Publishers Weekly
★ 04/11/2016
Nonfiction author Reid (The Truth About Luck) fuses suspense with philosophy, psychology, and horror in his unsettling first novel set in an unspecified locale. When Jake takes his unnamed new girlfriend to meet his parents, he doesn’t realize she’s thinking of “ending things” (just what she might end is at first unclear). Dinner at the family farm proves awkward, reinforcing her doubts about their relationship. On their way home, the weather turns nasty and Jake pulls off the road at a darkened high school. He takes the keys and exits the car, but never returns, leaving his girlfriend little choice but to strike out after him. While the events preceding the couple’s separation have the air of a disquieting dream, those that follow are the stuff of nightmares. Stream-of-consciousness narration by Jake’s girlfriend adds to the story’s surreal quality, and occasional blocks of unattributed dialogue about an unspecified tragedy impart dread. Capped with an ending that will shock and chill, this twisty tale invites multiple readings. Agent: Samantha Haywood, Transatlantic. (June)
Brian Francis
Smart, dangerous and spooky as hell. Iain Reid takes you on a harrowing road trip that keeps you riveted until the final destination.
Heather O'Neill
An addictive metaphysical investigation into the nature of identity, one which seduces and horrifies in equal measure. Reid masterfully explores the perversity of loneliness and somehow also creates a very entertaining thriller. I found myself yelling at the characters to put their feet on the pedal and drive.
The Globe and Mail
"I’m Thinking of Ending Things begins with the unnamed narrator setting off with her boyfriend to visit his parents at their remote farm, and soon devolves into an unnerving exploration of identity, regret and longing. Delightfully frightening."
Sjón
"In a novel this engaging, bizarre, and twisted, it shouldn't come as a surprise that its ending is even stranger than the narrative route that takes us there...but it does. Reid's novel is a road trip to the heart of creepyness."
Entertainment Weekly
Your dread and unease will mount with every passing page.
Jezebel
"...unrelentingly tense, expertly riding the line between paranoid and horrifying."
Nick Cutter
Here are some near-certainties about I’m Thinking of Ending Things. Number One: You're going to read it fast. Over the course of an afternoon or an evening. The momentum is unstoppable—once you start, you won't be able to stop. And Two: once you race to the end and understand the significance of those final pages, you won't be able to stop thinking about it. This novel will find a spot in your heart and head and it will live there—-for days,weeks, months, or (in my case) the rest of your life. Yes. It really is that good.
The Independent
"This is a deliciously frightening novel, Reid has a light, idiosyncratic touch but never lets his vice-like grip of suspense slacken for a second. Once finished, you will be hard pressed not to start the whole terrifying journey all over again."
Bustle
Absolutely chilling. I was constantly checking over my shoulder, closing doors, pulling blinds shut. Reid's fast-paced language is evocative, spine-tingling, and razor-sharp...[This] debut is worth reading for his deft ability to create tension and atmosphere; I can recall very few times in recent memory I’ve been so physically unnerved by a novel.
Scott Heim
"I'm Thinking of Ending Things is one of the best debut novels I've ever read. Iain Reid has crafted a tight, ferocious little book, with a persistent tenor of suspense that tightens and mounts toward its visionary, harrowing final pages."
Starred Review Booklist
The construct of this book is brilliant and unusual and should appeal to fans of psychological thrillers, as well as to some horror fans. A dark and compelling debut novel, it is a most uncomfortable read but utterly unputdownable.
Charlie Kaufman
"I'm Thinking of Ending Things is an ingeniously twisted nightmare road trip through the fragile psyches of two young lovers. My kind of fun!"
New York Journal of Books
Reid’s gradually building spookiness and plainspoken intellectualism make I’m Thinking of Ending Things a smart and unexpectedly fun book.
Wayne Grady
I’m Thinking of Ending Things is an utterly compelling modern Gothic that stakes its claim in the inner precincts of horror. Reid builds tension the way Edgar Allen Poe builds brick walls in his basement.
The Chicago Tribune
This is the boldest and most original literary thriller to appear in some time.
NPR's Weekend Edition
Iain Reid has written a creepy but enthralling new novel... It’s a psychological thriller that keeps readers guessing.
author of The Blue Fox Sjón
"In a novel this engaging, bizarre, and twisted, it shouldn't come as a surprise that its ending is even stranger than the narrative route that takes us there...but it does. Reid's novel is a road trip to the heart of creepyness."
Library Journal
★ 05/15/2016
It's snowing, and the unnamed narrator is traveling with her new boyfriend Jake to visit his parents at the family farm. The novel's vague title seems to become clearer as the narrator repeatedly ponders calling off their relationship. While this revelation may not have arrived at the best of times, it's quickly apparent that a failed relationship is the least of her problems. When the couple arrives at their destination, Jake's parents are awkward, and the evening goes from strange to unsettling as the narrator explores the setting of Jake's childhood. When the pair drive home, the weather takes a turn for the worse. Jake turns off the highway and parks by an empty high school. He goes inside, leaving the narrator alone and frightened. When she enters the building, her vague sense of foreboding turns into outright terror. Interspersed throughout are snatches of conversation about some unknown act of violence that only heightens the feeling of unease. VERDICT This slim first novel packs a big psychological punch with a twisty story line and an ending that will leave readers breathless. [See Prepub Alert, 11/30/15; previewed in Erica Neubauer's 2016 Mystery Preview "Edge-of-Your-Seat Thrills," LJ 4/15/16.]—Portia Kapraun, Delphi P.L., IN
Kirkus Reviews
★ 2016-03-16
A road trip in a snowstorm takes a sinister turn for a man and his girlfriend, the novel's unnamed narrator. Reid's preternaturally creepy debut unfolds like a bad dream, the kind from which you desperately want to wake up yet also want to keep dreaming so you can see how everything fits together—or, rather, falls apart. The narrator, known only as the girlfriend, is driving with her beau, Jake, a scientist, to meet his parents at the family farm. The relationship is new, but, as the title implies, she's already thinking of calling it quits. Jake is somewhat strange and fond of philosophizing, though the tendency to speak in the abstract is something that unites the pair. The weather outside turns nastier, and Reid intercuts the couple's increasingly tense journey with short interstitial chapters that imply a crime has been committed, though the details are vague. Matters don't improve when Jake and the narrator arrive at the farm, a hulking collection of buildings in the middle of nowhere. The meeting with her potential in-laws is as awkward as it is frightening, with Reid expertly needling the reader—and the narrator—into a state of near-blind panic with every footfall on a basement step. On the drive back, Jake makes a detour to an empty high school, which will take the couple to new heights of the terrifying and the bizarre. Reid's tightly crafted tale toys with the nature of identity and comes by its terror honestly, building a wall of intricately layered psychological torment so impenetrable it's impossible to escape.
