[A] provocative biography… Among the many questions which Mary Beard asks is why Harrison was singled out for celebrity… [Beard] has filled a gap, and in vivacious style.
This volume is a substantial contribution to our knowledge of the life of Jane Harrison. Intellectually it belongs not to biography proper but to the genre of ‘Rezeptionsgeschichte.’ Its author is constantly, and refreshingly, alive to the nature of evidence… Here, in The Invention of Jane Harrison , the author designs to explore ‘the myth(s) of Jane Harrison,’ to determine how these myths were ‘constructed and reconstructed,’ and the purposes of revelation, dissimulation and occlusion of these myths. The author is, almost always, refreshingly alive to problems of social-anachronism… Dr. Beard ’s is an interesting book, excellently researched and usually sane and sensible, and well worth reading.
The Classical Bulletin - P. G. Naiditch
Here is an anti-biography, which confronts previous versions of Harrison’s life… Reluctant to offer an alternative myth, yet anxious to avoid already trampled ground, Beard instead explains Harrison’s formative years in London, and asks, rather than answers, a series of key questions… The result is an amusing, engaging and opinionated book that looks behind the scenes to find out how biography is invented.
London Review of Books - Julia Briggs
Anyone climbing aboard this careering mystery tour of a book should be prepared to be taken for a ride. It looks like a biography: faded snapshots, footnotes, gossip around the famous… But this is no biography to any orthodox sense. On the contrary, it is a cluster of didactic essays which amusingly but relentlessly insist that orthodox biography is a fraud, that its claims to uncover the truth are delusory.
This book is an intriguing read, giving fascinating insight into Harrison’s early days and into the intellectual scene of Classics a century ago.
Classical Association News
Clever and beautiful… [Jane Harrison] earned the permanent admiration of the Classics faculty at Cambridge. Eugénie Sellers, Harrison’s younger protegée and one-time close friend, was equally talented in the field of Roman antiquities… Yet her name is virtually forgotten… Beard ’s gripping little book is an attempt to set the record a little straighter on Harrison. It is also an attempt to put Sellers back… As Beard ably persuades us, their story is one that can be repeated wherever in history women, through their achievements, appear on the public stage. Whether the trace of that appearance endures for posterity has this far depended on how they fit into the stories male historians tell. From now on, though, chroniclers such as Beard are going to be far more vigilant.
In her new, invigorating study of the pioneering Cambridge archaeologist Jane Harrison, biographer Mary Beard quarrels with those who believe they can reconstruct the private life of Harrison with any sort of certainty… The Invention of Jane Harrison shows its seams proudly. Indeed, it calls into question the whole idea of seamless biography, offering instead one more construction, one more invention of a Cambridge myth and idol. But in examining closely a previously neglected period (in the formation of Harrison and Sellers), Beard illuminates the hidden forces at play in the process of hagiography: how undercurrents of sexuality, passion, jealousy, even love, are suppressed in the re-writing (or even the non-writing or the de-writing) of a life. Felicitously composed and exhaustively documented, this quirky biography demonstrates as well the verve and invention of Mary Beard.
Boston Book Review - Thomas Jenkins
Anyone climbing aboard this careering mystery tour of a book should be prepared to be taken for a ride. It looks like a biography: faded snapshots, footnotes, gossip around the famous… But this is no biography to any orthodox sense. On the contrary, it is a cluster of didactic essays which amusingly but relentlessly insist that orthodox biography is a fraud, that its claims to uncover the truth are delusory.
The Independent - Oliver Taplin
This volume is a substantial contribution to our knowledge of the life of Jane Harrison. Intellectually it belongs not to biography proper but to the genre of "Rezeptionsgeschichte." Its author is constantly, and refreshingly, alive to the nature of evidence…Here, in The invention of Jane Harrison , the author designs to explore "the myth(s) of Jane Harrison," to determine how these myths were "constructed and reconstructed," and the purposes of revelation, dissimulation and occlusion of these myths. The author is, almost always, refreshingly alive to problems of social-anachronism…Dr. Beard's is an interesting book, excellently researched and usually sane and sensible, and well worth reading.
This is not your traditional biography, though it gives a vivid, in-depth feel of the times: the intellectual impact of archaeology in the late 19th century, 'coded games of literary sapphism in the 1920s and 1930s', performances of Greek plays. It is essentially a detective story. Like Wilkie Collins's The Moonstone it turns on an absence: something deliberately mislaid from the legend of Jane Harrison. Persuasively as an archaeologist reconstructing gold earlobes in a Mycenean mask, Beard writes [Eugénie Sellers's] life back into Harrison's.
In her new, invigorating study of the pioneering Cambridge archaeologist Jane Harrison, biographer Mary Beard quarrels with those who believe they can reconstruct the private life of Harrison with any sort of certainty...The Invention of Jane Harrison shows its seams proudly. Indeed, it calls into question the whole idea of seamless biography, offering instead one more construction, one more invention of a Cambridge myth and idol. But in examining closely previously neglected period in the formation of Harrison and Sellers), Beard illuminates the hidden forces at play in the process of hagiography: how undercurrents of sexuality, passion, jealousy, even love, are suppressed in the re-writing (or even the non-writing or the de-writing) of a life. Felicitously composed and exhaustively documented, this quirky biography demonstrates as well the verve and invention of Mary Beard.
"Clever and beautiful...[Jane Harrison] earned the permanent admiration of the Classics faculty at Cambridge. Eugénie Sellers, Harrison's younger protegée and one-time close friend, was equally talented in the field of Roman antiquities...Yet her name is virtually forgotten...Beard's gripping little book is an attempt to set the record a little straighter on Harrison. It is also an attempt to put Sellers back...As Beard ably persuades us, their story is one that can be repeated wherever in history women, through their achievements, appear on the public stage. Whether the trace of that appearance endures for posterity has this far depended on how they fit into the stories male historians tell. From now on, though, chroniclers such as Beard are going to be far more vigilant."
"Anyone climbing aboard this careering mystery tour of a book should be prepared to be taken for a ride. It looks like a biography: faded snapshots, footnotes, gossip around the famous...But this is no biography to any orthodox sense. On the contrary, it is a cluster of didactic essays which amusingly but relentlessly insist that orthodox biography is a fraud, that its claims to uncover the truth are delusory."
"Here is an anti-biography, which confronts previous versions of Harrison's life...Reluctant to offer an alternative myth, yet anxious to avoid already trampled ground, Beard instead explains Harrison's formative years in London, and asks, rather than answers, a series of key questions...The result is an amusing, engaging and opinionated book that looks behind the scenes to find out how biography is invented."
[A] provocative biography...Among the many questions which Mary Beard asks is why Harrison was singled out for celebrity...[Beard] has filled a gap, and in vivacious style.
Here is an anti-biography, which confronts previous versions of Harrison's life...Reluctant to offer an alternative myth, yet anxious to avoid already trampled ground, Beard instead explains Harrison's formative years in London, and asks, rather than answers, a series of key questions...The result is an amusing, engaging and opinionated book that looks behind the scenes to find out how biography is invented.
Clever and beautiful...[Jane Harrison] earned the permanent admiration of the Classics faculty at Cambridge. Eugénie Sellers, Harrison's younger protegée and one-time close friend, was equally talented in the field of Roman antiquities...Yet her name is virtually forgotten...Beard's gripping little book is an attempt to set the record a little straighter on Harrison. It is also an attempt to put Sellers back...As Beard ably persuades us, their story is one that can be repeated wherever in history women, through their achievements, appear on the public stage. Whether the trace of that appearance endures for posterity has this far depended on how they fit into the stories male historians tell. From now on, though, chroniclers such as Beard are going to be far more vigilant.
This is not your traditional biography, though it gives a vivid, in-depth feel of the times: the intellectual impact of archaeology in the late 19th century, 'coded games of literary sapphism in the 1920s and 1930s', performances of Greek plays. It is essentially a detective story. Like Wilkie Collins's The Moonstone it turns on an absence: something deliberately mislaid from the legend of Jane Harrison. Persuasively as an archaeologist reconstructing gold earlobes in a Mycenean mask, Beard writes [Eugénie Sellers's] life back into Harrison's.
In her new, invigorating study of the pioneering Cambridge archaeologist Jane Harrison, biographer Mary Beard quarrels with those who believe they can reconstruct the private life of Harrison with any sort of certainty...The Invention of Jane Harrison shows its seams proudly. Indeed, it calls into question the whole idea of seamless biography, offering instead one more construction, one more invention of a Cambridge myth and idol. But in examining closely previously neglected period in the formation of Harrison and Sellers, Beard illuminates the hidden forces at play in the process of hagiography: how undercurrents of sexuality, passion, jealousy, even love, are suppressed in the re-writing (or even the non-writing or the de-writing of a life. Felicitously composed and exhaustively documented, this quirky biography demonstrates as well the verve and invention of Mary Beard.
Jane Ellen Harrison (1850-1928) was in the vanguard of the staid British academic community in the early 20th century. As Beard (classics, Cambridge) notes, she wrote and lectured about ancient Greek art and archaeology with "grace and daring." This daring lay in her willingness to expose the "seething irrationality" of the ancient world, a departure from the highly ordered, Victorian approach of her largely male peers. Harrison had a distinguished career at Cambridge, but it was in Germany that her skills as an archaeologist began to flourish. She recognized the importance of myth and ritual to ancient cultures, a groundbreaking acknowledgment in her day. Beard writes a competent, well-researched biography (the 14th book in the "Revealing Antiquity" series), but the dry, thesis-like prose falls disappointingly short of its charismatic subject. A good part of the book discusses the academic/ political shenanigans of Harrison's colleagues, dull fodder for those not privy to Cambridge's arcane hierarchy. Recommended for larger collections.--Diane Gardner Premo, Rochester P.L., NY Copyright 2000 Cahners Business Information.\
An amusing, engaging and opinionated book that looks behind the scenes to find out how biography is invented....London Review of Books
