20: The Best of the Drue Heinz Literature Prize

20: The Best of the Drue Heinz Literature Prize

by John Edgar Wideman (Editor)
20: The Best of the Drue Heinz Literature Prize

20: The Best of the Drue Heinz Literature Prize

by John Edgar Wideman (Editor)

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Overview

The Drue Heinz Literature Prize was established in 1980 to encourage and support the writing and reading of short fiction. Over the past twenty years judges such as Robert Penn Warren, Raymond Carver, Joyce Carol Oates, Margaret Atwood, Russell Banks, Alice McDermott, and Frank Conroy have selected the best collections from the hundreds submitted annually by up-and-coming writers.

20 represents the best of the best—one story from each of the prize-winning volumes. Chosen by acclaimed author John Edgar Wideman, the selections cover a broad range of inventive and original characters, settings, and emotions, charting the evolution of the short story over the past two decades. One of the most prestigious awards of its kind, the Drue Heinz Literature Prize has helped launch the careers of a score of previously "undiscovered" writers, many of whom have gone on to great critical success.

Past Winners of the Drue Heinz Literature Prize: David Bosworth, Robley Wilson, Jonathan Penner, Randall Silvis, W. D. Wetherell, Rick DeMarinis, Ellen Hunnicutt, Reginald McKnight, Maya Sonenberg, Rick Hillis, Elizabeth Graver, Jane McCafferty, Stewart O’Nan, Jennifer Cornell, Geoffrey Becker, Edith Pearlman, Katherine Vaz, Barbara Croft, Lucy Honig, Adria Bernardi.

Product Details

ISBN-13: 9780822958154
Publisher: University of Pittsburgh Press
Publication date: 03/02/2003
Series: Drue Heinz Literature Prize Series
Pages: 360
Product dimensions: 6.00(w) x 8.75(h) x 1.00(d)

About the Author

John Edgar Wideman is the author of numerous works of fiction and nonfiction, including The Homewood Books, Brothers and Keepers, and God’s Gym. A former Rhodes scholar, his work has been widely praised for its vivid and lyrical language. He served as senior judge for the Drue Heinz Literature Prize in 1992.

Table of Contents

Introductionix
The Death of Descartes from The Death of Descartes, selected by Robert Penn Warren 19811
Thief from Dancing for Men, selected by Raymond Carver 198261
Frankenstein Meets the Ant People from Private Parties, selected by Wright Morris 198365
The Luckiest Man in the World from The Luckiest Man in the World, selected by Joyce Carol Oates 198475
The Man Who Loved Levittown from The Man Who Loved Levittown, selected by Max Apple 1985126
Weeds from Under the Wheat, selected by Alison Lurie 1986143
At St. Theresa's College for Women from In the Music Library, selected by Nadine Gordimer 1987156
Uncle Moustapha's Eclipse from Moustapha's Eclipse, selected by Margaret Atwood 1988169
Ariadne in Exile from Cartographies, selected by Robert Coover 1989178
Limbo River from Limbo River, selected by Russell Banks 1990194
Have You Seen Me? from Have You Seen Me?, selected by Richard Ford 1991210
Director of the World from Director of the World, selected by John Edgar Wideman 1992226
Winter Haven from In the Walled City, selected by Tobias Wolff 1993234
Rise from Departures, selected by Alice McDermott 1994241
Dangerous Men from Dangerous Men, selected by Charles Baxter 1995251
Vaquita from Vaquita, selected by Rosellen Brown 1996264
Fado from Fado, selected by George Garrett 1997275
The Woman in the Meadlights from Necessary Fictions, selected by Bharati Mukherjee 1998289
After from The Truly Needy and Other Stories, selected by Charles Johnson 1999301
Waiting for Giotto from In the Gathering Woods, selected by Frank Conroy 2000316
Authors' Biographies341

What People are Saying About This

John Edgar Wideman

Here's a gift of twenty narratives from twenty writers, each author a Drue Heinz winner, each story part of a prizewinning collection. They provide confirmation in print that one tentative definition of being human might be: the storytelling animal. . . . If you read attentively, you'll probably find yourself here, but also there's the more intriguing possibility of losing yourself, entertained for a while by the play, the discipline, the weight and freedom of being other. — from the Introduction

Chuck Kinder

Rereading these 20 splendid stories was like having a reunion with dear old friends who have done very, very well in life. This is a powerful collection of vivid, varied, and important voices in American fiction. John Edgar Wideman did a wonderful editing job, a job that I for one don't envy, considering the consistently high quality of material he had to select from. I now have in my hands the short story anthology I intend to use in my writing courses until the cows come home.

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