The Room of White Fire: A Novel

The Room of White Fire: A Novel

by T. Jefferson Parker

Narrated by Will Damron

Unabridged — 11 hours, 14 minutes

The Room of White Fire: A Novel

The Room of White Fire: A Novel

by T. Jefferson Parker

Narrated by Will Damron

Unabridged — 11 hours, 14 minutes

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Overview

For fans of Michael Connelly and C. J. Box: a stirring thriller from New York Times bestseller and award winner T. Jefferson Parker. In The Room of White Fire, a P.I. must hunt down a soldier who is damaged by war, dangerous, and on the run.
 
A young soldier escaped from a mental institution.
A P.I. carrying his own wounds hired to track that soldier down.
A race against the clock to bring the soldier home before he reveals the secret that haunts him.
 
Roland Ford—once a cop, then a marine, now a private investigator—is good at finding people. But when he's asked to locate Air Force veteran Clay Hickman, he realizes he's been drawn into something deep and dark. He knows war, having served as a Marine in first Fallujah; he also knows personal pain, as only two years have passed since his wife, Justine, died. What he doesn't know is why a shroud of secrecy hangs over the disappearance of Clay Hickman—and why he's getting a different story from everyone involved.

To begin with, there's Sequoia, the teenage woman who helped Clay escape; she's smart enough to fend off Ford's questions but impetuous enough to be on the run with an armed man. Then there's Paige Hulet, Clay's doctor, who clearly cares deeply for his welfare but is impossible to read, even as she inspires in Ford the first desire he has felt since his wife's death. And there's Briggs Spencer, the proprietor of the mental institution who is as enigmatic as he is brash, and ambitious to the point of being ruthless. What could Clay possibly know to make this search so desperate?

What began as just a job becomes a life-or-death obsession for Ford, pitting him against immensely powerful and treacherous people and forcing him to contend with chilling questions about truth, justice, and the American way.

Editorial Reviews

SEPTEMBER 2017 - AudioFile

T. Jefferson Parker’s latest novel is filled with well-defined characters, excellent dialogue, and a gripping story. Will Damron’s narration makes it even better. At first, Damron’s slow pace seems out of place, but it becomes clear quickly that his delivery enhances every aspect of the audiobook. The story focuses on P.I. Roland Ford’s search for Clay Hickman, an escapee from a mental institution operated by individuals who developed the enhanced interrogation techniques used by the CIA after the Gulf War. Ford discovers that Hickman participated in the torture, as well as a brutal murder, and realizes that Hickman has escaped to clear his name and bring others to justice. But the thread that makes the story flow is Damron’s on-point delivery. D.J.S. Winner of AudioFile Earphones Award © AudioFile 2017, Portland, Maine

Publishers Weekly - Audio

10/02/2017
Voice actor Damron’s soft, sensitive rendition of Parker’s suspense novel captures an important part of its protagonist Roland Ford’s psyche. He’s world-weary and suffering the loss of his beloved wife, but he happens to be an ex-pro boxer, ex-cop, and former Marine, and he’s now a private eye, so one would expect he might sound a little tougher around the edges. Damron’s delivery is a good fit for Ford’s quarry, Clay Hickman, an emotionally disturbed Air Force vet who has recently escaped from Arcadia, a private mental hospital in San Diego County, Calif. Hickman’s therapist, who has hired Ford, explains that Hickman may hurt himself or others, a possibility also mentioned by Arcadia’s owner. Ford soon discovers that Hickman’s tour was in Romania, probably at a horrific black torture site. The narrative mixes Ford’s progress with his visits with family and eccentric friends at the ranch he inherited from his wife, many of whom are given their own voices by Damron as well. Damron’s multifaceted performance helps bring the characters in Parker’s thriller to life. A Putnam hardcover. (Aug.)

Publishers Weekly

★ 05/29/2017
Bestseller Parker (The Famous and the Dead and five other Charlie Hood novels) provides a glimpse into the shadowy, disturbing, and morally indefensible world of outsourced interrogation in this excellent series launch. PI Roland Ford, a former cop, has what seems like a simple case: find Clay Hickman, a patient who escaped from Arcadia, a private mental hospital in San Diego County. Like Ford, Hickman is a veteran, but his wartime experiences—working in secret prisons and torture—have scarred him deeply. Hickman may or may not be insane, but he has a real mission: to “bring white fire to Deimos.” What this means becomes horrifyingly clear as the narrative unfolds. Ford picks up Hickman’s tracks quickly and pursues him from San Diego to Ukiah, in Northern California’s wine country. He also runs up against doctor Briggs Spencer, Arcadia’s founder, who coauthored a “torture book” for the CIA. Like many Parker heroes, Ford is a decent human being with more than a hint of sadness about him. Author tour. Agent: Robert Gottlieb, Trident Agency. (Aug.)An earlier version of this review incorrectly listed the book's title.

From the Publisher

Parker is the poet of American crime fiction, and The Room of White Fire absolutely proves why. It’s topical, poignant, brutal, tragic and wry at the same time—and the tale thumps along with the rhythmic and stylistic soundtrack of a beating heart that seems to be shared by PI Roland Ford and Parker himself. There’s a damned good reason Parker has won three Edgar Awards. The Room of White Fire is the opening salvo of a new series that might win him his fourth.”C.J. Box

“Fords assignment, as he redefines it, becomes much more complex than tracking down a missing person. His noble goal is not only to find Hickman but to heal him.”Wall Street Journal

“Parker deftly builds the tension from suspense to menace to an overwhelming sense of dread. The result is a fast-paced, beautifully written thriller.”The Washington Post

“Bestseller Parker provides a glimpse into the shadowy, disturbing, and morally indefensible world of outsourced interrogation in this excellent series launch.”Publishers Weekly (starred review)

“Parker plays the reader like a virtuoso, with never a disappointing page. His hero is gutsy and vulnerable, the danger high-risk with treachery coming from all directions. And when you’re done, like me you’re going to be clamoring for more from this new series.”—Steve Berry
 
“A San Diego PI and veteran of the Gulf War takes a missing person case that plunges him into a maddening mystery. The unrelenting suspense and multiple dangers in his quest ultimately reveal that he is seeking nothing less than love lost and redemption for his own soul.”—Joseph Wambaugh

“[The Room of White Fire] arrives at a spectacular finish. The characters are all well developed. The plot moves quickly, and the dialogue is smart. But the best part is how Parker will make readers think about the themes he weaves into his story, themes that linger in today’s world.”San Antonio Express News

“An impressive series kickoff from the prolific Parker, packed with interesting supporting characters and written with clarity and economy.”—Kirkus Reviews

“Chilling on multiple levels.”Booklist

“Mesmerizing and haunting. The kind of shocking suspense that keeps you racing to the bitter end. The kind of compelling characters that leave you willing to read from the beginning again. I'm already counting down to the next book in the series.”Lisa Gardner
 
“Parker's richly haunting tale about the hidden costs of America's secret war on terror should be the next book you read. The Room of White Fire is sad and funny and deeply moving, classic California noir with heartbreaking prose and unexpected moments of grace.”—Nicholas Petrie

“Parker's muscular writing has dazzled for years. His characters are as authentic as the gripping situations he creates. In The Room Of White Fire he once again demonstrates his Edgar Award-winning storytelling. He captivates and chokes the air out of the room. Masterful! There are few if any crime writers out there this good. Reader beware, The Room of White Fire will lock you inside and not let you out.”Ridley Pearson

“Parker weaves all the best of classic noir fiction into a thoroughly modern, beautifully written novel about the horrors of war, loss, and ultimately redemption.  Twisting, psychologically astute, and brutally honest.”Lisa Unger

“Like the authors of all great noir fiction, Parker has given us an unforgettable investigator in the person of Roland Ford. The ex-Marine and combat veteran is part badass, part philosopher, and his wry insight into the world around him and the people in it are a pleasure to read. And read you will: Parker is a master at spinning a tale you can't put down.”Peter Heller

SEPTEMBER 2017 - AudioFile

T. Jefferson Parker’s latest novel is filled with well-defined characters, excellent dialogue, and a gripping story. Will Damron’s narration makes it even better. At first, Damron’s slow pace seems out of place, but it becomes clear quickly that his delivery enhances every aspect of the audiobook. The story focuses on P.I. Roland Ford’s search for Clay Hickman, an escapee from a mental institution operated by individuals who developed the enhanced interrogation techniques used by the CIA after the Gulf War. Ford discovers that Hickman participated in the torture, as well as a brutal murder, and realizes that Hickman has escaped to clear his name and bring others to justice. But the thread that makes the story flow is Damron’s on-point delivery. D.J.S. Winner of AudioFile Earphones Award © AudioFile 2017, Portland, Maine

Kirkus Reviews

2017-06-20
A resourceful private investigator uncovers layers of deception in his search for an escaped mental patient.Noirish narrator Roland Ford, a former Marine, seems the perfect choice to find Iraq War veteran Clay Hickman, who's ended three years in Arcadia, an upscale asylum in the mountains of San Diego County, by going AWOL. Ford's still struggling with his own grief years after the death of his wife, Justine. Clay's gentility, described by friends like Sequoia Blain, whom Ford interviews in the nearby trailer park, is squarely at odds with his reported history of violence. Ford goes back to Clay's extensive military record for clues while keeping an eye on Sequoia. Instinct prompts him to trust her. So when Clay returns to her, Ford waits to see what happens instead of reporting this development to his employers. Meanwhile, he delves deeper into Clay's military records as well as his recent emails for insight into his post-military behavior. He finds so many inconsistencies in the government accounts that he begins to believe Clay's claims of military misconduct and a coverup. The interference of Clay's righteous parents complicates Ford's job even more. When Ford ultimately places his trust in Clay, he knows he's crossed a dangerous line. But his sense of justice prevents him from following any other path. An impressive series kickoff from the prolific Parker (Crazy Blood, 2016, etc.), packed with interesting supporting characters and written with clarity and economy.

Product Details

BN ID: 2940172138898
Publisher: Penguin Random House
Publication date: 08/22/2017
Series: Roland Ford Series , #1
Edition description: Unabridged

Read an Excerpt

1

Once upon a time they would have named it Pines Asylum or Mountain View Sanitorium or even Lifespring Hospital, but now it was just Arcadia. It was hidden in the mountains of San Diego County, near Palomar Observatory. A patient had left the grounds and I’d been offered the job of finding him.

The last five miles of road wound through trees that broke the late-morning light. Slats of sun and green. A guard at the gatehouse took my driver’s license, checked my name against his appointment list, entered something on a tablet and seemed to ponder it. He handed the license back, eyes steady behind yellow glasses. “Dr. Hulet will meet you in the lobby. Surrender all weapons and cell phones to ­security.”

I nodded.

“Welcome to Arcadia, Mr. Ford.”

Another steep half mile up the road stood the main building, a beveled structure of concrete and smoked glass cut into the mountainside. An expanse of lawn, parking places, groomed walkways. Flower beds waving with Iceland poppies. And seating areas, some made of carved and varnished tree stumps, where men and women of various ages talked and drank from colorful plastic tumblers. Most wore casual or business clothes, with others—both male and female—in white work pants and tucked-in white shirts. A few of them watched me as I got out and turned off my phone and set it inside the large tool chest bolted to my truck. Placed the phone next to my sidearm, then closed and locked the heavy lid. A white-haired man in a sport coat and bow tie gave me a thumbs-up. The April day smelled of pines.

My cursory Internet search of Arcadia hospital—buried deep down in the search engine listings—had revealed a state ­accreditation link, a few breezy mentions in blogs and social media, and a one-page website that declared it to be an exclusive wellness community for treatment of mental and emotional disorders. The only website graphic was a watercolor of a Grecian temple on a hillside surrounded by trees. No physical address, no photographs, no additional information. A phone number and an email address and that was all.

The lobby was cool and filled with natural light steeping through the glass. Modern Scandinavian style, beige leather and chrome. Wall-mounted screens showed Curious George on KPBS San Diego. A professional-looking woman caught my eye from beyond the security gate. I emptied my pockets and removed my belt and boots and watch before stepping through the scanner. Got my things back on as she came toward me, her hand out. “I’m Dr. Paige Hulet,” she said. “Sorry for the airport welcome.”

“The in-flight snacks must be something.”

“I can offer you coffee or water, Mr. Ford.”

She looked about my age, thirty-eight. Medium height and weight, brown hair and eyes. Black pantsuit with a white collared blouse buttoned to the top. Hair up and firmly secured, a cool hand. We walked a short hallway to a door, where she swiped the ID card on her lanyard through the lock.

We stepped into a towering atrium. Six floors up was a glass ceiling, beyond which hovered blue sky. Zigzagging ramps linked the floors all around us. People were out and about, going up and going down. “We have elevators, or the ramps.”

“Ramps, please. I see you let the patients dress as they like.”

“We call them partners, but yes. We encourage them to express themselves through dress and grooming. Most do. This way.”

As we climbed I saw that the room doors and windows faced the open atrium, as in a hotel. The doors were painted in repeating red, yellow, and blue. No curtains or blinds. Two patients and two staffers passed us on the left, heading down the ramp, all talking loudly about a new San Diego Chargers running back. One of the patients wore a Chargers jersey and helmet. The other wore a San Diego Padres baseball cap and jersey—#51, no less—that of the great pitcher Trevor Hoffman. I tried to think of them as partners rather than as patients. In this American hour words meant everything and nothing.

“Sixty beds,” said Dr. Hulet. “Men on floors two and three. Females, four and five.”

“Is it unusual to mix male and female partners?”

“In a private community like this, no,” said the doctor. “And we have almost a one-to-two staff-to-partner ratio, so it’s never a problem. One of our pillars of treatment is to create an environment that signifies normal. Dr. Briggs Spencer is our founder. He’s a bit of a renegade, as you probably know.”

“I didn’t realize this hospital is one of his.”

Dr. Hulet gave me a Now you know look. “He keeps a very low profile. For the families. Our end mission here is discharge and reintegration, when possible. We try to prepare our patients for life on the outside.”

“You used the wrong P-word.”

“I do it all the time.”

Through a fourth-floor wall of smoked glass I looked down at the flank of the mountain and the winding road that I’d driven in on, and the heavy blanket of oaks and manzanita and conifers. Boulders the size of cars, tan and rounded, some stacked, some strewn. Directly below us I saw a kidney-shaped swimming pool, blue and shimmering, with a few swimmers and waders overseen by white-clad attendants.

The patient in question had “left the premises” two days ago, as Dr. Hulet had told me the previous evening by phone. When someone escapes from a place like Arcadia, the hospital will rarely call law enforcement. Too many potential embarrassments and liabilities. Mental illness still brings fear and shame, especially to the rich and powerful. Police draw media, which draw the public. So a missing patient is the responsibility of either hospital security—which had failed to find the man—or a private locator, such as myself. Looking down on the dense forest surrounding Arcadia I saw that our AWOL patient could easily be hunkered within a mile of the building and it might take a bloodhound to find him.

Dr. Hulet’s office was a corner with floor-to-ceiling windows. Waiting for us was Alec DeMaris, a wedge of muscle in an expensive suit, who introduced himself as Arcadia’s director of security. Hair short and curly, face set. His handshake was intended to punish so I punished back. Men. We sat across from Dr. Hulet, who rested her elbows on the green-marble desktop, working a never-sharpened yellow pencil with both hands. She pointed the eraser end at Alec.

“His name is Clay Hickman and he’s twenty-eight years old,” said Alec. He was a notch older than me and his voice was sharp, martial. “Missing at the lunchtime head count two days ago, Monday. We searched the compound and grounds and found where he’d dug out under the security fence. Rough country out there. I hired a bloodhound handler from Ramona. We got some clothes from Hickman’s hamper and the dog took off down a dirt road on the other side of the fence. Then the dog turned around and brought us back to the escape hole and went yapping up the road the other way. So we figured our boy had gotten into a vehicle. The road is public but unmaintained and not used much. Tried the dog at the three nearest gas stations down-mountain, the Amtrak stations from San Diego to Oceanside, the Greyhound station in San Diego. No scent. Nada. That went into Tuesday afternoon. The handler wanted to try a different dog but I fired him and we called you. Why you, Mr. Ford? You’ve only got five years of experience as a PI and a rocky history with the San Diego Sheriff’s. But I can tell you why you—because of your good reputation as a locator, and your service in Iraq as a United States Marine. Fallujah, I gather. I was a lieutenant during Operation Iron Harvest in Iraq, a little after your time. The taking-out-the-trash phase. So here we sit, brother.”

They say once a Marine, always a Marine, brothers for life, always faithful. I say fine, but don’t let it cloud your judgment.

I looked at Dr. Hulet, then out the southern window for miles and miles, to where the pale desert waited. “Why is Clay Hickman in this place?”

Dr. Hulet’s gaze was calm and direct. “Schizoaffective disorder, the bipolar subset. He has been delusional, paranoid, and at times violent. He was admitted to Arcadia three years ago as a danger to himself and others. Clay Hickman is the son of Rex and Patricia Hickman—yes, of Hickman Homes. Like you two, Clay served our country in the second Iraq war—Air Force. He returned home in late 2009, rented an apartment in San Diego. He found some security work but was soon exhibiting symptoms of what was assumed to be PTSD—hypervigilance, sleeplessness, anxiety, and depression. It escalated. He experienced his first psychotic break six months after coming home. He was stable for a year and a half, then broke again. The next two episodes came just six months apart. Erratic behavior. Fighting. One charge of assault with a deadly weapon—he struck someone with a gun. Shoplifting, drunk in public, resisting arrest. Alcohol and drugs. Unaccounted for, weeks at a time. His sixth fifty-one fifty landed him in Patton State for observation. That’s what it takes for a disturbed person to get help these days in our system. Even a veteran of war. That would have been 2014. Luckily for Clay, his family brought him to us. Mr. Ford, I want you to know that Clay Hickman—when he’s taking his medications and keeping himself active here in a structured setting—is a peaceful, deep-feeling, generous young man.”

Dr. Hulet took a deep breath and let it out slowly. “Two years ago, when I took over his therapy here, I began to suspect that he was suffering what is now called ‘moral injury.’ From the war. Some therapists call such psychological trauma a soul wound. It is caused by something you do. Not by something done to you. I’ve published on the subject. It is very different from PTSD. They are not the same.”

DeMaris deadpanned her.

I watched a vulture fly by the window, up close to the smoked glass. He seemed to eye his reflection, then continued his reconnaissance. As nature made him. Clay Hickman sounded a lot like some veterans I knew from my Marine days. As a veteran I wondered for the millionth time why some of us had such profoundly bad reactions to war but others did not. Why some had lost their bearings while others had managed to move on to the next thing. As nature made us? As war changes us? Either way, stress was a constant torment to all of us, and maybe an excuse to some.

“Is he suicidal?”

“He’s shown the ideation but has made no attempt,” said Dr. Hulet. “Suicide is one of my biggest concerns now, with Clay in a totally foreign environment and his medications and therapy abruptly suspended. We cannot allow Clay to end his life. Veteran suicide rates run roughly double those of the general population, as you might know.”

A moment went by. I knew a Marine who killed himself after coming home. Lenny. From Biloxi, Mississippi. Both legs amputated above the knee. Didn’t want to live like that. I knew others—some disabled—who wanted very badly to live. I think I understood both sets of mind—opposite sides of the same hard coin.

I watched the trees outside swaying in the breeze. The low temperature up in these mountains last night was thirty-nine. Not that I thought Clay Hickman was out there in the forest. I had the feeling he had covered some miles in the last two days. But it was just a feeling. “Are you his lead doctor?”

Dr. Hulet nodded. “As well as Arcadia’s medical director. His leaving surprised me. In all the hours I’ve spent with him, he rarely talked of a life outside or of running away. I think he felt safe here.”

Hard to believe, I thought, that an airman locked in a hospital, swank or not, wouldn’t want to fly away. Having been married to a recreational pilot, and still being a pilot myself, I know something about flight. Flying toward or flying away. Either way, it gets into your blood and stays there. Flight is more than freedom. You are subject to nature, your own limitations, the whims of the gods. You are free to fall. “You told me yesterday that Clay is not voluntarily here. That his father is his conservator and makes decisions on his son’s behalf.”

“That is true,” said the doctor.

“Had his behavior changed lately?”

“He was restless. Not at peace. I felt that he was coming to a crossroads that he couldn’t articulate.”

DeMaris loudly cleared his throat. “Mr. Ford? Or can I just call you Roland? Roland, we’ve come to the part of the program where you tell us if you’re going to take the job we’ve offered you. Daylight’s a-wastin’ and our man is in the wind. His family is extremely worried, and so are we. It was good of you to fax us your contract yesterday. Dr. Spencer has approved it and Dr. Hulet and I will sign it. But I do need to ask you, why do you only take cash?”

“Why wouldn’t I?”

“We report every penny.”

“So do I.”

“And you’re awfully damned expensive, too. I know. I’m familiar with your world and your type.”

“Then maybe you can explain me to me sometime.”

DeMaris opened his mouth to speak, came up empty.

“That would be my job,” said the doctor.

“I’ll find Clay Hickman.”

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