Now a major motion picture from Lionsgate starring Brie Larson, Woody Harrelson, and Naomi Watts.
MORE THAN SEVEN YEARS ON THE NEW YORK TIMES BESTSELLER LIST
The perennially bestselling, extraordinary, one-of-a-kind, “nothing short of spectacular” (Entertainment Weekly) memoir from one of the world’s most gifted storytellers.
The Glass Castle is a remarkable memoir of resilience and redemption, and a revelatory look into a family at once deeply dysfunctional and uniquely vibrant. When sober, Jeannette’s brilliant and charismatic father captured his children’s imagination, teaching them physics, geology, and how to embrace life fearlessly. But when he drank, he was dishonest and destructive. Her mother was a free spirit who abhorred the idea of domesticity and didn’t want the responsibility of raising a family.
The Walls children learned to take care of themselves. They fed, clothed, and protected one another, and eventually found their way to New York. Their parents followed them, choosing to be homeless even as their children prospered.
The Glass Castle is truly astonishing—a memoir permeated by the intense love of a peculiar but loyal family.
Jeannette Walls graduated from Barnard College and was a journalist in New York. Her memoir, The Glass Castle, has been a New York Times bestseller for more than six years. She is also the author of the instant New York Times bestsellers The Silver Star and Half Broke Horses, which was named one of the ten best books of 2009 by the editors of The New York Times Book Review. Walls lives in rural Virginia with her husband, the writer John Taylor.
Date of Birth:April 21, 1960
Place of Birth:Phoenix, Arizona
Education:B.A., Barnard College, 1984
I was sitting in a taxi, wondering if I had overdressed for the evening, when I looked out the window and saw Mom rooting through a Dumpster. It was just after dark. A blustery March wind whipped the steam coming out of the manholes, and people hurried along the sidewalks with their collars turned up. I was stuck in traffic two blocks from the party where I was heading.
Mom stood fifteen feet away. She had tied rags around her shoulders to keep out the spring chill and was picking through the trash while her dog, a black-and-white terrier mix, played at her feet. Mom's gestures were all familiar -- the way she tilted her head and thrust out her lower lip when studying items of potential value that she'd hoisted out of the Dumpster, the way her eyes widened with childish glee when she found something she liked. Her long hair was streaked with gray, tangled and matted, and her eyes had sunk deep into their sockets, but still she reminded me of the mom she'd been when I was a kid, swan-diving off cliffs and painting in the desert and reading Shakespeare aloud. Her cheekbones were still high and strong, but the skin was parched and ruddy from all those winters and summers exposed to the elements. To the people walking by, she probably looked like any of the thousands of homeless people in New York City.
It had been months since I laid eyes on Mom, and when she looked up, I was overcome with panic that she'd see me and call out my name, and that someone on the way to the same party would spot us together and Mom would introduce herself and my secret would be out.
I slid down in the seat and asked the driver to turn around and take me home to Park Avenue.
The taxi pulled up in front of my building, the doorman held the door for me, and the elevator man took me up to my floor. My husband was working late, as he did most nights, and the apartment was silent except for the click of my heels on the polished wood floor. I was still rattled from seeing Mom, the unexpectedness of coming across her, the sight of her rooting happily through the Dumpster. I put some Vivaldi on, hoping the music would settle me down.
I looked around the room. There were the turn-of-the-century bronze-and-silver vases and the old books with worn leather spines that I'd collected at flea markets. There were the Georgian maps I'd had framed, the Persian rugs, and the overstuffed leather armchair I liked to sink into at the end of the day. I'd tried to make a home for myself here, tried to turn the apartment into the sort of place where the person I wanted to be would live. But I could never enjoy the room without worrying about Mom and Dad huddled on a sidewalk grate somewhere. I fretted about them, but I was embarrassed by them, too, and ashamed of myself for wearing pearls and living on Park Avenue while my parents were busy keeping warm and finding something to eat.
What could I do? I'd tried to help them countless times, but Dad would insist they didn't need anything, and Mom would ask for something silly, like a perfume atomizer or a membership in a health club. They said that they were living the way they wanted to.
After ducking down in the taxi so Mom wouldn't see me, I hated myself -- hated my antiques, my clothes, and my apartment. I had to do something, so I called a friend of Mom's and left a message. It was our system of staying in touch. It always took Mom a few days to get back to me, but when I heard from her, she sounded, as always, cheerful and casual, as though we'd had lunch the day before. I told her I wanted to see her and suggested she drop by the apartment, but she wanted to go to a restaurant. She loved eating out, so we agreed to meet for lunch at her favorite Chinese restaurant.
Mom was sitting at a booth, studying the menu, when I arrived. She'd made an effort to fix herself up. She wore a bulky gray sweater with only a few light stains, and black leather men's shoes. She'd washed her face, but her neck and temples were still dark with grime.
She waved enthusiastically when she saw me. "It's my baby girl!" she called out. I kissed her cheek. Mom had dumped all the plastic packets of soy sauce and duck sauce and hot-and-spicy mustard from the table into her purse. Now she emptied a wooden bowl of dried noodles into it as well. "A little snack for later on," she explained.
We ordered. Mom chose the Seafood Delight. "You know how I love my seafood," she said.
She started talking about Picasso. She'd seen a retrospective of his work and decided he was hugely overrated. All the cubist stuff was gimmicky, as far as she was concerned. He hadn't really done anything worthwhile after his Rose Period.
"I'm worried about you," I said. "Tell me what I can do to help."
Her smile faded. "What makes you think I need your help?"
"I'm not rich," I said. "But I have some money. Tell me what it is you need."
She thought for a moment. "I could use an electrolysis treatment."
"I am serious. If a woman looks good, she feels good."
"Come on, Mom." I felt my shoulders tightening up, the way they invariably did during these conversations. "I'm talking about something that could help you change your life, make it better."
"You want to help me change my life?" Mom asked. "I'm fine. You're the one who needs help. Your values are all confused."
"Mom, I saw you picking through trash in the East Village a few days ago."
"Well, people in this country are too wasteful. It's my way of recycling." She took a bite of her Seafood Delight. "Why didn't you say hello?"
"I was too ashamed, Mom. I hid."
Mom pointed her chopsticks at me. "You see?" she said. "Right there. That's exactly what I'm saying. You're way too easily embarrassed. Your father and I are who we are. Accept it."
"And what am I supposed to tell people about my parents?"
"Just tell the truth," Mom said. "That's simple enough."
Copyright © 2005 by Jeannette Walls
The Glass Castle, by Jeannette Walls
Reading Group Guide
1. Though The Glass Castle is brimming with unforgettable stories, which scenes were the most memorable for you? Which were the most shocking, the most inspiring, the funniest?
2. Discuss the metaphor of a glass castle and what it signifies to Jeannette and her father. Why is it important that, just before leaving for New York, Jeannette tells her father that she doesn't believe he'll ever build it? (p. 238).
3. The first story Walls tells of her childhood is that of her burning herself severely at age three, and her father dramatically takes her from the hospital: "You're safe now" (p. 14). Why do you think she opens with that story, and how does it set the stage for the rest of the memoir?
4. Rex Walls often asked his children, "Have I ever let you down?" Why was this question (and the required "No, Dad" response) so important for him -- and for his kids? On what occasions did he actually come through for them?
5. Jeannette's mother insists that, no matter what, "life with your father was never boring" (p. 288). What kind of man was Rex Walls? What were his strengths and weaknesses, his flaws and contradictions?
6. Discuss Rose Mary Walls. What did you think about her description of herself as an "excitement addict"? (p. 93).
7. Though it portrays an incredibly hardscrabble life, The Glass Castle is never sad or depressing. Discuss the tone of the book, and how do you think that Walls achieved that effect?
8 Describe Jeannette's relationship to her siblings and discuss the role they played in one another's lives.
9. In college, Jeannette is singled out by a professor for not understanding the plight of homeless people; instead of defending herself, she keeps quiet. Why do you think she does this?
10. The two major pieces of the memoir -- one half set in the desert and one half in West Virginia -- feel distinct. What effect did such a big move have on the family -- and on your reading of the story? How would you describe the shift in the book's tone?
11. Were you surprised to learn that, as adults, Jeannette and her siblings remained close to their parents? Why do you think this is?
12. What character traits -- both good and bad -- do you think that Jeannette inherited from her parents? And how do you think those traits shaped Jeannette's life?
13. For many reviewers and readers, the most extraordinary thing about The Glass Castle is that, despite everything, Jeannette Walls refuses to condemn her parents. Were you able to be equally nonjudgmental?
14. Like Mary Karr's Liars' Club and Rick Bragg's All Over But the Shoutin', Jeannette Walls' The Glass Castle tells the story of a wildly original (and wildly dysfunctional) family with humor and compassion. Were their other comparable memoirs that came to mind? What distinguishes this book?
"Just read the first pages of "The Glass Castle" by Jeannette Walls, and I defy you not to go on. It's funny and sad and quirky and loving. I was incredibly touched by it."
-- Dominick Dunne, author of "The Way We Lived Then: Recollections of a Well-Known Name Dropper"
"Jeannette Walls has carved a story with precision and grace out of one of the most chaotic, heartbreaking childhoods ever to be set down on the page. This deeply affecting memoir is a triumph in every possible way, and it does what all good books should: it affirms our faith in the human spirit."
-- Dani Shapiro, author of Family History
"The Glass Castle is the saga of the restless, indomitable Walls family, led by a grand eccentric and his tempestuous artist wife. Jeannette Walls has survived poverty, fires, and near starvation to triumph. She has written this amazing tale with honesty and love."
-- Patricia Bosworth, author of Anything Your Little Heart Desires and Diane Arbus: A Biography
"Just read the first pages of The Glass Castle by Jeannette Walls, and I defy you not to go on. It's funny and sad and quirky and loving. I was incredibly touched by it."
-- Dominick Dunne, author of The Way We Lived Then: Recollections of a Well-Known Name Dropper
"Readers will marvel at the intelligence and resilience of the Walls kids."--Francine Prose "The New York Times Book Review, front page "Gossip columnist Jeanette Walls dishes the dirt on her own troubled youth in this remarkable story of survival against overwhelming odds. The child of charismatic vagabonds who left their offspring to raise themselves, Walls spent decades hiding an excruciating childhood filled with poverty and shocking neglect. But this is no pity party. What shines through on every page of this beautifully written family memoir is Walls's love for her deeply flawed parents and her recollection of occasionally wonderful times.The Glass Castle falls short of being art, but it's a very good memoir. At one point, describing her early literary tastes, Walls mentions that ''my favorite books all involved people dealing with hardships.'' And she has succeeded in doing what most writers set out to do -- to write the kind of book they themselves most want to read.
The New York TimesFreelance writer Walls doesn't pull her punches. She opens her memoir by describing looking out the window of her taxi, wondering if she's "overdressed for the evening" and spotting her mother on the sidewalk, "rooting through a Dumpster." Walls's parents-just two of the unforgettable characters in this excellent, unusual book-were a matched pair of eccentrics, and raising four children didn't conventionalize either of them. Her father was a self-taught man, a would-be inventor who could stay longer at a poker table than at most jobs and had "a little bit of a drinking situation," as her mother put it. With a fantastic storytelling knack, Walls describes her artist mom's great gift for rationalizing. Apartment walls so thin they heard all their neighbors? What a bonus-they'd "pick up a little Spanish without even studying." Why feed their pets? They'd be helping them "by not allowing them to become dependent." While Walls's father's version of Christmas presents-walking each child into the Arizona desert at night and letting each one claim a star-was delightful, he wasn't so dear when he stole the kids' hard-earned savings to go on a bender. The Walls children learned to support themselves, eating out of trashcans at school or painting their skin so the holes in their pants didn't show. Buck-toothed Jeannette even tried making her own braces when she heard what orthodontia cost. One by one, each child escaped to New York City. Still, it wasn't long before their parents appeared on their doorsteps. "Why not?" Mom said. "Being homeless is an adventure." Agent, Jennifer Rudolph Walsh. (Apr.) Copyright 2005 Reed Business Information.Not a blissful childhood: MSNBC.com contributor Walls's alcoholic dad stole the grocery money, and her mother would rather paint than parent. Scribner's big book for March. Copyright 2004 Reed Business Information.An account of growing up nomadic, starry-eyed, and dirt poor in the '60s and '70s, by gossip journalist Walls (Dish, 2000). From her first memory, of catching fire while boiling hotdogs by herself in the trailer park her family was passing through, to her last glimpse of her mother, picking through a New York City Dumpster, Walls's detached, direct, and unflinching account of her rags-to-riches life proves a troubling ride. Her parents, Rex Walls, from the poor mining town of Welch, West Virginia, and Rose Mary, a well-educated artist from Phoenix, love a good adventure and usually don't take into account the care of the children who keep arriving-Lori, Jeannette, Brian, and Maureen-leaving them largely to fend for themselves. For entrepreneur and drinker Rex, "Doing the skedaddle" means getting out of town fast, pursued by creditors. Rex is a dreamer, and someday his gold-digging tool (the Prospector), or, better, his ingenious ideas for energy-efficiency, will fund the building of his desert dream house, the Glass Castle. But moving from Las Vegas to San Francisco to Nevada and back to rock-bottom Welch provides a precarious existence for the kids-on-and-off schooling, living with exposed wiring and no heat or plumbing, having little or nothing to eat. Protesting their paranoia toward authority and their insistence on "true values" for their children ("What doesn't kill you will make you stronger," chirps Mom), these parents have some dubious nurturing practices, such as teaching the children to con and shoplift. The deprivations do sharpen the wits of the children-leading to the family's collective escape to New York City, where they all make good, even the parents, who are content tolive homeless. The author's tell-it-like-it-was memoir is moving because it's unsentimental; she neither demonizes nor idealizes her parents, and there remains an admirable libertarian quality about them, though it justifiably elicits the children's exasperation and disgust. Walls's journalistic bare-bones style makes for a chilling, wrenching, incredible testimony of childhood neglect. A pull-yourself-up-by-the-bootstraps, thoroughly American story. Agent: Jennifer Rudolph Walsh/William Morris Agency