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Outlander Season 3 Episode 1 Recap: The Battle Joined

Welcome back, all ye Sassenachs and Scotsmen! After all those lonely months polishing your standing stone circles, Outlander has returned for Season 3. As you’ll recall, last season ended in an uncertain—but hopeful—place, with 1968 Claire’s newfound knowledge that Jamie survived the Battle of Culloden.
In this season’s first episode, we spend our time looking backward to the events after Culloden and to Claire’s return to the 20th century and to a life with Frank.

Outlander: Season Two

Outlander: Season Two

DVD $19.49 $38.99

Outlander: Season Two

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DVD $19.49 $38.99

Let’s start with the battlefield, heaped with the bodies of Bonnie Prince Charlie’s erstwhile army. (To be honest, I spent most of this scene anxiously searching for Murtaugh through the scores of corpses that look just like him—to no avail.) In the panning shot, we see Jamie just starting to open his eyes, feebly. He’s pinned under something, a body—the body of a British soldier. Why, is that the body of Black Jack Randall?
Through Jamie’s frenzied flashbacks we see the mixed-up events between Claire’s exit through the stones at Craigh na Dun and the strewn corpses Jamie finds himself in now. As you might expect, these peeks into the past are littered with examples of Prince Charles’s poor leadership skills and military prowess. More importantly, they also provide a glimpse into the final moments of Black Jack at the hands of Jamie’s dagger, apparently after everyone else had already died.
I think we can safely say Culloden wasn’t a total loss. Though if we learned anything from the events of Wentworth Prison, always check for Black Jack’s pulse.
As snow falls, Jamie has a vision of a (real?) bunny rabbit and a (fake) Claire, who saunters toward him in a flowing white gown but turns out to be Rupert—just as in everyone’s erotic dreams.
As his comrades roll Black Jack’s corpse off him and escort him to safety, Jamie drops Claire’s parting gift, the dragonfly in amber, which signifies to you, dear reader, that we are entering new book territory. We have left the second book in the Outlander series, Dragonfly in Amber, and sailed swiftly into Voyager. Seatbelts, everyone.

Let’s start with the battlefield, heaped with the bodies of Bonnie Prince Charlie’s erstwhile army. (To be honest, I spent most of this scene anxiously searching for Murtaugh through the scores of corpses that look just like him—to no avail.) In the panning shot, we see Jamie just starting to open his eyes, feebly. He’s pinned under something, a body—the body of a British soldier. Why, is that the body of Black Jack Randall?
Through Jamie’s frenzied flashbacks we see the mixed-up events between Claire’s exit through the stones at Craigh na Dun and the strewn corpses Jamie finds himself in now. As you might expect, these peeks into the past are littered with examples of Prince Charles’s poor leadership skills and military prowess. More importantly, they also provide a glimpse into the final moments of Black Jack at the hands of Jamie’s dagger, apparently after everyone else had already died.
I think we can safely say Culloden wasn’t a total loss. Though if we learned anything from the events of Wentworth Prison, always check for Black Jack’s pulse.
As snow falls, Jamie has a vision of a (real?) bunny rabbit and a (fake) Claire, who saunters toward him in a flowing white gown but turns out to be Rupert—just as in everyone’s erotic dreams.
As his comrades roll Black Jack’s corpse off him and escort him to safety, Jamie drops Claire’s parting gift, the dragonfly in amber, which signifies to you, dear reader, that we are entering new book territory. We have left the second book in the Outlander series, Dragonfly in Amber, and sailed swiftly into Voyager. Seatbelts, everyone.

Voyager (Outlander Series #3)

Voyager (Outlander Series #3)

Paperback $9.99

Voyager (Outlander Series #3)

By Diana Gabaldon

In Stock Online

Paperback $9.99

But enough symbolism. Let’s check in with the purely straightforward 1940s, where Claire and Frank are house-shopping in the good ol’ USA. Everything is uncomfortable, like, more uncomfortable than the body farm we just left. Frank is laying it on thick with the doting husband routine, hoping Claire’s pregnancy can harbor a fresh start for the two of them in Boston. Claire is trying (and failing) to play the role of domestic housewife.
“You’re lucky,” one of Claire’s neighbors tells her, as they gab about husbands. “You won’t find another man like Frank again.” If you think this one’s a charmer, lady, you should’ve seen the other guy.
Claire’s having even more trouble trying to fit in with Frank’s new university social circle, who are all the worst. Frank’s peers manage to be nearly as misogynistic as the gangs of unwashed men we have been treated to in 18th–century Scotland. But at least we all got to listen in on some hot gossip about the Truman vs. Dewey electoral matchup.
Jamie, meanwhile, isn’t in much better shape. Rupert’s taken him to shelter with other Culloden survivors in a nearby barn. He’s bleeding buckets, but he does still have the wherewithal to ask the question we’re all wondering: Where is Murtaugh? No one really knows, and Rupert has the gall to say he doesn’t really care. (The bad blood between Frasers and MacKenzies is still going strong. Curse you, Dougal MacKenzie, you door-lurking psychopath.)
Shortly thereafter, the British discover the hideout. They give the “traitors” an hour, at which point they’ll be shot. Rupert and Jamie share a goodbye, which is short on forgiveness for Dougal’s murder, but long on fondness. Farewell, dear Rupert.
Hold on one second though: Remember John Grey? That name is Jamie’s ticket to salvation because it’s the name of the young British spy Jamie spared last season. John Grey is also the younger brother of Lord Melton, the officer in charge of this execution bonanza. Melton, begrudgingly, feels duty-bound to keep his brother’s “debt of honor” when it comes to Jamie, even though he’d make a pretty prize for the king.

But enough symbolism. Let’s check in with the purely straightforward 1940s, where Claire and Frank are house-shopping in the good ol’ USA. Everything is uncomfortable, like, more uncomfortable than the body farm we just left. Frank is laying it on thick with the doting husband routine, hoping Claire’s pregnancy can harbor a fresh start for the two of them in Boston. Claire is trying (and failing) to play the role of domestic housewife.
“You’re lucky,” one of Claire’s neighbors tells her, as they gab about husbands. “You won’t find another man like Frank again.” If you think this one’s a charmer, lady, you should’ve seen the other guy.
Claire’s having even more trouble trying to fit in with Frank’s new university social circle, who are all the worst. Frank’s peers manage to be nearly as misogynistic as the gangs of unwashed men we have been treated to in 18th–century Scotland. But at least we all got to listen in on some hot gossip about the Truman vs. Dewey electoral matchup.
Jamie, meanwhile, isn’t in much better shape. Rupert’s taken him to shelter with other Culloden survivors in a nearby barn. He’s bleeding buckets, but he does still have the wherewithal to ask the question we’re all wondering: Where is Murtaugh? No one really knows, and Rupert has the gall to say he doesn’t really care. (The bad blood between Frasers and MacKenzies is still going strong. Curse you, Dougal MacKenzie, you door-lurking psychopath.)
Shortly thereafter, the British discover the hideout. They give the “traitors” an hour, at which point they’ll be shot. Rupert and Jamie share a goodbye, which is short on forgiveness for Dougal’s murder, but long on fondness. Farewell, dear Rupert.
Hold on one second though: Remember John Grey? That name is Jamie’s ticket to salvation because it’s the name of the young British spy Jamie spared last season. John Grey is also the younger brother of Lord Melton, the officer in charge of this execution bonanza. Melton, begrudgingly, feels duty-bound to keep his brother’s “debt of honor” when it comes to Jamie, even though he’d make a pretty prize for the king.

Dragonfly in Amber (Outlander Series #2)

Dragonfly in Amber (Outlander Series #2)

Paperback $9.99

Dragonfly in Amber (Outlander Series #2)

By Diana Gabaldon

In Stock Online

Paperback $9.99

Crankily, Melton secrets Jamie (who just wants to die already) off in a wagon in the dark of the night. He thinks Jamie won’t survive the trip, but at least such a death won’t be at his hands. Well, the joke’s on your stiff upper lip, Melton, because Jamie survives. And he’s greeted by Jenny and Ian. Our boy’s made it back to Lallybroch.
With that happy news, we head once more to Boston. After a blow-out fight in which he just barely dodged an ash tray hurled at his head, Frank is doing some late-night research. He’s penning a letter to Rev. Wakefield back in Scotland for information on some highlander, a James Fraser, when he’s interrupted. Claire’s water has broken.
The hospital is another frustrating situation where none of the men in charge deign to listen to Claire. (Though Frank is all ears when Claire informs the doctor, and her husband, that she’s had a miscarriage before.) When Claire wakes from the C-section she didn’t want, she’s concerned she’s lost another baby.
But Frank enters with baby Brianna. The family’s full of love and joy and canoodling until a nosy nurse swings by to ask about the elephant in the room: “Where’d she get the red hair?”
Of course, we all know the answer to that question, unlike several others: How will Jamie readjust to a Claire-less life? Will Claire ever be able to light her stove effectively? Where is Murtaugh? Let’s hope we find out next week.
 

Crankily, Melton secrets Jamie (who just wants to die already) off in a wagon in the dark of the night. He thinks Jamie won’t survive the trip, but at least such a death won’t be at his hands. Well, the joke’s on your stiff upper lip, Melton, because Jamie survives. And he’s greeted by Jenny and Ian. Our boy’s made it back to Lallybroch.
With that happy news, we head once more to Boston. After a blow-out fight in which he just barely dodged an ash tray hurled at his head, Frank is doing some late-night research. He’s penning a letter to Rev. Wakefield back in Scotland for information on some highlander, a James Fraser, when he’s interrupted. Claire’s water has broken.
The hospital is another frustrating situation where none of the men in charge deign to listen to Claire. (Though Frank is all ears when Claire informs the doctor, and her husband, that she’s had a miscarriage before.) When Claire wakes from the C-section she didn’t want, she’s concerned she’s lost another baby.
But Frank enters with baby Brianna. The family’s full of love and joy and canoodling until a nosy nurse swings by to ask about the elephant in the room: “Where’d she get the red hair?”
Of course, we all know the answer to that question, unlike several others: How will Jamie readjust to a Claire-less life? Will Claire ever be able to light her stove effectively? Where is Murtaugh? Let’s hope we find out next week.