San Diego Union-Tribune
Another winner.
Publishers Weekly - Publisher's Weekly
For his 33rd-and quite splendid-novel, Francis (Decider) adds to his usual horse-racing setting a backdrop involving feature filmmaking. As usual, though, it's murder most foul and mayhem most brilliant for this English master. In the Suffolk city of Newmarket, Thomas Lyon is for the first time directing a film featuring an American megastar. Based on a bestselling book, the movie concerns a still unexplained, 26-year-old death by hanging of a young horse trainer's wife. The wife's sister, niece and nephew are vehemently opposed to the film, while the book's author, who's also the screenwriter, is opposed to any changes in his plot. The megastar's double is attacked, a murder occurs, Thomas gets death threats and finds himself in great peril. How Francis has him solve the assorted mysteries and achieve a satisfactory ending for his film is nothing short of dazzling. Francis puts his novel together in the same way a movie is constructed, with out-of-sequence scenes, dissolves and brilliant images. He offers wonderful set pieces and moves his large and colorful cast with the aplomb of a seasoned director. Even better, in Thomas Lyon he has created a representative of a vanishing, even endangered, fictional species: the thoroughly decent chap we care about. A tip-top thriller, this could make the best movie about movies since The Stunt Man. BOMC main selection; author tour. (Sept.)
School Library Journal
YA-Francis's fans will not be disappointed with his latest offering. Thomas Lyon is making a movie based on an event that occurred almost 20 years earlier-the hanging death of a horse trainer's young wife. Valentine Clark, Thomas's long-time friend and a prominent figure in the racing world, is dying, and while Thomas is reading to him he makes a death-bed confession. His whispered confidences relate too directly to Thomas's film to be ignored, especially as the movie set is plagued with suspicious problems and attempted murders. Despite being stabbed himself, Thomas tries to solve the past and present mysteries, produce his movie, and save his own life. Besides providing a many-faceted mystery and the author's trademark insights into the horse world, this novel offers an in-depth, fascinating behind-the-scenes view of filmmaking.-Katherine Fitch, Lake Braddock Secondary School, Burke, VA
From the Publisher
Praise for Wild Horses
“Nothing short of dazzling...a tip-top thriller.”—Publishers Weekly
“The book's pages seem to turn by themselves.”—San Francisco Chronicle
“As compulsive as ever.”—The New York Times Book Review
“Another true-blue Dick Francis—a fast read, intelligent, and a few horrific scenes described with a British reserve that makes them all the more horrifying.”—The Seattle Times
More Praise for Dick Francis
“[The] master of crime fiction and equine thrills.”—Newsday
“It’s either hard or impossible to read Mr. Francis without growing pleased with yourself: not only the thrill of vicarious competence imparted by the company of his hero's, but also the lore you collect as you go, feel like a field trip with the perfect guide.”—The New York Times Book Review
“[Francis] has the uncanny ability to turn out simply plotted yet charmingly addictive mysteries.”—The Wall Street Journal
“A rare and magical talent...who never writes the same story twice...Few writers have maintained such a high standard of excellence for as long as Dick Francis.”—TheSan Diego Union-Tribune
“Few things are more convincing than Dick Francis at a full gallop.”—Chicago Tribune
