NEW YORK TIMES BESTSELLER • For readers of Orphan Train and The Nightingale comes a “thought-provoking [and] complex tale about two families, two generations apart . . . based on a notorious true-life scandal.”*
Memphis, 1939. Twelve-year-old Rill Foss and her four younger siblings live a magical life aboard their family’s Mississippi River shantyboat. But when their father must rush their mother to the hospital one stormy night, Rill is left in charge—until strangers arrive in force. Wrenched from all that is familiar and thrown into a Tennessee Children’s Home Society orphanage, the Foss children are assured that they will soon be returned to their parents—but they quickly realize the dark truth. At the mercy of the facility’s cruel director, Rill fights to keep her sisters and brother together in a world of danger and uncertainty.
Aiken, South Carolina, present day. Born into wealth and privilege, Avery Stafford seems to have it all: a successful career as a federal prosecutor, a handsome fiancé, and a lavish wedding on the horizon. But when Avery returns home to help her father weather a health crisis, a chance encounter leaves her with uncomfortable questions and compels her to take a journey through her family’s long-hidden history, on a path that will ultimately lead either to devastation or to redemption.
Based on one of America’s most notorious real-life scandals—in which Georgia Tann, director of a Memphis-based adoption organization, kidnapped and sold poor children to wealthy families all over the country—Lisa Wingate’s riveting, wrenching, and ultimately uplifting tale reminds us how, even though the paths we take can lead to many places, the heart never forgets where we belong.
Praise for Before We Were Yours
“A [story] of a family lost and found . . . a poignant, engrossing tale about sibling love and the toll of secrets.” —People
“Sure to be one of the most compelling books you pick up this year. . . . Wingate is a master-storyteller, and you’ll find yourself pulled along as she reveals the wake of terror and heartache that is Georgia Tann’s legacy.” —Parade
“One of the year’s best books . . . It is impossible not to get swept up in this near-perfect novel.” —The Huffington Post
“Lisa Wingate takes an almost unthinkable chapter in our nation’s history and weaves a tale of enduring power.” —Paula McLain, New York Times bestselling author of Circling the Sun
Lisa Wingate is a former journalist, an inspirational speaker, and the bestselling author of more than twenty novels. Her work has won or been nominated for many awards, including the Pat Conroy Southern Book Prize, the Oklahoma Book Award, the Carol Award, the Christy Award, and the RT Reviewers’ Choice Award. Wingate lives in the Ouachita Mountains of southwest Arkansas.
P R E L U D E
AUGUST 3, 1939
My story begins on a sweltering August night, in a place I will never set eyes upon. The room takes life only in my imaginings. It is large most days when I conjure it. The walls are white and clean, the bed linens crisp as a fallen leaf. The private suite has the very finest of everything. Outside, the breeze is weary, and the cicadas throb in the tall trees, their verdant hiding places just below the window frames. The screens sway inward as the attic fan rattles overhead, pulling at wet air that has no desire to be moved.
The scent of pine wafts in, and the woman’s screams press out as the nurses hold her fast to the bed. Sweat pools on her skin and rushes down her face and arms and legs. She’d be horrified if she were aware of this.
She is pretty. A gentle, fragile soul. Not the sort who would inten- tionally bring about the catastrophic unraveling that is only, this mo- ment, beginning. In my multifold years of life, I have learned that most people get along as best they can. They don’t intend to hurt anyone. It is merely a terrible by-product of surviving.
It isn’t her fault, all that comes to pass after that one final, merci- less push. She produces the very last thing she could possibly want. Silent flesh comes forth—a tiny, fair-haired girl as pretty as a doll, yet blue and still.
The woman has no way of knowing her child’s fate, or if she does know, the medications will cause the memory of it to be nothing but a blur by tomorrow. She ceases her thrashing and surrenders to the twilight sleep, lulled by the doses of morphine and scopolamine ad- ministered to help her defeat the pain.
To help her release everything, and she will.
Sympathetic conversation takes place as doctors stitch and nurses clean up what is left.
“So sad when it happens this way. So out of order when a life has not even one breath in this world.”
“You have to wonder sometimes . . . why . . . when a child is so very wanted . . .”
A veil is lowered. Tiny eyes are shrouded. They will never see.
The woman’s ears hear but cannot grasp. All slips in and slips away. It is as if she is attempting to catch the tide, and it drains through her clenched fingers, and finally she floats out along with it.
A man waits nearby, perhaps in the hallway just outside the door. He is stately, dignified. Unaccustomed to being so helpless. He was to become a grandfather today.
Glorious anticipation has melted into wrenching anguish.
“Sir, I am so terribly sorry,” the doctor says as he slips from the room. “Rest assured that everything humanly possible was done to ease your daughter’s labor and to save the baby. I understand how very difficult this is. Please offer our condolences to the baby’s father when you are finally able to reach him overseas. After so many disap- pointments, your family must have held such great hope.”
“Will she be able to have more?” “It isn’t advisable.”
“This will be the end of her. And her mother as well, when she learns of it. Christine is our only child, you know. The pitter-patter of little feet . . . the beginning of a new generation . . .”
“I understand, sir.”
“What are the risks should she . . .”
“Her life. And it’s extremely unlikely that your daughter would ever carry another pregnancy to term. If she were to try, the results could be . . .”
“I see.” The doctor lays a comforting hand on the heartbroken man, or this is the way it happens in my imaginings. Their gazes tangle.
The physician looks over his shoulder to be certain that the nurses cannot hear. “Sir, might I suggest something?” he says quietly, gravely. “I know of a woman in Memphis. . . .”
present day. Aiken, South Carolina
I take a breath, scoot to the edge of the seat, straighten my jacket as the limo rolls to a stop on the boiling-hot asphalt. News vans wait along the curb, accentuating the importance of this morning’s seemingly innocuous meeting.
But not one moment of this day will happen by accident. These past two months in South Carolina have been all about making sure the nuances are just right – shaping the inferences so as to hint, but do no more.
Definitive statements are not to be made.
Not yet, anyway.
Not for a long time, if I have my way about it.
I wish I could forget why I’ve come home, but even the fact that my father isn’t reading his notes or checking the briefing from Leslie, his uber-efficient press secretary, is an undeniable reminder. There’s no escaping the tagalong enemy that rides silently in the car with us. It’s here in the backseat, hiding beneath the gray tailored suit that hangs a hint too loose over my father’s broad shoulders.
Daddy stares out the window, his head resting to one side. He’s relegated his aides and Leslie to another car.
“You feeling all right?” I reach across to brush a long blond hair – mine – off the seat so it won’t cling to his trousers when he gets out. If my mother were here, she’d whip out a mini lint brush, but she’s home, preparing for our second event of the day – a family Christmas photo that must be taken months early… just in case Daddy’s prognosis worsens.
He sits a bit straighter, lifts his head. Static magnetizes his thick, gray hair, so that it’s sticking straight out. I want to smooth it down for him, but I don’t. It would be a breach of protocol.
If my mother is intimately involved in the micro-aspects of our lives, like fretting over lint and planning for the family Christmas photo in July, my father is the opposite. He is distant – an island of staunch maleness in a household of women. I know he cares deeply about my mother, my two sisters, and me, but he seldom voices the sentiment out loud. I also know that I’m his favorite, but the one who confuses him most. He is a product of an era when women went to college to secure the requisite M-R-S degree. He’s not quite sure what to do with a thirty-year-old daughter who graduated top of her class from Columbia Law and actually enjoys the gritty world of a federal DA’s office.
Whatever the reason – perhaps just because the positions of perfectionist daughter and sweet daughter were already taken in our family – I have always been brainiac daughter. I loved school and it was the unspoken conclusion that I would be the family torchbearer, the son-replacement, the one to succeed my father. Somehow, I always imagined that I’d be older when it happened and that I would be ready.
Now, I look at my dad and think, How can you not want it, Avery? This is what he’s worked for all his life. What generations of Staffords have strived for since the revolutionary war, for heaven’s sake. Our family has always held fast to the guiding rope of public service. Daddy is no exception. Since graduating from West Point and serving as an Army aviator before I was born, he has upheld the family name with dignity and determination.
Of course you want this, I tell myself again. You’ve always wanted this. You just didn’t expect it to happen yet, and not this way, that’s all.
Secretly, I’m clinging by all ten fingernails to the best-case scenario. The enemies will be vanquished on both fronts – political and medical. My father will be cured by the combination of the surgery that brought him home from the summer congressional session early and the chemo pump he must wear strapped to his leg every three weeks. My move home to Aiken will be temporary.
Cancer will no longer be a part of our lives.
It can be beaten. Other people have done it, and if anyone can, Senator Talmage Stafford can.
There is not, anywhere, a stronger man or a better man than my dad.
“Ready?” he asks, straightening his suit. It’s a relief when he swipes down the rooster tail in his hair. I’m not prepared to cross the line from daughter to caretaker.
“Right behind you.” I’d do anything for him, but I hope it’s many more years before we’re forced to reverse the roles of parent and child. I’ve learned how hard that is while watching my father struggle to make decisions for his mother.
My once quick-witted, fun-loving Grandma Judy is now only a ghost of her former self. As painful as that is, Daddy can’t talk to anyone about it. If the media clues into the fact that we’ve moved her to a facility, especially an upscale one, on a lovely estate not ten miles from here, it’ll be a lose-lose situation, politically speaking. Given the burgeoning scandal over a series of wrongful death and abuse cases involving corporate-owned eldercare facilities in our state, Daddy’s political enemies will either point out that only those with money can afford premium care, or they’ll accuse my father of warehousing his mom because he is a cold-hearted lout who cares nothing for the elderly. They’ll say that he’d happily turn a blind eye toward the needs of the helpless, if the profits of his friends and campaign contributors are involved.
The reality is that his decisions for Grandma Judy are in no way political. We’re just like other families. Every available avenue is paved with guilt, lined with pain, and pockmarked with shame. We’re embarrassed for Grandma Judy. We’re afraid for her. We’re heartsick about where this cruel descent in dementia might end. Before the nursing home, my grandmother escaped from her caretaker and her household staff. She called a cab and vanished for an entire day before she was found wandering at a business complex that was once her favorite shopping area. How she managed it when she can’t remember our names is a mystery.
I’m wearing one of her favorite pieces of jewelry this morning. I’m dimly aware of it on my wrist as I slide out the limo door. I pretend I’ve selected the dragonfly bracelet in her honor, but really it’s there as a silent reminder that Stafford women do what must be done, even when they don’t want to. The location of this morning’s event makes me uncomfortable. I’ve never liked nursing homes.
It’s just a meet-and-greet, I tell myself. The press is here to cover the event, not to ask questions. We’ll shake hands, tour the building, join the residents for the birthday celebration of a woman who is turning one hundred. Her husband is ninety-nine. Quite a feat.
Inside, the corridor smells like someone has turned my sister’s triplets loose with cans of spray sanitizer. The scent of artificial jasmine fills the air. Leslie sniffs, then offers a nod of approval as she, a photographer, and several interns and aides flank us. We’re without bodyguards and security for this appearance. No doubt they’ve gone ahead to prepare for this afternoon’s town hall forum. Over the years, my father has received death threats from the Ku Klux Klan and minutemen militia groups, as well as any number of crackpots claiming to be snipers, bio- terrorists and kidnappers. He seldom takes them seriously, but his security people do.
Turning the corner, we’re greeted by the nursing home director and two news crews with cameras. We tour. They film. My father amps up the charm. He shakes hands, poses for photos, takes time to talk with people and bend close to wheelchairs, and to thank nurses for the difficult and demanding job they pour themselves into each day.
I follow along and do the same. A debonair gentleman in a tweed bowler hat flirts with me. In a delightful British accent, he tells me I have beautiful blue eyes. “If it were fifty years ago, I’d charm you into saying yes to a date,” he teases.
“I think you already have,” I answer and we laugh together.
One of the nurses warns me that Mr. McMorris is a silver-haired Don Juan. He winks at the nurse just to prove it.
As we wander down the hall to the party for the hundredth birthday, I realize that I am actually having fun. The people seem content here. This isn’t as luxurious as Grandma Judy’s nursing home, but it’s a far cry from the under-managed facilities named by plaintiffs in the recent string of lawsuits. Odds are, none of those plaintiffs will ever see a dime, no matter what kind of damages they’re awarded by the courts. The moneymen behind the nursing home chains use networks of holding companies and shell corps they can easily send into bankruptcy to avoid paying claims. Which is why the uncovering of ties to one of my father’s oldest friends and biggest contributors has been so potentially devastating. My father is a high-profile face upon which public anger and political wrath can be focused.
Anger and blame are powerful weapons. The opposition knows that.
In the commons room, a small podium has been set up. I take a spot off to the side with the entourage, positioned by the glass doors that open into a shady garden where a kaleidoscope of flowers bloom despite the beastly summer heat.
A woman stands alone on one of the sheltered garden paths, seemingly unaware of the party. Her hands rest over a cane. She wears a simple cream-colored cotton dress and a white sweater, despite the warm day. Her thick, gray hair is braided and twisted around her head, and that, combined with the colorless dress, makes her seem almost ghostlike, a remnant of some long-forgotten past. A breeze rustles the wisteria trellis but doesn’t seem to touch her, adding to the illusion that she isn’t really there.
I turn my attention back to the nursing home director. She welcomes everyone, touts the reason for today’s gathering – a full century of life is not achieved every day of the week, after all. To be married most of that time and still have your beloved by your side is even more remarkable. It is, indeed, an event worthy of a senatorial visit.
Not to mention the fact that this sweet couple has been among my father’s supporters since his days in South Carolina’s state government. Technically, they’ve known him longer than I have and they’re almost as devoted. Our honoree and her husband hold their thin hands high in the air and clap furiously as my father’s name is mentioned.
The director tells the story of the sweet-looking couple perched at the center table. Luci was born in France when horse carriages still roamed the streets. It’s hard to even imagine. She worked with the French resistance in the Second World War. Her husband, James, a fighter pilot, was shot down in combat. Their love story is like something from a film – a sweeping romance. Part of an escape chain, Luci helped to disguise him and smuggle him out of the country, injured. After the war, he went back to find her. She was still living on the same farm with her family, holed up in the only remaining building, a storage cellar.
The events these two have weathered cause me to marvel. This is what’s possible when love is real and strong, when people are devoted to one another, when they’ll sacrifice anything to be together. This is what I want for myself, but I sometimes wonder if it’s possible in our modern generation. We’re so distracted, so… busy.
Glancing down at my engagement ring, I think, Elliot and I have what it takes.
We know each other so well. We’ve always been side-by-side….
The birthday girl slowly pushes out of her chair, taking her beau’s arm. They move along together, stooped and crooked and leaning. The sight is sweet and heart-tugging. I hope my parents live to this ripe old stage of life. I hope they’ll have a long retirement… someday… years in the future when my father finally decides to slow down. This disease can’t take him at fifty-seven. He’s too young. He’s too desperately needed, both at home and in the world. He has work to do yet, and after that my parents deserve a retirement with quiet days and time to spend together.
A tender feeling settles in my chest, and I push away the thought. No overwhelming displays of emotion in public, Leslie’s frequent reminder. Women can’t afford it in this arena. It’s seen as incompetence, weakness.
As if I didn’t know that already. A courtroom isn’t much different. Female lawyers are always on trial in more ways than one. We have to play by different rules.
My father salutes James as they meet near the podium. The man stops, straightens and returns the gesture with military precision. Their gazes meet and the moment is pure. It may look perfect on camera, but it’s not for the camera. My father’s lips press into a tight line. He’s trying not to tear up.
It isn’t like him to come so close to letting it show.
I swallow another swell of emotion. Air shudders past my lips. I press my shoulders back, turn my eyes away and focus on the window, studying the woman in the garden. She’s still standing there, gazing off. Who is she? What is she looking for?
The boisterous chorus of Happy Birthday seeps through the glass and causes her to slowly turn toward the building. I feel the tug of the song and the fact that the cameras are likely to sweep my way, and I’ll look distracted, but I can’t quite extricate myself from the path outside. I want to see the woman’s face, at least. Will it be as blank as the summer sky? Is she merely addled and wandering, or has she skipped the festivities on purpose?
Leslie yanks my jacket from behind and I snap to attention like a schoolgirl caught talking in line.
“Happy Birth… focus,” she sings close to my ear, and I nod as she moves off to gain a better angle for snapping cell phone photos that will go on my father’s Instagram. The Senator is up with all the latest social media, even though he doesn’t know how to operate any of it. His latest social media manager is a whiz.
The ceremony continues. Flashbulbs erupt. Happy family members wipe tears and take videos as my father presents a framed congratulatory letter.
The cake is wheeled up, a hundred candles blazing.
Leslie is delighted. Happiness and emotion swell the room, stretching it like the skin of a helium balloon. Any more joy and we’ll all float away.
Someone touches my hand and wrist, fingers encircling me so unexpectedly that I jerk away, then stop myself, so as not to cause a scene. The grip is cold and bony and trembling, but surprisingly strong. I turn to see the woman from the garden. She straightens her humped back and gazes up at me through eyes the color of the hydrangeas back home at Drayden Hill – a soft, clear blue with a lighter mist around the edges. Her pleated lips tremble.
Before I can gather my wits, a nurse comes to collect her, taking a firm grip. “May,” she says, casting an apologetic look my way. “Come along. You’re not supposed to bother our guests.”
Rather than releasing my wrist, the old woman clings to it. She seems desperate, as if she needs something, but I can’t imagine what it is.
She searches my face, stretches upward.
“Fern?” She whispers.
Wingate’s tightly written latest (after 2015’s The Sea Keeper’s Daughters) follows the interwoven story lines of Avery Stafford, a lawyer from a prominent South Carolina family, and Rill Foss, the eldest of five children who were taken from their parents’ boat by an unscrupulous children’s home in the 1930s. With her father’s health ailing, duty-driven Avery is back in present-day Aiken, S.C., to look after him. She’s being groomed to step into his senate seat and is engaged to her childhood friend, Elliot, though not particularly excited about either. Though her dad is a virtuous man, his political enemies hope to spin the fact that the family just checked his mother, Judy, into an upscale nursing home while other elder facilities in the state suffer. At an event, Avery encounters elderly May Crandall and becomes fascinated by a photo in her room and a possible connection to Judy. While following a trail that Judy left behind, Avery joins forces with single dad Trent Turner, with whom she feels a spark. This story line is seamlessly interwoven with that of the abuse and separation that the Foss siblings suffer at the hands of the Tennessee Children’s Home Society, a real-life orphanage that profited from essentially kidnapping children from poor families and placing them with prominent people. Twelve-year-old Rill bears the guilt of not having been able to protect her siblings while also trying her best to get them home. Wingate is a compelling storyteller, steeping her narrative with a forward momentum that keeps the reader as engaged and curious as Avery in her quest. The feel-good ending can be seen from miles away, but does nothing to detract from this fantastic novel. (June)
A [story] of a family lost and found . . . A poignant, engrossing tale about sibling love and the toll of secrets.”—People
“Before We Were Yours is sure to be one of the most compelling books you pick up this year. . . . [Lisa] Wingate is a master-storyteller, and you’ll find yourself pulled along as she reveals the wake of terror and heartache that is Georgia Tann’s legacy.”—Parade
“One of the year’s best books . . . It is almost a cliché to say a book is ‘lovingly written’ but that phrase applies clearly to Lisa Wingate’s latest novel, Before We Were Yours. This story about children taken from their parents through kidnapping or subterfuge and then placed for adoption, for a price, clearly pours out of Wingate’s heart. . . . It is impossible not to get swept up in this near-perfect novel. It invades your heart from the very first pages and stays there long after the book is finished. Few novelists could strike the balance this story requires but Wingate does it with assurance. There are a lot of books that will catch your eye this summer, some from our best storytellers. Make sure this one is on your radar. It should not be missed.”—The Huffington Post
“[An] affecting new novel.”—The New York Post
“Every now and then a novel comes along that sweeps me off my reading feet. Before We Were Yours, by Lisa Wingate, is such a book. . . . It’s a great book-club read, one of those books that teaches you something, gives you lots to discuss and even more to think about. . . . Take note: This may be the best book of the year.”—Shreveport Times
“This story is heartfelt and genuine, especially as Wingate explores the idea of home and family from a youngster’s point of view.”—Historical Novels Review
“Lisa Wingate takes an almost unthinkable chapter in our nation’s history and weaves a tale of enduring power. That Georgia Tann and her Memphis Tennessee Children’s Home Society could actually exist, unraveling the lives of countless children, stealing their pasts and changing their futures, will give you chills. But the real feat of this stirring novel is how deeply Wingate plunges us into the heart and mind of twelve-year-old river gypsy Rill Foss. Rill’s utterly singular voice will stay with you long after the last page is turned, as will Wingate’s courage to follow her anywhere. . . . Vivid and affecting.”—Paula McLain, New York Times bestselling author of Circling the Sun
“A powerful tale of family, of sisters, of secrets kept and secrets shared. I absolutely loved this book. I’m still basking in the afterglow, in shock at the true-crime elements, in awe at the journey of these characters who seem to have immortal souls.”—Jamie Ford, New York Times bestselling author of Hotel on the Corner of Bitter and SweetFrom the Publisher
Christy and Carol Award-winning Wingate (The Story Keeper; The Sea Glass Sisters) weaves a complex tale about two families, two generations apart, linked by an injustice, based on a notorious true-life scandal. The story begins in 1939 when Rill Foss and her four younger siblings, who had been happily living on their parents' shantyboat on the Mississippi, are seized by strangers and taken to a Memphis orphanage. In present-day South Carolina, the Staffords, a wealthy and prestigious family deeply immersed in the political realm, takes center stage when Avery returns home to help her father recuperate from a health crisis. There she experiences a chance encounter with a resident at the nursing home, which leads to her investigating her family's history. As secrets are exposed, the question is raised: Are some things better left hidden in the past, or is it best to have everything out in the open? VERDICT Fans of Ann H. Gabhart and Tracie Peterson will be drawn to this quietly strong novel. The thought-provoking subject matter makes this at times a difficult read; although not graphic in content, molestation and abuse are two of the tough topics handled.—Shondra Brown, Wakarusa P.L., IN
12/01/2017School Library Journal
Based upon the infamous Tennessee Children's Home Society child trafficking racket, this is a heartrending tale of two girls, two generations, and the power of family love. Twelve-year-old Rill is snatched from her riverboat home and forced into the institution, along with her four siblings, in 1939. Collusion between orphanage officials and the police in Memphis, from 1920 to 1950, enabled the forcible taking of poor children, who were adopted by wealthy families. Avery Stafford, born two generations later to an influential South Carolina family, with a U.S. senator for a father, is a successful lawyer and her father's presumptive heir to the Senate. When an elderly woman in Avery's grandmother's nursing home mistakes her for someone else, her curiosity is aroused. Avery explores the older woman's history only to find that her family may harbor a shameful secret. Teens will identify with Rill as she navigates a cruel, abusive, adult world and cheer her desperate yet doomed efforts to keep her siblings safe. Avery is a sympathetic character as she grapples with often suffocating family expectations and an emerging attraction for a man who is not her fiancé. The narrative moves between characters and eras, heightening emotions and suspense and leading to a satisfying redemption. VERDICT A poignant work that will appeal to fans of fact-based historical fiction, such as Anne Blankman's Prisoner of Night and Fog or Philip Kerr's The Winter Horses, and lovers of classic orphan stories.—Gretchen Crowley, formerly at Alexandria City Public Library, VA
Avery Stafford, a lawyer, descendant of two prominent Southern families and daughter of a distinguished senator, discovers a family secret that alters her perspective on heritage.Wingate (Sisters, 2016, etc.) shifts the story in her latest novel between present and past as Avery uncovers evidence that her Grandma Judy was a victim of the Tennessee Children's Home Society and is related to a woman Avery and her father meet when he visits a nursing home. Although Avery is living at home to help her parents through her father's cancer treatment, she is also being groomed for her own political career. Readers learn that investigating her family's past is not part of Avery's scripted existence, but Wingate's attempts to make her seem torn about this are never fully developed, and descriptions of her chemistry with a man she meets as she's searching are also unconvincing. Sections describing the real-life orphanage director Georgia Tann, who stole poor children, mistreated them, and placed them for adoption with wealthy clients—including Joan Crawford and June Allyson—are more vivid, as are passages about Grandma Judy and her siblings. Wingate's fans and readers who enjoy family dramas will find enough to entertain them, and book clubs may enjoy dissecting the relationship and historical issues in the book. Wingate sheds light on a shameful true story of child exploitation but is less successful in engaging readers in her fictional characters' lives.