Birth of a Dream Weaver: A Writer's Awakening

by Ngugi wa Thiong'o

Overview

From one of the world's greatest writers, the story of how the author found his voice as a novelist at Makerere Universityin Uganda as a student

In this acclaimed memoir, Kenyan writer Ngũgĩ wa Thiong'o recounts the four years he spent at Makerere Universityin Kampala, Uganda—crucial years during which he found his voice as a journalist, short story writer, playwright, and novelist just as colonial empires were crumbling and new nations were being born—under the shadow of the rivalries, intrigues, and assassinations of the Cold War.

Haunted by the memories of the carnage and mass incarceration carried out by the British colonial-settler state in his native Kenya but inspired by the titanic struggle against it, Ngũgĩ, then known as James Ngugi, begins to weave stories from the fibers of memory, history, and a shockingly vibrant and turbulent present.

What unfolds in this moving and thought-provoking memoir is simultaneously the birth of one of the most important living writers—lauded for his "epic imagination" (Los Angeles Times)—the death of one of the most violent episodes in global history, and the emergence of new histories and nations with uncertain futures.

Product Details

ISBN-13:	9781620976302
Publisher:	New Press, The
Publication date:	10/13/2020
Pages:	256
Sales rank:	1,140,484
Product dimensions:	5.40(w) x 8.40(h) x 0.70(d)

About the Author

One of the leading writers and scholars at work today, Ngũgĩ wa Thiong'o was born in Limuru, Kenya, in 1938. He is the author of A Grain of Wheat; Weep Not, Child; and Petals of Blood, as well as Birth of a Dream Weaver, Wrestling with the Devil, Minutes of Glory, and The Perfect Nine (all from The New Press). Currently Distinguished Professor of English and Comparative Literature and the director of the International Center for Writing and Translation at the University of California, Irvine, Ngũgĩ is the recipient of twelve honorary doctorates, among other awards, and has been nominated for the Man Booker International Prize.

Table of Contents

Note on Nomenclature ix

Prologue xi

1 The Wound in the Heart 1

2 A Wounded Land 7

3 Reds and Blacks 17

4 Benzes, Sneakers, Frisbees, and Flags 53

5 Penpoints and Fig Trees 75

6 Writing for the Money of It 83

7 Black Dolls and Black Masks 103

8 Transition and That Letter from Paris 123

9 Boxers and Black Hermits 141

10 Pages, Stages, Spaces 163

11 Coal, Rubber, Silver, Gold, and New Flags 179

12 Working for the Nation 193

13 Notes and Notebooks 213

14 A Hell of a Paradise 221

Acknowledgments 227

Notes 229

Photograph Sources 237

Interviews

One of the leading writers and scholars at work today, Ngũgĩ wa Thiong'o was born in Limuru, Kenya, in 1938. He is the author of A Grain of Wheat; Weep Not, Child; and Petals of Blood, as well as Birth of a Dream Weaver and Wrestling with the Devil (The New Press). He has been nominated for, among other honors, the Man Booker International Prize and is currently Distinguished Professor of English and Comparative Literature at the University of California, Irvine.

Editorial Reviews

★ 06/27/2016
Thiong’o, a Kenyan novelist (Wizard of the Crow) and a UC Irvine English professor, has penned an eloquent, perceptive memoir about coming into his own as a writer. He focuses on his four pivotal years as an undergraduate at Makerere University in Kampala, Uganda, where he wrote articles, composed plays, and discovered his voice as a novelist. Outside the university’s confines was a continent in flux; Thiong’o entered Makerere in 1959 as a colonial subject, and left in 1964 as a citizen of independent Kenya. He vividly describes how the colonial regime’s atrocities haunted him and shaped his sensibilities. As he taps his memories and his country’s history for material, he includes insightful commentary on the Land and Freedom Army resistance movement (once known as Mau Mau, a now-disavowed term), the distortions in European and American views of Africa, his social rites of passage at the university, his discovery of the Négritude school of poetry, his uncle’s imprisonment in a British concentration camp, and his mother’s (and mother country’s) sacrifices for his education. Evocative, poignant, and thoughtful, Thiong’o’s courageous narrative will linger in readers’ minds. (Oct.)

Publishers Weekly

Evocative, poignant, and thoughtful, Thiong’o’s courageous narrative will linger in readers’ minds.”
—Publishers Weekly (starred)

“A writer's coming-of-age tale featuring an artistic mix of pride and humility."
—Kirkus Reviews

“An autobiographical masterpiece. . . As essential as Achebe’s There Was a Country, this is a riveting read in African history and literature.”
—Library Journal (starred)

"This is a powerful recollection of a turbulent time that produced leaders from Tom Mboya and Jomo Kenyatta to the tyrannical Idi Amin in response to the brutality of a dying colonialism."
—Booklist

From the Publisher

★ 09/01/2016
Kenyan author Ngugi (English & comparative literature, Univ. of California, Irvine; Decolonizing the Mind) has written an autobiographical masterpiece that marks his entry into Uganda's Makerere University (1959) as a college student and British colonial subject, to his exit as a citizen of an independent African state (1964). The memoir painstakingly documents the powerful forces that have formed his writing identity—the colonial and postcolonial history of Kenya as well as the influence of numerous authors, from Charles Dickens to Chinua Achebe. Most remarkable is his ability to observe in great detail both political and public pasts as they intersect, inform, challenge, and shape his private life as a student and emerging talent. While tracing significant moments in Kenyan history, the author unfolds the rich complexities that make up his memories. VERDICT Postcolonial historians and readers of African literature will find this work to be an indispensable addition. As essential as Achebe's There Was a Country, this is a riveting read in African history and literature.—Misty Standage, Ivy Tech Community Coll., Evansville, IN

Library Journal