Using free verse as her vehicle, Hopkins (Crank, Glass) takes readers on a harrowing ride into the psyches of 16-year-old identical twins Kaeleigh and Raeanne, both of whom are racing toward self-destruction. The girls' family appears picture-perfect. Their father is a prominent judge, their mother is running for Congress, and both girls do well in school. But ever since an accident, "Mom doesn't love anyone./ She is marble. Beautiful./ Frigid. Easily stained/ by her family. What's left/ of us, anyway. We are corpses." Raeanne seeks escape in sex and drugs; Kaileigh binges and cuts herself. Brief, gutsy confessions reveal a history of sexual abuse and emotional neglect, and it's not clear that both girls will survive it. Hopkins's verse is not only lean and sinuous, it also demonstrates a mastery of technique. Strategically placed concrete verse includes a poem about revenge shaped like a double-edged sword; in another, about jealousy, the lines form one heart reflecting another, until a rupture breaks the symmetry at the bottom. Often, the twins' entries mirror each other, on facing pages: although used differently in the two poems, the same key words are set off in corresponding stanzas ("think./ How/ different/ life./ could be" reads one set of key words). Those for whom Uncle Vampire means something will anticipate the still-breathless climax; all others, including most of the target audience, will be shocked. Ages 14-up. (Aug.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.How much did you love the first season of Riverdale on the CW? An admittedly darker and more dramatic version of the goofy and lovable Archie comics, the show combines teen melodrama, dramatic family dynamics, noir, and small-town utopia into an utterly irresistible show with far more diversity and intersectionality than the comics as they were […]