Table of Contents
Table of Contents
Acknowledgments
Introduction: What Is Catholic Theatre?
KEVIN J. WETMORE,
Part I. History
1. Female Spirituality, Female Sexuality and Re-Viewing "Re-Viewing Hrotsvit": The Plays of Hrotsvit von Gandersheim as Counterdiscursive Inversion of the Church Fathers
KEVIN J. WETMORE,
2. Not Just a University Theatre: The Significance of Jesuit School Drama in Continental Europe, 1540–1773
JOOHEE PARK
3. Shakespeare as Catholic Dramatist in The Tempest
MARY FRANCES WILLIAMS
4. Orthodoxy and Technique: Jesuit Ballet in the Post-Reformation Period
THE REV. ANGELA YARBER
5. Little Mothers, Mischievous Boys, and Good Little Christians: Characters in Children’s Parlor Plays in America, 1858–1903
SHANAN CUSTER
6. Religious Tragedy: García Lorca’s Unfinished Play About Christ
CECILIA GONZÁLEZ-ANDRIEU
7. Catholic Theatre for Women in Post-War Italy: Education, Morality, and Social Change
DANIELA CAVALLARO
Part II. Practice
8. Saints as Subject and Agenda: Notes on Catholic Playwriting
ERIK
9. Magi Liturgical Dramas Performed in Worship: Two Case Studies of Interpretations of Medieval
Liturgical Drama
THE REV. THERESA MASON
10. Opera News: Jesuits, Catholic Imagination, and the Staging of Cultural Conversations
MICHAEL ZAMPELLI, S.J.
11. Ancient Ritual, Modern Drama: Catholic Worship and Playwriting Pedagogy
SUSAN BRABANT BAXTER
12. Genesius in the City of Angels: Lope de Vega as a Catholic Playwright in a Bilingual Production of Lo fingido verdadero
KEVIN J. WETMORE,
13. The Genesian Effect: Performing Damien Deepens an Actor’s Faith
DAN CAWTHON
14. Publicity, Props and Playtext in a Franciscan Setting: The Practical Teaching of Everyman in a Small Catholic School
TIMOTHY DUGAN
About the Contributors
Index