Garvey's Choice

by Nikki Grimes

Overview

This emotionally resonant novel in verse by award-winning author Nikki Grimes celebrates choosing to be true to yourself.

Garvey's father has always wanted Garvey to be athletic, but Garvey is interested in astronomy, science fiction, reading—anything but sports. Feeling like a failure, he comforts himself with food. Garvey is kind, funny, smart, a loyal friend, and he is also overweight, teased by bullies, and lonely. When his only friend encourages him to join the school chorus, Garvey's life changes. The chorus finds a new soloist in Garvey, and through chorus, Garvey finds a way to accept himself, and a way to finally reach his distant father—by speaking the language of music instead of the language of sports.

Product Details

ISBN-13:	9781635925111
Publisher:	Astra Publishing House
Publication date:	09/14/2021
Pages:	128
Sales rank:	76,195
Product dimensions:	5.00(w) x 7.30(h) x 0.40(d)
Lexile:	620L (what's this?)
Age Range:	8 - 12 Years

About the Author

New York Times bestselling author Nikki Grimes is the recipient of the 2020 ALAN Award for outstanding contributions to young adult literature, the 2017 Children's Literature Legacy Award, the 2016 Virginia Hamilton Literary Award, and the 2006 NCTE Award for Excellence in Poetry for Children. Her distinguished works include the much-honored books Garvey's Choice, ALA Notable book Southwest Sunrise, Coretta Scott King Award winner Bronx Masquerade, and five Coretta Scott King Author Honor books, Printz and Siebert Honor winner Ordinary Hazards, Boston Globe-Horn Book Honor One Last Word, its companion Legacy:Women Poets of the Harlem Renaissance, and NYT Bestseller Kamala Harris:Rooted in Justice. Creator of the popular Meet Danitra Brown, Make Way for Dyamonde Daniel, Bedtime for Sweet Creatures, and Off to See the Sea, Grimes lives in Corona, California. Visit nikkigrimes.com.

Editorial Reviews

Kirkus Reviews Best Book of the Year
School Library Journal Best Book of the Year

★ 'Grimes returns to the novel-in-verse format, creating voice, characters, and plot in a series of pithy tanka poems, a traditional Japanese form similar to haiku, but using five lines.... (w)ritten from Garvey's point of view, the succinct verses convey the narrative as well as his emotions with brevity, clarity, and finesse.'  —Booklist, starred review

★ "(A) sensitively written middle grade novel in verse... (readers) will fall hard for Garvey, a tender, sincere boy who dislikes athletics. Grimes writes about adolescent friendships in a way that feels deeply human. A short, sweet, satisfying novel in verse that educators and readers alike will love." —School Library Journal, starred review

★ "Grimes' newest follows a young black boy searching for his own unique voice, lost among his father's wishes and society's mischaracterizations. This compassionate, courageous, and hopeful novel explores the constraints placed on black male identity and the corresponding pains and struggles that follow when a young black boy must confront these realities both at home and in school.... This graceful novel risks stretching beyond easy, reductive constructions of black male coming-of-age stories and delivers a sincere, authentic story of resilience and finding one's voice." —Kirkus Reviews, starred review

"Grimes tells a big-hearted story of Garvey...(e)mploying the Japanese poetic form of tanka—five-line poems (or, here, stanzas) with haiku-like syllable counts—Grimes reveals Garvey's thoughts, feelings, and observations, the spare poetry a good vehicle for a young man's attempts to articulate the puzzle that is his life." —The Horn Book

From the Publisher

★ 08/08/2016
Writing in five-line tanka poems, Grimes (Words with Wings) weaves a heart-wrenching story about a boy who isn’t the jock his father dreamed he would be. Garvey loves books and, despite his father’s efforts, cannot get excited about sports. He eats to mask the pain of his father’s disappointment and is teased at school for his size. Help arrives in the form of friends Joe and Manny, an albino boy who embraces his difference, but when Garvey risks joining the school chorus and lets his voice soar, he learns to become proud of what he can do, instead of focusing on what he can’t. In simple, searing language, Grimes captures Garvey’s heartache at his father’s inability to accept him as he is, as well as the casual but wounding teasing Garvey endures at school (“The change bell always/ sinks fear into me like teeth./ Ugly name-calling leaves me with bloody bite marks:/ lard butt, fatso, Mister Tubbs”). Garvey’s journey to self-acceptance is deeply moving and will linger with readers long after they finish this brief, incisive verse novel. Ages 8–12. (Oct.)

Publishers Weekly

12/01/2016
Gr 4–8—Garvey can't quite live up to his father's traditional expectations of masculinity. He would rather sing and ponder space travel than undertake any athletic endeavor. But a chance chorus recital presents a turning point for their relationship: "I stand before the mirror,/smiling at a boy/whose frame is familiar/but changed, unfinished—all me." Using tanka, Grimes expertly crafts a family life that is deeply intimate yet inviting—a story of small but powerful transformations.

School Library Journal

★ 2016-06-28
Written in poignantly poetic tanka verse, Grimes’ newest follows a young black boy searching for his own unique voice, lost among his father’s wishes and society’s mischaracterizations. This compassionate, courageous, and hopeful novel explores the constraints placed on black male identity and the corresponding pains and struggles that follow when a young black boy must confront these realities both at home and in school. Garvey has a complicated yet caring relationship with his family: “Mom’s got a talent / for origami, but she / can’t fold me into / the jock Dad wants me to be.” Garvey copes with his father’s disappointment by binge eating and, more positively, escaping into science fiction. Readers see the deep, loving friendship Garvey shares with classmate Joe, the only one with whom he can share his secrets. Through his father’s lament that Garvey isn’t “normal” and other clues, Grimes leaves the possibility open for readers to see Garvey as a young gay boy, which reinforces the connection the novel establishes between him and Luther Vandross, who struggled with both body image and being closeted. Garvey eventually finds himself in the school chorus. “I feel unwritten / like that song says… / I can’t wait to sing my song, / croon my own untold story.” This graceful novel risks stretching beyond easy, reductive constructions of black male coming-of-age stories and delivers a sincere, authentic story of resilience and finding one’s voice. (Verse novel. 8-13)

Kirkus Reviews