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Overview
2017 Kate Tufts Discovery Award Winner
Nominated for the 2017 NAACP Image Awards for Outstanding Literary Work in Poetry
2016 INDIES Book of the Year Award Finalist
2017 Publishing Triangle’s Thom Gunn Award Finalist
2017 Lambda Literary Awards Winner
2017 Eric Hoffer Book Award Finalist
2017 Nominee for 2017 Hurston/Wright Legacy Award for Poetry
Shortlisted for Chicago Review of Books Award in Poetry
One of BET’s “12 Must-Read Books for 2016”
"This gorgeous debut is a 'debut' in chronology only. . . . Need is everywherein the unforgiving images, in lines so delicate they seem to break apart in the hands, and in the reader who will enter these poems and never want to leave."Adrian Matejka
Phillip B. Williams investigates the dangers of desire, balancing narratives of addiction, murders, and hate crimes with passionate, uncompromising depth. Formal poems entrenched in urban landscapes crack open dialogues of racism and homophobia rampant in our culture. Multitudinous voices explore one's ability to harm and be harmed, which uniquely juxtaposes the capacity to revel in both experiences.
"Epithalamium":
A kiss. Train ride home from a late dinner,
City Hall and document signing. Wasn't cold but we cuddled in an empty car, legal.
Last month a couple of guys left a gay bar
and were beaten with poles on the way
to their car. No one called them faggot
so no hate crime's documented. A beat down
is what some pray for, a pulse left to count.
We knew we weren't protected. We knew
our rings were party favors, gold to steal
the shine from. We couldn't protect us,
knew the law wouldn't know how. Still, his
beard across my brow, the burn of his cologne.
When the train stopped, the people came on.
Product Details
ISBN-13: | 9781938584176 |
---|---|
Publisher: | Alice James Books |
Publication date: | 01/12/2016 |
Pages: | 100 |
Sales rank: | 1,156,570 |
Product dimensions: | 6.80(w) x 8.80(h) x 0.40(d) |
About the Author
Table of Contents
I
Bound 1
Black Witch Moth 2
Ignis Fatuus 4
First Words 5
Then as Proof the Land 7
Inheritance: Spinning Noose Clears Its Throat 8
Vision in Which the Final Blackbird Disappears 10
Inheritance: The Force of Aperture 11
God as a Failed Figuration 13
Inheritance: Anthem 14
Sonnet with a Cut Wrist and Flies 20
A Spray of Feathers, Black 24
Prayer 25
Misericorde 26
II
Witness 29
III
Door to a War I Never Knew 47
Love Story 48
No, Tell Him- 49
Luminous, Whatever Honey 50
Rend 51
Of Contour, of Cadence 52
Greatly Be Gentle 53
IV
Often I am Permitted to Return to the City 57
Of Darker Ceremonies 59
A Survey of Masculinity 60
Apotheosis 61
Do-rag 64
He Loved Him Madly 66
Eleggua and Eshu Ain't the Same 70
Visitation 72
For Joy Be Righteous 73
Selvage 74
Epithalamium 75
Of Shadows and Mirrors 76
Birth of the Doppelgänger 78
Notes 81
What People are Saying About This
“The seasoned reader of poetry will be impressed that Thief in the Interior is Phillip B. Williams’s first collection. His control of the line is masterful, and his syntax eschews, for the most part, direct or simple delivery of language, creating a formal and solemn tone that scores the emotional pitches of the book.” —Los Angeles Book Review
“[Williams’] lyricism is full of interruptions—into and out of history, in and out of metaphor, in and out of the violence of being a body.” —LitHub‘s “30 Poets You Should Be Reading”
“[Williams] sings for the vanished, for the haunted, for the tortured, for the lost, for the place on the horizon where the little boat of the human body disappears in a wingdom of unending grace.” —The Best American Poetry
“Williams’ poems never cease to give you that “Aha!” moment as you read through the poem again and again to discover yet another layer of meaning. His calls for justice, for things in the dark to be brought out to the light, do not go unheard.” —San Diego Review
“To experience [Phillip B. William’s] poetry is to encounter a lucid, unmitigated humanity, a voice for whom language is inadequate, yet necessarily grasped, shaped, and consumed. His devout and excruciating attention to the line and its indispensable music fuses his implacable understanding of words with their own shadows.” —Rachel Eliza Griffiths, Boston Review
“This gorgeous debut is a ‘debut’ in chronology only, a rare poetic event that transcends our expectations. Williams’s poems embody balance: uncompromising and magnetic, surprising and intuitive. Need is everywhere—in the unforgiving images, in lines so delicate they seem to break apart in the hands, and in the reader who will enter these poems and never want to leave.” —Adrian Matejka, author of The Big Smoke
“Not just more of the artfully skill-less, conceptual talk of a poem, this is what you’ve been waiting for: some poetry. Not just skill as possession, as a commodity, but skill to accomplish the expressive event, a deeply felt poetic argument. For example Williams’ line is no arbitrary unit of type, but an effective musically syntactic accomplishment of line. Poetry!” —Ed Roberson
“Williams demonstrates an astounding technical mastery of poetic forms that goes far beyond form for form’s sake, as he repeats, reconfigures, and recontextualizes words and phrases in order to create continuity and multifaceted meanings.” —Muzzle Magazine
“. . .Thief in the Interior is a remarkable collection that balances engagement with both the horrific and the beautiful.” —Southern Humanities Review
“Thief in the Interior does what a collection of poems should do. It draws its reader in and forces its reader to think, to admire, to observe, to question and to whip out the notebook and go nuts on the adjectives—dynamic, robust, dominant, vigorous, inventive, vigorous, original, musical, original, and adroit.” —The Adroit Journal
“Thief in the Interior damns and redeems, and represents a truly worthwhile literary experience.” —Blackbird