. It’s a coming-of-age tale achieved by immersion in ageless wisdom…the beauty of Allende’s writing remains undeniable.” — San Jose Mercury News
“Maya’s story is soul-restoring in its fierce conviction that there is no damage done to a society, family or individual that cannot be eclipsed by hope and love. Allende makes you believe that, even if you don’t, at least for a while.” — Minneapolis Star Tribune
“Longtime fans of Isabel Allende’s work will find much of the author’s beguiling mix of clear-eyed toughness and lightness of spirit in her new protagonist, and will welcome another chapter in Allende’s continuing exploration of Latin America. Those introduced to Allende by Maya’s Notebook surely will want more.” — Seattle Times
“Allende can spin a yarn with the grace of a poet.” — Entertainment Weekly
“Gripping…Allende retains the storytelling magic that is her signature, while deftly juxtaposing the alternating universes of the past-including Chile’s dark history of political terror-and present…A tale of a girl’s journey toward self-discovery, of the fierce power of truth, and of the healing force of love.” — Jane Ciabattari, O magazine
“Isabel Allende enchants in Maya’s Notebook.” — Vanity Fair
“Allende paints a vivid picture contrasting Maya’s drug-clouded past and her recovery in Chiloé. Yet another accomplished work by a master storyteller that will enthrall and captivate. This is a must-read.” — Library Journal (starred review)
“Allende is a master at plucking heartstrings, and Maya’s family drama is hard to resist.” — Kirkus Reviews
“An explosive novel…Every character is enthralling…This is a boldly plotted, sharply funny, and purposefully bone-shaking novel of sexual violence, political terror, “collective shame,” and dark family secrets, all transcended by courage and love.” — Booklist (starred review)
“Bruising and cinematically vivid…Maya’s Notebook exerts a raw and genuine power…Its strength is Maya’s distinctive voice: vulnerable but spiked with irony, wounded yet defiant, like a teenage emo-punk’s pierced tongue.” — Reed Johnson, Los Angeles Times
“A riveting new novel…From the very start, Maya is in possession of a strong and authentic voice that guides the novel and gives it shape.” — Malena Watrous, San Francisco Chronicle
What sets Maya’s Notebook apart from the usual teen-in-trouble fare is the soaring redemption Maya finds in Chile. The village’s peaceful pace is a tonic to both Maya and the reader…a captivating read by a great storyteller.
Gripping…Allende retains the storytelling magic that is her signature, while deftly juxtaposing the alternating universes of the past-including Chile’s dark history of political terror-and present…A tale of a girl’s journey toward self-discovery, of the fierce power of truth, and of the healing force of love.
Longtime fans of Isabel Allende’s work will find much of the author’s beguiling mix of clear-eyed toughness and lightness of spirit in her new protagonist, and will welcome another chapter in Allende’s continuing exploration of Latin America. Those introduced to Allende by Maya’s Notebook surely will want more.
A brilliant storyteller, Allende creates a giant spiderweb of relationships; pull one thread and the whole structure shudders…fans of Allende and those new to her work will find a great deal of satisfaction in following the often-harrowing but always enlightening adventures of Maya Vidal.
Maya’s Notebook sings a contemporary tune…the narrative expands from harsh twenty-first century language to lyrical descriptions of Maya’s unfolding exterior and interior worlds. It’s a coming-of-age tale achieved by immersion in ageless wisdom…the beauty of Allende’s writing remains undeniable.
Maya’s story is soul-restoring in its fierce conviction that there is no damage done to a society, family or individual that cannot be eclipsed by hope and love. Allende makes you believe that, even if you don’t, at least for a while.
Isabel Allende enchants in Maya’s Notebook.
A gritty, violent, cautionary tale set firmly in the present. . . . But the writing is still all Allende: driven by emotion…framed by her brand of lyrical description.
Allende can spin a yarn with the grace of a poet.
An explosive novel…Every character is enthralling…This is a boldly plotted, sharply funny, and purposefully bone-shaking novel of sexual violence, political terror, “collective shame,” and dark family secrets, all transcended by courage and love.
Booklist (starred review)
A riveting new novel…From the very start, Maya is in possession of a strong and authentic voice that guides the novel and gives it shape.
Bruising and cinematically vivid…Maya’s Notebook exerts a raw and genuine power…Its strength is Maya’s distinctive voice: vulnerable but spiked with irony, wounded yet defiant, like a teenage emo-punk’s pierced tongue.
A gritty, violent, cautionary tale set firmly in the present. . . . But the writing is still all Allende: driven by emotion…framed by her brand of lyrical description.
A brilliant storyteller, Allende creates a giant spiderweb of relationships; pull one thread and the whole structure shudders…fans of Allende and those new to her work will find a great deal of satisfaction in following the often-harrowing but always enlightening adventures of Maya Vidal.
Allende (The House of the Spirits) moves away from her usual magical realist historical fiction into a contemporary setting, and the result is a chaotic hodgepodge. The story, told through 19-year-old Maya Vidal’s journals, alternates between Maya’s dismal past and uncertain present, which finds her in hiding on an isolated island off Chile’s coast, where her grandmother, Nidia, has taken her. Maya’s diary relates a journey into self-destruction that begins, after her beloved step-grandfather Popi’s death, with dangerous forays into sex, drugs, and delinquency, but ends up in a darkly cartoonish crime caper, as she becomes involved with gangsters in Las Vegas. Maya describes her present surroundings, meanwhile, with a bland detachment that would be more believable coming from an anthropologist than a teenager. Allende’s trademark passion for Chile is as strong as ever, and her clever writing lends buoyancy to the narrative’s deadweight, but this novel is unlikely to entrance fans old or new. Agent: Carmen Balcells, Carmen Balcells Agency. (May)
"An explosive novel…Every character is enthralling…This is a boldly plotted, sharply funny, and purposefully bone-shaking novel of sexual violence, political terror, "collective shame," and dark family secrets, all transcended by courage and love."
A 19-year-old Californian escapes her troubled past when her grandmother sends her to an isolated Chilean community in the latest confection of spiritual uplift, political instruction and lyrical melodrama from Allende (Island Beneath the Sea, 2010, etc.). In 2009, Berkley-born and -bred Maya arrives in Chiloé, an isolated island community in southern Chile, to escape the drug dealers and law enforcement officials on her trail. Her eponymous notebook combines a record of Maya's not-so-gradual immersion into the Chiloé community with her memories of an idyllic childhood and horrifically wayward adolescence. Because her Scandinavian mother deserted her in infancy and her father traveled constantly as a pilot, Maya was largely raised by her paternal grandparents, Nini and Popo. Popo, a gentle African-American astronomer, is actually Chilean-born Nini's second husband; she left Chile with her son after her first husband's arrest/torture/murder by Pinochet forces. While Maya has always loved fiery Nini, Popo was the steadying center of her girlhood. After his death, Maya dove headlong into a life of addiction and criminality, ending up on the streets of LA, where she became a drug runner and worse. But all that ugliness seems far away as she settles into Chiloé, living with and assisting Nini's old friend Manuel, an anthropologist researching the mythology of the Chilotes. Maya, who is visited at times by visions of her Popo, builds a special relationship with Manuel--her curiosity about Manuel's relationship to Nini gives Allende an excuse to explore the dark history of 1970s Chile. Maya also coaches the local kids at soccer and falls in love with a backpacking psychiatrist from Seattle, a gentle romance that contrasts starkly with her memories of rape and violation. Despite her enthusiasm for her new life, Maya remains in danger: She knows secrets criminals might kill for if they can just find her. Allende is a master at plucking heartstrings, and Maya's family drama is hard to resist, but the sentimentality and a lack of subtlety concerning politics, Chilean and American, can grate.
