What's Wrong with the World

What's Wrong with the World

by G. K. Chesterton
What's Wrong with the World

What's Wrong with the World

by G. K. Chesterton

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Overview

DEDICATION

To C. F G. Masterman, M. P.

My Dear Charles,

I originally called this book "What is Wrong," and it would have satisfied your sardonic temper to note the number of social misunderstandings that arose from the use of the title. Many a mild lady visitor opened her eyes when I remarked casually, "I have been doing 'What is Wrong' all this morning." And one minister of religion moved quite sharply in his chair when I told him (as he understood it) that I had to run upstairs and do what was wrong, but should be down again in a minute. Exactly of what occult vice they silently accused me I cannot conjecture, but I know of what I accuse myself; and that is, of having written a very shapeless and inadequate book, and one quite unworthy to be dedicated to you. As far as literature goes, this book is what is wrong and no mistake.

It may seem a refinement of insolence to present so wild a composition to one who has recorded two or three of the really impressive visions of the moving millions of England. You are the only man alive who can make the map of England crawl with life; a most creepy and enviable accomplishment. Why then should I trouble you with a book which, even if it achieves its object (which is monstrously unlikely) can only be a thundering gallop of theory?

Well, I do it partly because I think you politicians are none the worse for a few inconvenient ideals; but more because you will recognise the many arguments we have had, those arguments which the most wonderful ladies in the world can never endure for very long. And, perhaps, you will agree with me that the thread of comradeship and conversation must be protected because it is so frivolous. It must be held sacred, it must not be snapped, because it is not worth tying together again. It is exactly because argument is idle that men (I mean males) must take it seriously; for when (we feel), until the crack of doom, shall we have so delightful a difference again? But most of all I offer it to you because there exists not only comradeship, but a very different thing, called friendship; an agreement under all the arguments and a thread which, please God, will never break.

Yours always,

G. K. Chesterton.

Product Details

BN ID: 2940013532748
Publisher: Mundus Publishing
Publication date: 11/28/2011
Sold by: Barnes & Noble
Format: eBook
Pages: 224
File size: 389 KB

About the Author

About The Author
Gilbert Keith Chesterton, (29 May 1874 – 14 June 1936) was an English writer. His prolific and diverse output included philosophy, ontology, poetry, plays, journalism, public lectures and debates, literary and art criticism, biography, Christian apologetics, and fiction, including fantasy and detective fiction. Chesterton has been called the "prince of paradox". Time magazine, in a review of a biography of Chesterton, observed of his writing style: "Whenever possible Chesterton made his points with popular sayings, proverbs, allegories—first carefully turning them inside out." For example, Chesterton wrote "Thieves respect property. They merely wish the property to become their property that they may more perfectly respect it."

Chesterton is well known for his reasoned apologetics and even some of those who disagree with him have recognized the universal appeal of such works as Orthodoxy and The Everlasting Man. Chesterton, as a political thinker, cast aspersions on both progressivism and conservatism, saying, "The whole modern world has divided itself into Conservatives and Progressives. The business of Progressives is to go on making mistakes. The business of the Conservatives is to prevent the mistakes from being corrected." Chesterton routinely referred to himself as an "orthodox" Christian, and came to identify such a position more and more with Catholicism, eventually converting to Roman Catholicism from High Church Anglicanism. George Bernard Shaw, Chesterton's "friendly enemy" according to Time, said of him, "He was a man of colossal genius". Biographers have identified him as a successor to such Victorian authors as Matthew Arnold, Thomas Carlyle, John Henry Cardinal Newman, and John Ruskin
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