The Postman Always Rings Twice

The Postman Always Rings Twice

by James M. Cain

Narrated by Stanley Tucci

Unabridged — 2 hours, 50 minutes

The Postman Always Rings Twice

The Postman Always Rings Twice

by James M. Cain

Narrated by Stanley Tucci

Unabridged — 2 hours, 50 minutes

Audiobook (Digital)

$16.99
FREE With a B&N Audiobooks Subscription | Cancel Anytime
$0.00

Free with a B&N Audiobooks Subscription | Cancel Anytime

START FREE TRIAL

Already Subscribed? 

Sign in to Your BN.com Account


Listen on the free Barnes & Noble NOOK app


Related collections and offers

FREE

with a B&N Audiobooks Subscription

Or Pay $16.99

Overview

An amoral young tramp. A beautiful, sullen woman with an inconvenient husband. A problem that has only one, grisly solution -- a solution that only creates other problems that no one can ever solve.

First published in 1934 and banned in Boston for its explosive mixture of violence and eroticism, The Postman Always Rings Twice is a classic of the roman noir. It established James M. Cain as a major novelist with an unsparing vision of America's bleak underside, and was acknowledged by Albert Camus as the model for The Stranger.

Performed by Stanley Tucci


Editorial Reviews

Harold Strauss

Every so often a writer turns up who forces us to revalue our notions of the realistic manner, for, no less than reality itself, it is relative and inconstant, depending on the period, the fashion, the point of view. . . . [Cain's] story is a third as long as most novels, and its success is due entirely to one quality: Cain can get down to the primary impulses of greed and sex in fewer words than any writer we know of. He has exorcised all the inhibitions.
Books of the Century; New York Times review, February 1934

From the Publisher

"A good, swift, violent story." —Dashiell Hammett

"A poet of the tabloid murder." —Edmund Wilson

AUG/SEP 05 - AudioFile

Moody, sexy, dark, and criminal, this noir classic takes on new life as Stanley Tucci embodies drifter Frank Chambers and the rest of the sordid cast of Cain’s famed novel. Cain’s terse, muscular prose and gift for dialogue spring off the page as Tucci effortlessly personifies Chambers’s narrative voice and amoral, if not immoral, life and times. Tucci chillingly, even blandly, communicates Chambers’s casually brutal passions and schemes as he cons his way through a tragedy cast in 1930s’ California. As one would expect, the story leads to a violent, degrading climax and not a few surprises. Preserve a place on your bookshelf for this audiobook--you’ll want to listen to it more than once. D.J.B. Winner of AudioFile Earphones Award © AudioFile 2005, Portland, Maine

Product Details

BN ID: 2940173581433
Publisher: HarperCollins
Publication date: 03/29/2005
Edition description: Unabridged

Read an Excerpt

About three o'clock a guy came along that was all burned up because somebody had pasted a sticker on his wind wing. I had to go in the kitchen to steam it off for him.

"Enchiladas? Well, you people sure know how to make them."

"What do you mean, you people?"

"Why, you and Mr. Papadakis. You and Nick. That one I had for lunch, it was a peach."

"Oh."

"You got a cloth? That I can hold on to this thing with?"

''That's not what you meant."

"Sure it is."

"You think I'm Mex."

"Nothing like it."

"Yes, you do. You're not the first one. Well, get this. I'm just as white as you are, see? I may have dark hair and look a little that way, but I'm just as white as you are. You want to get along good around here, you won't forget that."

"Why, you don't look Mex."

"I'm telling you. I'm just as white as you are.

"No, you don't look even a little bit Mex. Those Mexican women, they all got big hips and bum legs and breasts up under their chin and yellow skin and hair that looks like it had bacon fat on it. You don't look like that. You're small, and got nice white skin, and your hair is soft and curly, even if it is black. Only thing you've got that's Mex is your teeth. They all got white teeth, you've got to hand that to them."

"My name was Smith before I was married. That don't sound much like a Mex, does it?"

"Not much."

"What's more, I don't even come from around here. I come from Iowa."

"Smith, hey. What's your first name?"

"Cora. You can call me that, if you want to."

I knew for certain, then, what I had just taken a chance on when I went in there. It wasn't thoseenchiladas that she had to cook, and it wasn't having black hair. It was being married to that Greek that made her feel she wasn't white, and she was even afraid I would begin calling her Mrs. Papadakis.

"Cora. Sure. And how about calling me Frank?"

She came over and began helping me with the wind wing. She was so close I could smell her. I shot it right close to her ear, almost in a whisper. "How come you married this Greek, anyway?"

She jumped like I had cut her with a whip. "Is that any of your business?"

"Yeah. Plenty."

"Here's your wind wing."

"Thanks."

I went out. I had what I wanted. I had socked one in under her guard, and socked it in deep, so it hurt. From now on, it would be business between her and me. She might not say yes, but she woudn't stall me. She knew what I meant, and she knew I had her number.

That night at supper, the Greek got sore at her for not giving me more fried potatoes. He wanted me to like it there, and not walk out on him like the others had.

"Give a man something to eat."

"They're right on the stove. Can't he help himself?"

"It's all right. I'm not ready yet."

He kept at it. If he had bad any brains, he would have known there was something back of it, because she wasn't one to let a guy help himself, I'll say that for her. But he was dumb, and kept crabbing. It was just the kitchen table, he at one end, she at the other, and me in the middle. I didn't look at her. But I could see her dress. It was one of these white nurse uniforms, like they all wear, whether they work in a dentist's office or a bakeshop. It had been clean in the morning, but it was a little bit rumpled now, and mussy. I could smell her.

"Well for heaven's sake."

She got up to get the potatoes. Her dress fell open for a second, so I could see her leg. When she gave me the potatoes, I couldn't eat. "Well there now. After all that, and now he doesn't want them."

"Hokay. But he have'm, if he want 'm."

"I'm not hungry. I ate a big lunch."

He acted like he had won a great victory, and now he would forgive her, like the big guy he was. "She is a all right. She is my little white bird. She is my little white dove."

He winked and went upstairs. She and I sat there, and didn't say a word. When he came down he had a big bottle and a guitar. He poured some out of the bottle, but it was sweet Creek wine, and made me sick to my stomach. He started to sing. He had a tenor voice, not one of these little tenors like you hear on the radio, but a big tenor, and on the high notes he would put in a sob like on a Caruso record. But I couldn't listen to him now. I was feeling worse by the minute.

He saw my face and took me outside. "Out in a air, you feel better."

'S all right. I'll be all right."

"Sit down. Keep quiet."

"Go ahead in. I just, ate too much lunch. I'll be all right."

He went in, and I let everything come up. It was like hell the lunch, or the potatoes, or the wine. I wanted that woman so bad I couldn't even keep anything on my stomach.


Next morning the sign was blown down. About the middle of the night it had started to blow, and by morning it was a wind-storm that took the sign with it.

"It's awful. Look at that."

"Was a very big wind. I could no sleep. No sleep all night."

"Big wind all right. But look at the sign."

"Is busted."'

I kept tinkering with the sign, and he would come out and watch me. "How did you get this sign anyway?"

"Was here when I buy the place. Why?"

"It's lousy all right. I wonder you do any business at all."

I went to gas up a car, and left him to think that over. When I got back he was still blinking at it, where it was leaning against the front of the lunchroom. Three of the lights were busted. I plugged in the wire, and half of the others didn't light.

"Put in new lights, hang'm up, will be all right."

"You're the boss."

"What's a matter with it?"

"Well, it's out of date. Nobody has bulb signs any more. They got Neon signs. They show up better, and they don't burn as much juice. Then, what does it say? Twin Oaks, that's all. The Tavern part, it's not in lights. Well, Twin Oaks don't make me hungry. It don't make me want to stop and get something to eat. It's costing you money, that sign, only you don't know it.''

"Fix'm up, will be hokay."

"Why don't you get a new sign?"

"I'm busy."

But pretty soon he was back, with a piece of paper. He had drew a new sign for himself, and colored it up with red, white, and blue crayon. It said Twin Oaks Tavern, and Eat, and Bar-B-Q, and Sanitary Rest Rooms, and N. Papadakis, Prop.

"Swell. That'll knock them for a loop."

I fixed up the words, so they were spelled right, and he put some more curlycues on the letters.

"Nick, why do we hang up the old sign at all? Why don't you go to the city today and get this new sign made? It's a beauty, believe me it is. And it's important. A place is no better than it's sign, is it?"

"I do it. By golly, I go."


Los Angeles wasn't but twenty miles away, but he shined him-self up like he was going to Paris, and right after lunch, he went. Soon as he was gone, I locked the front door. I picked up a plate that a guy had left, and went on back in the kitchen with it. She was there.

''Here's a plate that was out there.

"Oh, thanks."

I set it down. The fork was rattling like a tambourine.

"I was going to go, but I started some things cooking and I thought I better not."

"I got plenty to do, myself."

"You feeling better?"
"I'm all right."

"Sometimes just some little thing will do it. Like a change of water, something like that."

"Probably too much lunch."

"What's that?"

Somebody was out front, rattling the door. "Sounds like somebody trying to get in."

"Is the door locked, Frank?"

"I must have locked it."

She looked at me, and got pale. She went to the swinging door, and peeped through. Then she went into the lunchroom, but in a minute she was back.

"They went away.

"I don't know why I locked it."

"I forgot to unlock it."

She started for the lunchroom again, but I stopped her. "Let's--leave it locked."

"Nobody can get in if it's locked. I got some cooking to do. I'll wash up this plate."

I took her in my arms and mashed my mouth up against hers.... "Bite me! Bite me!"

I bit her. I sunk my teeth into her lips so deep I could feel the blood spurt into my mouth. It was running down her neck when I carried her upstairs.

From the B&N Reads Blog

Customer Reviews