Hour of the Gun [Blu-ray]

Director: John Sturges John Sturges

Overview

John Sturges directed this sequel to his Gunfight at the O.K. Corral, which is more of a melancholy character study than an action Western. The Edward Anhalt screenplay (based on Douglas D. Martin's Tombstone's Epitaph) traces Wyatt Earp's (James Garner) moral decline from a lawman with high ideals to a mean-spirited vigilante bent on personal revenge. Ironically, Doc Holliday (Jason Robards), an admitted lawless gambler, reacts to Earp's vengeful turnabout by becoming the moral force that Earp has rejected. When Earp's brothers are killed by goons employed by Ike Clanton (Robert Ryan), Earp becomes obsessed with vengeance and organizes a posse to track down the killers.

Product Details

Release Date:	04/11/2023
UPC:	0810103688315
Original Release:	1967
Rating:	TV-14
Source:	Mgm Mod
Language:	English
Time:	1:41:00
Sales rank:	20,877

Cast & Crew

Performance Credits

James Garner	Actor
Robert Ryan	Ike Clanton
Albert Salmi	Octavius Roy
Charles Aidman	Horace Sullivan
Steve Ihnat	Andy Warshaw
Michael Tolan	Pete Spence
Frank Converse	Virgil Earp
Sam Melville	Morgan Earp
Austin Willis	Anson Safford
Richard Bull	Thomas Fitch
Larry Gates	John P. Clum
Karl Swenson	Dr. Goodfellow
Bill Fletcher	Jimmy Ryan
Robert Phillips	Frank Stilwell
William Schallert	Herman Spicer
Jon Voight	Curly Bill Brocius
Lonny Chapman	Turkey Creek Johnson
Monte Markham	Sherman McMasters
William Windom	Texas Jack Vermillion
Edward Anhalt	Denver Doctor
Walter Gregg	Billy Clanton
David Perna	Frank McLowery
Jim Sheppard	Tom McLowery
Jorge Russek	Latigo
Jason Robards	Actor
Jerry Goldsmith	Composer

Technical Credits

Edward Anhalt

Sass Bedig	Special Effects
John Sturges	Producer,Director
Edward Anhalt	Screenwriter
Jesús González Gancy	Sound Effects
Frank Warner	Sound Effects
Roydon Clark	Stunts

Editorial Reviews

Director/producer John Sturges never thought much of Gunfight at the O.K. Corral (1957), his first screen treatment of the confrontation between the Earps and the Clantons in 1881 Tombstone, AZ. In conversations during the final years of his life, he maintained that the latter film was a production that was planned, scripted, designed, and cast by its producer, Hal B. Wallis, for which he was merely hired to direct. Sturges was much prouder of Hour of the Gun, his 1967 production dealing with the same subject -- which he seems to have made almost as a response to the earlier movie. With Hour of the Gun, he attempted to do with the story of Tombstone, AZ, and the conflict between the Earps and the Clantons what he did with Sergeants 3 and The Great Escape. The movie opens with the famous showdown on October 26, 1881, and covers the story starting from that event. Where the earlier picture played off of the mythology surrounding the gunfight, Wyatt Earp, and the Clantons, the 1967 movie hews much closer to the facts, including the trumped-up trial to which the Earps and their ally Doc Holliday were subjected after the shoot-out (which resulted in their acquittal), the subsequent attack on Virgil Earp, and the murder of Morgan Earp. The script, by Edward Anhalt, is a good one, but in trying to stick so closely to historical fact, Sturges hems in his actors. James Garner tries for something very different from his usual performance here, avoiding any trace of his usual geniality in portraying a taciturn, emotionally repressed Wyatt Earp, deeply troubled and torn by the obligations and limitations of the law, in a pursuit of justice that turns to vengeance. He literally melts into the role of Earp, but the spare nature of Anhalt's script doesn't give the actor enough to work with in forming a whole character; perhaps the real Wyatt Earp was too contemptible by today's standards to flesh the role out too much in the script. Garner had played vengeful, brutal characters before (including in the Western Duel at Diablo) with some effectiveness, but here he's wasted to some degree. Only the two best actors in the cast, Jason Robards Jr., playing the most colorful character in the story, Doc Holliday, and Robert Ryan as the villain of the piece, Ike Clanton, fare well, overcoming the restrictions imposed on their roles by the straightjacket of historical accuracy. Sturges succeeds in his goal of demythologizing the subject at hand, and the historical figures represented in front of us, but fails to hold our interest dramatically for the duration of the movie's 101 minutes. Even Jerry Goldsmith's score seems dull and uninspired, and the whole movie dampened down the career momentum that Sturges had built up early in the decade with The Magnificent Seven and The Great Escape.