"Deeply felt and devastatingly confessional, this brave personal reckoning isn’t easy to forget.” — Publishers Weekly (starred review)
“A moving tale, from an expert storyteller, about growing up.” — Library Journal (starred review)
“In this remarkable memoir, the qualities that have long distinguished Francine Prose’s fiction and criticism—uncompromising intelligence, a gratifying aversion to sentiment, the citrus bite of irony—give rigor and, finally, an unexpected poignancy to an emotional, artistic, and political coming-of-age tale set in the 1970s—the decade, as she memorably puts it, when American youth realized that the changes that seemed possible in the 60s weren’t going to happen. A fascinating and ultimately wrenching book.” — Daniel Mendelsohn, author of The Lost: A Search for Six of Six Million
"Francine Prose's 1974: A Personal History is a reverberating account of a timethe point in the early 1970s when the revolutionary energy of the 1960s had been replaced by futility and paranoiaand of a character, Tony Russo, who exemplifies that time. The constraint of history and character gives the book a novelistic intensity and focus, with, as a bonus, a three-dimensional portrait of the author on the threshold of adulthood." — Lucy Sante
"Through the prism of Vertigo, in a spellbinding memoir, Francine Prose resurrects her misbegotten San Francisco romance in 1974 with one of the two men who stole and published the Pentagon Papers, the one who went to prison for it, the one driven mad by the lies of Viet Nam. A hypnotic portrait of a lost time when people lived and died for the truth." — John Guare, playwright, Six Degrees of Separation and A Free Man of Color
"A stunningly alive portrait of the artist as a young woman, set during that dizzying time when the hopeful love-fest of the '60s morphed into the murky violence of the '70s. Reporting from both coasts, Prose laser-focuses on her relationship with indicted Tony Russo who had helped leak the Pentagon papers, the outrageous Patty Hearst kidnapping, drugs, sex, and the omnipotent Vietnam war. A fascinating travelogue of the tremendous changes in both a country and a personality struggling to find their best selves. Heartbreaking, haunting and indelible." — Caroline Leavitt, New York Times bestselling author of Pictures of You and Days of Wonder
"Award-winning Prose writes her first memoir, setting it in the ’70s and detailing her relationship with activist Anthony Russo, of the Pentagon Papers fame. She was in her 20s, driving around San Francisco at night, hearing his theories and stories, and forming herself as an artist—and coming of age in a radically changing world." — Library Journal
“Francine Prose’s sublime, haunting memoir shows us the Seventies in all its dizzying contradictions—the darkness and paranoia, the open roads and strange new connections. A world where some voices disintegrated, never to cohere again—while others - emerged, brilliant and searing, out of the calamity. Poignant, mesmerizing, profound—1974 offers revelations not just about the Seventies but about our world today.” — Danzy Senna, author of Caucasia and New People
“…deeply personal…revealing….Joyful and sad nostalgia offered up in spades.” — Kirkus Reviews
"In this wonderfully clear-sighted memoir Francine Prose catches a moment when idealism shifted and the world turned. 1974 is also a story about youth, risk and survival - a story women don't tell often enough, perhaps. Wise, achieved, entirely satisfying." — Anne Enright, author of The Wren, the Wren
★ 05/01/2024
In 1974, Prose's (Mister Monkey) first novel had just come out, but her marriage and hopes of an academic career had shattered. Nothing felt certain: the Vietnam War, Prose's own self-doubts, and more. So she traveled cross-country to San Francisco where she roomed for a while with a couple of free spirits, who introduced her to their friend Tony Russo. He was an activist and Daniel Ellsberg's accomplice in the release to the press of the Pentagon Papers. Tony was 36, and she was 26. For a few months, they were a pair. But exposure and prison had driven him into permanent, paranoid radicalism. When Prose's second novel was published, she went back East, and he followed. But by then, he had become unable to distinguish between reality and fantasy. After a few painful meetings, Prose left Russo and never saw or talked to him again. In this memoir, 50 years later, she thinks of who she was then and is now and discusses failing someone who needed a friend. VERDICT A moving tale, from an expert storyteller, about growing up.—David Keymer