03/14/2016
Despite some emotional gut punches, Heuvelt’s supernatural thriller fails to fully capitalize on its intriguing premise. The New York town of Black Springs appears perfectly normal to the outside world, but is, in fact, subject to a curse. Katherine van Wyler was sentenced to death for witchcraft in 1664 after resurrecting her dead son. She has haunted Black Springs for centuries, and her whispers create suicidal thoughts in the minds of those who hear them. Leaving the town for more than a short time is not an option for residents, who would be compelled to kill themselves if they did so. The phenomenon even attracted the attention of the federal government, which established the military academy at West Point to help cover it up. Town residents are governed by strict rules imposed by the government, and even their Internet use is monitored and censored. The restrictions chafe the younger generation, whose rebellion threatens the status quo. Heuvelt (The Ink Readers of Doi Saket) develops his characters enough to give their tragic lives resonance, but the story’s resolution disappoints. Agent: Sally Harding, Cooke Agency. (May)
Hex
Narrated by Matthias Lühn
Thomas Olde HeuveltUnabridged — 15 hours, 51 minutes
Hex
Narrated by Matthias Lühn
Thomas Olde HeuveltUnabridged — 15 hours, 51 minutes
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Overview
Editorial Reviews
“Thomas is a great writer, the next genre superstar.” —Paul Cornell
"[A] touch of strangeness, of alienness, avoiding sub-Stephen King clichés. [Olde Heuvelt] has written five novels already, and publishers should be lining up to translate them." —The Wall Street Journal
“This is totally, brilliantly original.” —Stephen King
“HEX is creepy and gripping and original, sure to be one of the top horror novels of 2016.” —George R.R. Martin
“HEX is reminiscent of vintage Stephen King, and I can think of no higher praise. Chilling, moving and . . . profound.” —John Connolly
“Olde Heuvelt’s HEX sets ancient magic against contemporary technology to create a kind of dark fairy tale that seems ultimately believable in today’s world. A terrific debut novel.” —Jeffrey Ford
“HEX is a thoughtful horror story, and one that is all the more chilling for its uncompromising view of humanity. . . . I found the story and its ending uncompromising and inevitable.” —Robin Hobb
“HEX takes the horror/thriller genre to a whole new level. It’s deeply unsettling, wholly original, brilliantly written and contains scenes that will haunt you for a long time to come. I dare you to read it.” —Sarah Lotz
“Thomas Olde Heuvelt's HEX is a treat for all fans of dark fiction . . . a modern spin on the witch's curse story that forces us to take a closer look at ourselves. Who is really evil after all? It's may not be who you think. This is just the beginning and I can't wait to read his next one.” —Ann VanderMeer)
“Hidden tensions and human weakness trigger a witch-hunt that boils over into persecution, scapegoating and a shocking denouement. A powerfully spooky piece of writing.” —Financial Times
“The best horror debut since John Ajvide Lindqvist’s Let the Right One In.” —Alan Kelly, Rue Morgue
“Equal parts Stephen King and The Cabin in the Woods, Thomas Olde Heuvelt’s novel is a pop page-turner with an intriguingly weird ambience . . . a funny, surprising and eerie novel.” —SFX Magazine
“Olde Heuvelt offers up a truly terrifying parable about mankind’s depravity and the depths of evil of which we are capable. The story is not merely unsettling, it is horrifying” –Kirkus Reviews
“[I]ntriguing premise . . . Heuvelt develops his characters enough to give their tragic lives resonance” —Publishers Weekly
[S]imilarities to early Stephen King . . . Spielbergian in the way Olde Heuvelt shows supernatural goings-on in the midst of everyday life . . . It’s a fabulous, unforgettable conceit and Olde Heuvelt makes the most of it.” —The Guardian
“Heuvelt’s masterfully frightening debut will haunt the reader for days afterward.” —Book Riot
“A great read for fans of The Blair Witch Project or The Crucible. “ —Booklist
“[O]ne of the most original, clever, and terrifying books to be published in the 21st century”. —New York Journal of Books
“An entertaining read with a chilling concept. Not for the faint hearted.” —Brave New Words
“Truly absorbing and keeps you locked into the horrifying events as they unfold.” —Fantasy Book Review
03/15/2016
The Hudson Valley town of Black Spring, NY, has been cursed for hundreds of years. Katherine, burned as a witch in the 17th century, wanders the village with eyes and mouth sewn shut to keep her power controlled. The townspeople have found modern ways to deal with Katherine, using high-tech surveillance and smartphone apps to track her appearances. And if you move to Black Spring, you can't leave, nor can you talk to outsiders. The teenagers are growing restless with the limits placed on them by the spell, and that frustration leads to actions that could doom the entire community. VERDICT This Dutch horror novel was a huge hit in Europe and does clever things with the intersection of ancient evil and technology. The prose is rough in places, especially as the story gets up to speed, which could be owing to the translation. Yet once the teens start their experiments, the tension levels spike and remain high until the terrifying finish. [Previewed in "Editors' Spring Picks," LJ 2/15/16.—Ed.]—MM
12/01/2016
In his acknowledgements at the end of the book, Heuvelt discusses how he rewrote his original story (published in the Netherlands in 2013) while it was being translated into English. He changed the setting to a small town in the Hudson Valley and gave the work a completely new ending. Although he provided his characters with American names, he allowed them to retain their "Dutchness," which makes for a charming, quirky, and humorous cast. They seem amazingly well-adjusted considering the restrictions that govern their lives. But when a group of Internet and social media savvy high school seniors confront the reality of being trapped forever in Black Spring by a 17th-century witch's curse, town law is no obstacle to their determination to change the status quo. Unfortunately, well-intentioned, testosterone-fueled teen bravado can quickly turn ugly. The teens pursue a series of activities that awaken the witch's wrath, but it is the townsfolk's dehumanizing descent into fear that turns Heuvelt's charming, don't-turn-out-the-lights ghost story into a bona fide tale of horror. Teens will relate to the characters' dilemma and appreciate how decisions made in the grip of either fear or love can have disastrous consequences. VERDICT Definitely not for the faint of heart, Heuvelt's cinematic descriptions will appeal to horror movie fans and lovers of psychological thrillers.—Cary Frostick, formerly at Mary Riley Styles Public Library, Falls Church, VA
2016-02-03
In Dutch author Heuvelt's English-language debut, a town haunted by a 17th-century witch uncovers the true face of evil—and it's not supernatural. Black Spring, New York, seems like many other picturesque towns near the Hudson River except for one feature: Katherine van Wyler, a woman who was executed for witchcraft in the 1600s but somehow remained to haunt the residents of the town and their descendants. The witch herself is a terrible sight: bound in chains, with her eyes and mouth sewn shut to prevent her from directly taking revenge on anyone, she nevertheless wields power over the town. Those who live there can never leave, because if they're absent for too long, they're overcome by suicidal urges. A group of Black Spring teenagers, led by Tyler Grant, decides to record their interactions with her, intending to post the truth across the Internet. Their desire to break the code of silence turns dangerous when one boy, himself the victim of domestic abuse, goes too far in humiliating Katherine, and someone dies. The town descends rapidly into chaos as Katherine takes her revenge and people begin to do unspeakable things. Heuvelt offers up a truly terrifying parable about mankind's depravity and the depths of evil of which we are capable; his point, of course, is that little truly separates us from history's most terrible moments, including the Puritan persecution of witches. The story is not merely unsettling, it is horrifying, and there is no redemption or image of hope in which one can find solace. But one cannot deny that it is well-done: the narrative stands up to some gaps in logic to persuade the reader that "civilized people" are only a few steps away from madness. Don't expect any hint of optimism; read it if you dare!
Product Details
| BN ID: | 2940178364796 |
|---|---|
| Publisher: | Penguin Random House Audio Publishing Group |
| Publication date: | 11/16/2020 |
| Edition description: | Unabridged |
| Language: | German |
Read an Excerpt
HEX
By Thomas Olde Heuvelt, Nancy Forest-Flier
Tom Doherty Associates
Copyright © 2013 Thomas Olde HeuveltAll rights reserved.
ISBN: 978-0-7653-7880-4
CHAPTER 1
STEVE GRANT ROUNDED the corner of the parking lot behind Black Spring Market & Deli just in time to see Katherine van Wyler get run over by an antique Dutch barrel organ. For a minute he thought it was an optical illusion, because instead of being thrown back onto the street the woman melted into the wooden curlicues, feathered angel wings, and chrome-colored organ pipes. It was Marty Keller who pushed the organ backward by its trailer hitch and, following Lucy Everett's instructions, brought it to a halt. Although there wasn't a bump to be heard or a trickle of blood to be seen when Katherine was struck, people began rushing in from all sides with the urgency that townsfolk always seem to exhibit when an accident occurs. Yet no one dropped their shopping bag to help her up ... for if there was one thing the residents of Black Spring valued more highly than urgency, it was a cautious insistence on never getting too involved in Katherine's affairs.
"Not too close!" Marty shouted, stretching out his hand toward a little girl who had been approaching with faltering steps, drawn not by the bizarre accident but by the magnificence of the colossal machine. At once Steve realized that it hadn't been an accident at all. In the shadow beneath the barrel organ he saw two grubby feet and the mud-stained hem of Katherine's dress. He smiled indulgently: So it was an illusion. Two seconds later, the strains of the "Radetzky March" blared across the parking lot.
He slowed his pace, tired but quite satisfied with himself, almost at the end of his big circuit: fifteen miles along the edge of Bear Mountain State Park to Fort Montgomery and right up along the Hudson to West Point Military Academy — which folks around here called The Point — where he veered off toward home. Back into the forest, the hills. It made him feel good, not only because running was the ideal way to rid his body of the tension it accumulated after a long day of teaching at New York Med in Valhalla. It was mainly the delightful autumn breeze outside Black Spring that put him in such an excellent mood, swirling through his lungs and carrying the smell of his sweat to more westerly regions. It was all psychological, of course. There was nothing wrong with the air in Black Spring ... at least, nothing that could be proven by analysis.
The music had lured the cook at Ruby's Ribs to come out from behind his grill. Joining the other spectators, he gazed suspiciously at the barrel organ. Steve walked around them, wiping his forehead dry with his arm. When he saw that the beautifully lacquered side of the organ was actually a swinging door, and that the door was ajar, he could no longer suppress a smile. The organ was completely hollow inside, all the way to the axle. Katherine was standing motionless in the dark as Lucy shut the door and hid her from view. Now the organ was an organ again. And boy, did it play.
"So," he said, still panting, his hands high on his hips. "Mulder and Scully been lining the coffers again?"
Marty walked up to him and grinned. "Says you. You know how much those fuckers cost? And I'm telling you, they're pinching pennies till they holler." He jerked his head at the barrel organ. "It's a total fake. A replica of the organ from the Old Dutch Museum in Peekskill. Pretty good, huh? It's just an ordinary trailer underneath."
Steve was impressed. Now that he had a better look, he could see that, sure enough, the façade was nothing but a hodgepodge of mawkish porcelain figures and carelessly glued geegaws — and badly painted, too. The organ pipes weren't even real chrome, but gold-lacquered PVC. Even the "Radetzky March" fell flat: an illusion, without the delightful sighing of the valves or the slapping of the perforated music cards that you would expect from an instrument of yesteryear.
Marty read his mind and said, "An iPod with a big-ass speaker. Pick the wrong playlist and you get heavy metal."
"Sounds like one of Grim's ideas," Steve laughed.
"Uh-huh."
"I thought the whole idea was to divert attention away from her?"
Marty shrugged. "You know the master's style."
"It's for public events," Lucy said. "For the fair, or during the festival if there are lots of Outsiders."
"Well, good luck." Steve grinned, getting ready to continue on his way. "Maybe you'll collect some money while you're at it."
He took it easy on the last mile, heading home down Deep Hollow Road. As soon as he was beyond earshot he stopped thinking about the woman in the dark, the woman in the belly of the barrel organ, though the "Radetzky March" kept playing in his head to the rhythm of his footsteps.
* * *
AFTER A SHOWER, Steve went downstairs and found Jocelyn at the dining room table. She shut her laptop. With the subtle smile on her lips that he had fallen in love with twenty-three years before and that she'd probably have until the day she died, despite growing wrinkles and bags under her eyes (forty-plus pockets, she called them), she said, "There, enough time for my boyfriends. Now it's my husband's turn."
Steve grinned. "What was his name again? Rafael?"
"Yup. And Roger. I ditched Novak." She stood up and slid her arms around his waist. "How was your day?"
"Exhausting. Five straight hours of lectures with one twenty-minute break. I'm going to ask Ulmann to change my grid, or mount a battery behind the stand."
"You're pathetic," she said, kissing him on the mouth. "I ought to warn you that we have a voyeur, Mr. Eager Beaver."
Steve drew back and raised his eyebrows.
"Gramma," she said.
"Gramma?"
Pulling him closer, she turned around and nodded over her shoulder. Steve followed her glance through the open French doors and into the living room. Sure enough, standing in the odd corner between the couch and the fireplace, right next to the stereo — Jocelyn always called it her Limbo because she couldn't figure out what to do with it — was a small, shrunken woman, skinny as a rail and utterly motionless. She looked like something that didn't belong in the clear golden light of the afternoon: dark, dirty, nocturnal. Jocelyn had hung an old dishcloth over her head so you couldn't see her face.
"Gramma," said Steve meditatively. Then he started to laugh. He couldn't help it: With that dishcloth, she made an awkward, ridiculous spectacle.
Jocelyn blushed. "You know I get all creeped out when she looks at us that way. I know she's blind, but sometimes I get the feeling it doesn't make any difference."
"How long has she been standing there? Because I just saw her in town."
"Less than twenty minutes. She showed up just before you came home."
"Go figure. I saw her in the parking lot at the Market and Deli. They had put one of their new toys right on top of her, a friggin' barrel organ. I guess she didn't like the music very much."
Jocelyn smiled and pursed her lips. "Well, I hope she likes Johnny Cash, because that's what was in the CD player, and reaching past her to press play once is enough for me, thank you."
"Brave move, madam." Steve stuck his fingers in the hair along the back of her neck and kissed her again.
The screen door flew open and Tyler came in with a large plastic bag that smelled of Chinese takeout. "Hey, no hanky-panky, okay?" he said. "I'm underage until March fifteenth, and until then my tender soul can't bear to be corrupted. Least of all within my own gene pool."
Steve winked at Jocelyn and said, "Does that go for you and Laurie, too?"
"I'm supposed to experiment," said Tyler as he put the bag on the table and wriggled out of his jacket. "It's age appropriate. Wikipedia says so."
"And what does Wikipedia say we should do at our age?"
"Work ... cook ... raise allowances."
Jocelyn opened her eyes wide and burst out laughing. Behind Tyler, Fletcher had wormed his way in through the screen door and was pattering around the dining room table with his ears cocked.
"Oh Christ, Tyler, grab him ..." Steve said as soon as he heard the border collie growl, but it was too late: Fletcher had caught sight of the woman in Jocelyn's Limbo. He broke into a deafening bark, which shifted into such a shrill, high whine that all three of them jumped out of their skin. The dog flew through the room but slid across the dark tiles; Tyler was just able to grab him by the collar. Barking wildly and pawing the air with his front legs, Fletcher came to a halt between the French doors.
"Fletcher, down!" Tyler shouted, jerking the leash sharply. Fletcher stopped barking. Wagging his tail nervously, he began to growl deep in the back of his throat at the woman in Jocelyn's Limbo ... who hadn't moved a muscle. "Jesus, couldn't you guys, like, tell me she was here?"
"Sorry," Steve said, taking the leash out of Tyler's hands. "We didn't see Fletcher come in."
A wry expression spread across Tyler's face. "Suits her well, that cloth." He threw his jacket over a chair and ran upstairs without further comment. Not to do his homework, Steve assumed, because when it came to homework Tyler was never in a rush. The only thing that made him hurry was the girl he was dating (a pert little cutie from Newburgh who unfortunately couldn't visit very often due to the Emergency Decree), or the video blog on his YouTube channel, which he had probably been working on when Jocelyn sent him to Emperor's Choice Takeout. Wednesday was her day off and she liked to keep it simple, even though everything from the town's Chinese takeout place tasted pretty much the same.
Steve led the growling Fletcher to the backyard and locked him in his kennel, where he jumped up against the wire mesh and started pacing restlessly. "Cut it out," Steve snarled, more sharply than the situation perhaps called for. But the dog got on his nerves, and he knew Fletcher wouldn't calm down for the next half hour. It had been quite some time since Gramma had dropped in on them, but no matter how often she came, Fletcher never seemed to get used to her.
Back inside, they set the table. Steve was unfolding paper containers of chicken chow mein and General Tso's tofu when the kitchen door flew open again. In came Matt's riding boots, rolling over the floor, as Fletcher continued barking nonstop. "Fletcher, Jesus!" he heard his youngest yell. "What's wrong with you?"
Matt entered the dining room with his cap askew and his riding breeches crumpled up in his arms. "Ooh, yummy. Chinese," he said, hugging both parents as he passed. "I'll be right down!" And, like Tyler, he ran upstairs.
Steve regarded the dining room at around this hour as the epicenter of the Grant family, the place where the engaging lives of individual family members slid over each other like tectonic plates and came to rest. It wasn't just that they honored the tradition of eating together whenever possible, it had to do with the room itself: a trusted place in the house, framed with railroad ties and a million-dollar view of the stable and the horse pen at the back of the yard, with the steeply rising wilderness of Philosopher's Deep right behind it.
He was serving up sesame noodles when Tyler entered the dining room with the GoPro sports cam he'd been given for his seventeenth birthday. Its red REC light was now on.
"Turn that thing off," Steve said firmly. "You know the rules when Gramma's here."
"I'm not filming her," Tyler said, pulling up a chair at the other end of the table. "Look, you can't even get her in the picture from here. And you know she hardly ever walks when she's inside." He gave his dad an innocent smile and switched on his typical YouTube voice (music 1.2, flair 2.0): "And now it's time to ask you a question for my très important statistics report, O Worthy Progenitor."
"Tyler!" Jocelyn shouted.
"Sorry, O Twice Worthy Childbearer."
Jocelyn looked at him with friendly resolve. "You're going to edit that out," she said. "And get that camera out of my face. I look awful."
"Freedom of the press." Tyler grinned.
"Freedom of privacy," Jocelyn shot back.
"Suspension of household duties."
"Cutting allowances."
Tyler turned the GoPro on himself and assumed a tormented face. "Aww, I get this kind of crap all the time. I've said it before and I'll say it again, my friends: I'm living in a dictatorship. Freedom of speech is seriously jeopardized in the hands of the older generation."
"Thus spake the Messiah," said Steve as he served up the General Tso's, knowing that Tyler would edit most of it out anyway. Tyler made clever cuts of his opinions, absurdities, and street footage, which he dubbed with catchy pop and fast-paced video effects. He was good at it. And with impressive results: The last time Steve looked at his son's YouTube channel, TylerFlow95, it had 340 subscribers and more than 270,000 hits. Tyler even earned some pocket money (absurdly little, he admitted) from advertising income.
"What did you want to ask?" Steve said, and the cam swept over to him immediately.
"If you had to let someone die, who would it be: your own child or an entire village in the Sudan?"
"What an irrelevant question."
"My own child," Jocelyn said.
"Oh!" Tyler cried with great sense of drama, and out in his kennel, Fletcher perked up his ears and began barking restlessly again. "Did you hear that? My very own mother would mercilessly sacrifice me for some nonexistent village in Africa. Is this an indication of her third-world compassion, or a sign of dysfunction within our family?"
"Both, darling," said Jocelyn, and then called upstairs, "Matt! We're eating!"
"But, seriously, Dad. Say you had two buttons in front of you, and if you push one your own child dies — moi, that is — and if you push the other a whole village in the Sudan dies, and if you don't make a choice before the count of ten they both get pushed automatically. Who would you save?"
"It's an absurd situation," said Steve. "Who would ever force me to make such a choice?"
"Humor me."
"And even then, there's no right answer. If I save you, you'll accuse me of letting an entire village die."
"But otherwise we all die," Tyler insisted.
"Of course I'd let the village die and not you. How could I sacrifice my own son?"
"Really?" Tyler whistled in admiration. "Even if it's a village full of severely undernourished child soldiers with bulging little bellies and flies buzzing around their eyes and poor abused AIDS mothers?"
"Even then. Those mothers would do the same for their children. Where's Matt? I'm hungry."
"And if you had to choose between letting me die or all of the Sudan?"
"Tyler, you shouldn't ask such questions," said Jocelyn, but without much conviction; she knew perfectly well that once her husband and oldest son were on a roll, intervention stood as little chance of success as ... well, as any intervention in the larger political arena.
"Well, Dad?"
"The Sudan," said Steve. "What's this report about, anyway? Our involvement in Africa?"
"Honesty," said Tyler. "Anybody who says he would save Sudan is lying. And anybody who doesn't want to answer is just being politically correct. We asked all the teachers and only Ms. Redfearn in philosophy was honest. And you." He heard his younger brother come rumbling down the stairs, and called out, "If you had to let someone die, Matt, who would you choose: all of the Sudan, or our parents?"
"Sudan," came the immediate reply. Outside the camera frame, Tyler nodded at the living room and ran his finger over his lips, miming the closing of a zipper. Steve shot a reluctant look at Jocelyn, but he saw from the way she was biting her lip that she was willing to play along. One second later the door opened, and in came Matt with only a towel around his waist, apparently straight from the bathroom.
"Awright, you just got me an extra thousand hits," Tyler said. Matt pulled a clownish face at the GoPro and wiggled his hips back and forth.
"Tyler, he's thirteen!" Jocelyn said.
"Seriously. That clip with Lawrence, Burak, and me doing a shirtless lipsynch of The Pussycat Dolls got over thirty-five thousand hits."
"That was close to porn," Matt said, pulling up a chair next to him with his back to the living room — and to the woman in Jocelyn's Limbo. Steve and Tyler exchanged an amused glance.
"Can't you wear some clothes at the table?" Jocelyn sighed.
"You wanted me to come down and eat! My clothes smell like horse, and I haven't even had a shower. By the way, I liked your album, Mom."
"What?"
(Continues...)
Excerpted from HEX by Thomas Olde Heuvelt, Nancy Forest-Flier. Copyright © 2013 Thomas Olde Heuvelt. Excerpted by permission of Tom Doherty Associates.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
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