★ 07/31/2017
When a little armadillo named Lola knocks a jug of red juice all over her family’s white sofa, she flees to the library to hide (“They have books and bathrooms,” she reasons). But as Lola runs, it becomes apparent that she is far from an outlier: the entire city is plagued by hapless inhabitants who aren’t owning up to the messes they’re making. In her first picture book, cartoonist Tsurumi offers an ingenious and utterly hilarious take on this important moral issue. Her sprawling but precisely drawn and crisply colored spreads—dotted with chewy words like “Calamity!” Fiasco!” and “Mayhem!”—are utterly crammed with screw-ups that reward sharp-eyed readers: blenders explode, pants are wet, octopus ink is sprayed, and not even the library is a safe zone. Finally, a red bird who has witnessed everything teaches Lola a two-part lesson: when a mistake happens—whether through thoughtlessness, carelessness, or bad luck—it’s okay to call it an accident, but it’s also necessary to “make it better.” Together, Lola and readers finish the story with their consciences pricked, assuaged, and thoroughly tickled. Ages 4–7. Agent: Stephen Barr, Writers House. (Oct.)
Publishers Weekly’s Best Books of 2017 "In her first picture book, cartoonist Tsurumi offers an ingenious and utterly hilarious take on this important moral issue." —Publishers Weekly, starred review
" Tsurumi comically gets to the heart of how children frantically worry about mistakes, and poring over the riotous illustrations is pure joy. This will delight again and again." —Booklist, starred review
“Tsurumi’s hilarious dialogue and story is matched only by her drawings. Her world-building ability evokes the style of Richard Scarry; there’s something going on in every inch of the page . . . A standout hit—make no mistake about it.” –School Library Journal, starred review ". . . Children will have great fun poring over and savoring the escapades, some of which are depicted small. Besides honing visual-literacy skills, this is a neat vehicle for developing vocabulary, as pertinent themed words ("FIASCO!"; "MAYHEM!") are wittily incorporated into the comical illustrations as sound effects or speech-balloon dialogue." —Kirkus "This useful message is simply and effectively conveyed through the minimal text, but it’s the detailed, humorous illustrations that will fascinate and engage readers and viewers... Use this to offer perspective to kids who tend to catastrophize their own and others’ mistakes or as fodder for discussions about problems and resolutions." —Bulletin "...Groovy debut..." —New York Times —
★ 11/01/2017
PreS-Gr 2—When Lola the armadillo spills juice all over her family's white chair, she hastily decides to run to the library, since "they have books and bathrooms," and hide there till she's a grown-up. Along the way she encounters other animals in similar situations: a bear who breaks a swing set, a pufferfish who ruins a cake, and a lamb who chops up a hose. Things don't go very well for the group once they reach the library, and Lola finally learns how to deal with accidents—by keeping calm and trying to make amends. Tsurumi's hilarious dialogue and story is matched only by her drawings. Her world-building ability evokes the style of Richard Scarry; there's something going on in every inch of the page, and children will love to pore over the art again and again to see all the hysterical accidents occurring. With so much happening, it's easy to overlook all of the clever details, like the narwhal in the background who pops a balloon with its horn or the mole who sits on a cactus, far away from the main action. Her choice of a 60's color palette not only makes her characters pop of the page and add to their charm, but ensures that this book will age well and may be shared for decades to come. VERDICT A standout hit—make no mistake about it.—Peter Blenski, Greenfield Public Library, WI
2017-08-02
Oopses occur when animals of varied sizes, colors, and species wreak havoc around town and pay a riotous price—but learn a valuable life lesson. Trouble begins on the title-page spread when Lola, a smooth, yellow armadillo, haplessly spills juice on a white armchair. Her solution? To hide in the library until adulthood. On the way, Lola encounters three neighbors, each of whom has experienced a misfortune, and they join her. So intent are they on reaching safe haven that no one notices that everyone else around is embroiled in disasters, and troubles escalate from there. Tsurumi portrays accumulating sequences of missteps in breathless, hilarious detail; children will have great fun poring over and savoring the escapades, some of which are depicted small. Besides honing visual-literacy skills, this is a neat vehicle for developing vocabulary, as pertinent themed words ("FIASCO!"; "MAYHEM!") are wittily incorporated into the comical illustrations as sound effects or speech-balloon dialogue. Aside from that, text is sparse. At the end, the point is made that some unlucky occurrences are, well, accidents. Sweet scenes showing concerned neighbors apologizing, making restitution, and dutifully cleaning up clarify that such incidents are forgivable and fixable. The final pages, depicting Lola's parent also experiencing an oops-able moment, convey this message more pointedly. Note a final, delightful "accident" on the back endpapers. Accidents are OK. This entertaining romp acknowledges that those who have them are OK, too. (Picture book. 4-7)
