The Nine Tailors (Lord Peter Wimsey Series #9)

The Nine Tailors (Lord Peter Wimsey Series #9)

by Dorothy L. Sayers
The Nine Tailors (Lord Peter Wimsey Series #9)

The Nine Tailors (Lord Peter Wimsey Series #9)

by Dorothy L. Sayers

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Overview

While ringing in the New Year, Lord Peter Wimsey discovers some old crimes: “A rattling good mystery” (Kirkus Reviews).

Lord Peter Wimsey and his manservant Bunter are halfway across the wild flatlands of East Anglia when they make a wrong turn, straight into a ditch. They scramble over the rough country to the nearest church, where they find hospitality, dinner, and an invitation to go bell-ringing. This ancient art is steeped in mathematical complexities, and tonight the rector and his friends plan to embark on a 9-hour marathon session to welcome the New Year. Lord Peter joins them, taking a step into a society whose cheerful exterior hides a dark, deadly past.
 
During their stay in this unfamiliar countryside, Lord Peter and Bunter encounter murder, a mutilated corpse, and a decades-old jewel theft for which locals continue to die. In this land where bells toll for the dead, the ancient chimes never seem to stop.
 
The Nine Tailors is the 11th book in the Lord Peter Wimsey Mysteries, but you may enjoy the series by reading the books in any order.
 
This ebook features an illustrated biography of Dorothy L. Sayers including rare images from the Marion E. Wade Center at Wheaton College.

Product Details

ISBN-13: 9781453258941
Publisher: Open Road Media
Publication date: 07/31/2012
Series: Lord Peter Wimsey Series , #9
Sold by: Barnes & Noble
Format: eBook
Pages: 406
Sales rank: 74,082
File size: 4 MB

About the Author

About The Author
Dorothy L. Sayers (1893–1957) was a British playwright, scholar, and acclaimed author of mysteries, best known for her books starring the gentleman sleuth Lord Peter Wimsey. While working as an advertising copywriter, Sayers began writing Whose Body? (1923), the 1st Wimsey mystery, followed by 10 sequels and several short stories. Sayers set the Wimsey novels between the World Wars, giving them a realistic tone by incorporating details from contemporary issues such as advertising, women’s education, and veterans’ health. Sayers also wrote theological essays and criticism during and after World War II, and in 1949 published the 1st volume of a translation of Dante’s Divine Comedy. Although she considered this translation to be her best work, it is for her elegantly constructed detective fiction that Sayers remains best remembered.
Dorothy L. Sayers (1893–1957) was a British playwright, scholar, and acclaimed author of mysteries, best known for her books starring the gentleman sleuth Lord Peter Wimsey. While working as an advertising copywriter, Sayers began writing Whose Body? (1923), the first Wimsey mystery, followed by ten sequels and several short stories. Sayers set the Wimsey novels between the two World Wars, giving them a realistic tone by incorporating details from contemporary issues such as advertising, women’s education, and veterans’ health. Sayers also wrote theological essays and criticism during and after World War II, and in 1949 published the first volume of a translation of Dante’s Divine Comedy. Although she considered this translation to be her best work, it is for her elegantly constructed detective fiction that Sayers remains best remembered.

Date of Birth:

June 13, 1893

Date of Death:

December 17, 1957

Place of Birth:

Oxford, England

Education:

B.A., Oxford University, 1915; M.A., B.C.L., 1920

Read an Excerpt

The Nine Tailors

A Lord Peter Wimsey Mystery


By Dorothy L. Sayers

OPEN ROAD INTEGRATED MEDIA

Copyright © 1962 Lloyd's Bank Limited
All rights reserved.
ISBN: 978-1-4532-5894-1



CHAPTER 1

THE FIRST COURSE

THE BELLS ARE RUNG UP

The coil of rope which it is necessary to hold in the hand, before, and whilst raising a bell, always puzzles a learner; it gets into his face, and perhaps round his neck (in which case he may be hanged!).

TROYTE ON CHANGE-RINGING


"That's torn it!" Said Lord Peter Wimsey.

The car lay, helpless and ridiculous, her nose deep in the ditch, her back wheels cocked absurdly up on the bank, as though she were doing her best to bolt to earth and were scraping herself a burrow beneath the drifted snow. Peering through a flurry of driving flakes, Wimsey saw how the accident had come about. The narrow, hump-backed bridge, blind as an eyeless beggar, spanned the dark drain at right angles, dropping plump down upon the narrow road that crested the dyke. Coming a trifle too fast across the bridge, blinded by the bitter easterly snowstorm, he had overshot the road and plunged down the side of the dyke into the deep ditch beyond, where the black spikes of a thorn hedge stood bleak and unwelcoming in the glare of the headlights.

Right and left, before and behind, the fen lay shrouded. It was past four o'clock and New Year's Eve; the snow that had fallen all day gave back a glimmering greyness to a sky like lead.

"I'm sorry," said Wimsey. "Whereabouts do you suppose we've got to, Bunter?"

The manservant consulted a map in the ray of an electric torch.

"I think, my lord, we must have run off the proper road at Leamholt. Unless I am much mistaken, we must be near Fenchurch St. Paul."

As he spoke, the sound of a church clock, muffled by the snow, came borne upon the wind; it chimed the first quarter.

"Thank God!" said Wimsey. "Where there is a church, there is civilization. We'll have to walk it. Never mind the suitcases; we can send somebody for them. Br'rh! it's cold. I bet that when Kingsley welcomed the wild northeaster he was sitting indoors by a good fire, eating muffins. I could do with a muffin myself. Next time I accept hospitality in the Fen-country, I'll take care that it's at midsummer, or else I'll go by train. The church lies to windward of us, I fancy. It would."

They wrapped their coats about them and turned their faces to the wind and snow. To left of them, the drain ran straight as a rule could make it, black and sullen, with a steep bank shelving down to its slow, unforgiving waters. To their right was the broken line of the sunk hedge, with, here and there, a group of poplars or willows. They tramped on in silence, the snow beating on their eyelids. At the end of a solitary mile the gaunt shape of a windmill loomed up upon the farther bank of the drain, but no bridge led to it, and no light showed.

Another half-mile, and they came to a signpost and a secondary road that turned off to the right. Bunter turned his torch upon the signpost and read upon the single arm:

"Fenchurch St. Paul."

There was no other direction; ahead, road and dyke marched on side by side into an eternity of winter.

"Fenchurch St. Paul for us," said Wimsey. He led the way into the side-road, and as he did so, they heard the clock again—nearer—chiming the third quarter.

A few hundred yards of solitude, and they came upon the first sign of life in this frozen desolation: on their left, the roofs of a farm, standing some way back from the road, and, on the right, a small, square building like a box of bricks, whose sign, creaking in the blast, proclaimed it to be the Wheatsheaf public-house. In front of it stood a small, shabby car, and from windows on the ground and first floors light shone behind red blinds.

Wimsey went up to it and tried the door. It was shut, but not locked. He called out, "Anybody about?"

A middle-aged woman emerged from an inner room.

"We're not open yet," she began, abruptly.

"I beg your pardon," said Wimsey. "Our car has come to grief. Can you direct us——?"

"Oh, I'm sorry, sir. I thought you were some of the men. Your car broke down? That's bad. Come in. I'm afraid we're all in a muddle—"

"What's the trouble, Mrs. Tebbutt?" The voice was gentle and scholarly, and, as Wimsey followed the woman into a small parlour, he saw that the speaker was an elderly parson.

"The gentlemen have had an accident with their car."

"Oh, dear," said the clergyman. "Such a terrible day, too! Can I be of any assistance?"

Wimsey explained that the car was in the ditch, and would certainly need ropes and haulage to get it back to the road again.

"Dear, dear," said the clergyman again. "That would be coming over Frog's Bridge, I expect. A most dangerous place, especially in the dark. We must see what can be done about it. Let me give you a lift into the village."

"It's very good of you, sir."

"Not at all, not at all. I am just getting back to my tea. I am sure you must be wanting something to warm you up. I trust you are not in a hurry to reach your destination. We should be delighted to put you up for the night."

Wimsey thanked him very much, but said he did not want to trespass upon his hospitality.

"It will be a great pleasure," said the clergyman, courteously. "We see so little company here that I assure you you will be doing my wife and myself a great favour."

"In that case—" said Wimsey.

"Excellent, excellent."

"I'm really most grateful. Even if we could get the car out tonight, I'm afraid the axle may be bent, and that means a blacksmith's job. But couldn't we get rooms at an inn or something? I'm really ashamed—"

"My dear sir, pray don't think twice about it. Not but what I am sure Mrs. Tebbutt here would be delighted to take you in and would make you very comfortable—very comfortable indeed; but her husband is laid up with this dreadful influenza—we are suffering from quite an epidemic of it, I am sorry to say—and I fear it would not be altogether convenient, would it, Mrs. Tebbutt?"

"Well, sir, I don't know as how we could manage very well, under the circumstances, and the Red Cow has only one room—"

"Oh, no," said the clergyman, quickly, "not the Red Cow; Mrs. Donnington has visitors already. Indeed, I will take no denial. You must positively come along to the Rectory. We have ample accomodation—too much, indeed, too much. My name, by the way, is Venables—I should have mentioned it earlier. I am, as you will have gathered, rector of the parish."

"It's extremely good of you, Mr. Venables. If we're really not putting you out, we will accept your invitation with pleasure. My name is Wimsey—here is my card—and this is my man, Bunter."

The Rector fumbled for his glasses, which, after disentangling the cord, he perched very much askew on his long nose, in order to peer at Wimsey's card.

"Lord Peter Wimsey—just so. Dear me! The name seems familiar. Have I not heard of it in connection with—ah! I have it! Notes on the Collection of Incunabula, of course. A very scholarly little monograph, if I may say so. Yes. Dear me. It will be charming to exchange impressions with another book-collector. My library is, I fear, limited, but I have an edition of the Gospel of Nicodemus that may interest you. Dear me! Yes. Delightful to have met you like this. Bless my heart, there's five o'clock striking. We must be off, or I shall get a scolding from my wife. Good afternoon, Mrs. Tebbutt. I hope your good man will be much improved by tomorrow; I really think he is looking better already."

"Thank you, sir; Tom's always so pleased to see you. I'm sure you do him a lot of good."

"Tell him to keep his spirits up. Such a nasty, depressing complaint. But he's over the worst now. I will send a little bottle of port wine as soon as he is able to take it. Tuke Holdsworth '08," added the Rector, in an aside to Wimsey; "couldn't harm a fly, you know. Yes. Dear me! Well! We really must be going. I'm afraid my car is not much to boast of, but there's more room in it than one would think. Many's the christening party we've managed to squeeze into it, eh, Mrs. Tebbutt? Will you sit beside me, Lord Peter? Your man and your—dear me! have you any luggage? ... Ah! down at Frog's Bridge? I will send my gardener to fetch it. It will be quite safe where it is; we're all honest people about here, aren't we, Mrs. Tebbutt? That's right. You must have this rug about your legs—yes, I insist. No, no, thank you. I can start her up quite well. I am so well accustomed to do it. There, you see! A few good pulls and she comes up as brisk as a bell. All right behind, my man? Good. Excellent. Good afternoon, Mrs. Tebbutt!"

The ancient car, shuddering to her marrow-bones, lurched away down the straight and narrow road. They passed a cottage, and then, quite suddenly, on their right, there loomed out of the whirling snow a grey, gigantic bulk.

"Great Heavens!" exclaimed Wimsey, "is that your church?"

"Yes, indeed," said the Rector, with pride. "You find it impressive?"

"Impressive!" said Wimsey. "Why, it's like a young cathedral. I'd no idea. How big is your parish, then?"

"You'll be surprised when I tell you," said the Rector, with a chuckle. "Three hundred and forty souls—no more. Astonishing, is it not? But you find the same thing all over the Fens. East Anglia is famous for the size and splendour of its parish churches. Still, we flatter ourselves we are almost unique, even in this part of the world. It was an abbey foundation, and in the old days Fenchurch St. Paul must have been quite an important place. How high should you say our tower was?"

Wimsey gazed up at the great pile.

"It's difficult to tell in this darkness. Not less than a hundred and thirty feet, surely."

"Not a bad guess. A hundred and twenty-eight, to be exact, to the top of the pinnacles, but it looks more, because of the comparative lowness of the clerestory roof. There aren't many to beat us. St. Peter Mancroft, of course—but that's a town church. And St. Michael's, Coventry, is one hundred and thirty feet without the spire. But I would venture to back Fenchurch St. Paul against them all for beauty of proportion. You will see that better when we turn the corner. Here we are. I always blow my horn here; the wall and the trees make it so very dangerous. I sometimes think we ought to have the churchyard wall set back a little, in the public interest. Ah! now you get a little idea. Very fine, is it not, the piling of the aisle and clerestory? You will be able to judge better in daylight. Here is the Rectory—just opposite the church. I always blow my horn at the gate for fear anybody should be about. The bushes make it so very dark. Ah! safely negotiated. I'm sure you will be glad to get into the warm and have a cup of tea—or possibly something stronger. I always blow my horn at the door, so as to tell my wife I am back. She gets nervous when I am out after lighting-up time; the dykes and drains make these roads so very awkward, and I am not as young as I was. I fear I am already a little late. Ah! here is my wife. Agnes, my dear, I am sorry to be a little behind time, but I have brought a guest back with me. He has had an accident with his car and will stay the night with us. The rug! Allow me! I fear that seat is something of a res angusta. Pray be careful of your head. Ah! all is well. My dear—Lord Peter Wimsey."

Mrs. Venables, a plump and placid figure in the lamplight from the open door, received the invasion with competent tranquillity.

"How fortunate that my husband should have met you. An accident? I do hope you are not hurt. I always say these roads are perfect death-traps."

"Thank you," said Wimsey. "There is no harm done. We stupidly ran off the road—at Frog's Bridge, I understand."

"A very nasty place—quite a mercy you didn't go into the Thirty-foot Drain. Do come in and sit down and get yourselves warm. Your man? Yes, of course. Emily! Take this gentleman's manservant into the kitchen and make him comfortable."

"And tell Hinkins to take the car and go down to Frog's Bridge for the luggage," added the Rector. "He will find Lord Peter's car there. He had better go at once, before the weather gets worse. And, Emily! tell him to send over to Wilderspin and arrange to get the car out of the dyke."

"Tomorrow morning will do for that," said Wimsey.

"To be sure. First thing tomorrow morning. Wilderspin is the blacksmith—an excellent fellow. He will see to the matter most competently. Dear me, yes! And now, come in, come in! We want our tea. Agnes, my dear, have you explained to Emily that Lord Peter will be staying the night?"

"That will be all right," said Mrs. Venables, soothingly. "I do hope, Theodore, you have not caught cold."

"No, no, my dear. I have been well wrapped up. Dear me, yes! Ha! What do I see? Muffins?"

"I was just wishing for muffins," said Wimsey.

"Sit down, sit down and make a good meal. I'm sure you must be famished. I have seldom known such bitter weather. Would you prefer a whisky-and-soda, perhaps?"

"Tea for me," said Wimsey. "How jolly all this looks! Really, Mrs. Venables, it's tremendously good of you to take pity upon us."

"I'm only so glad to be able to help," said Mrs. Venables, smiling cheerfully. "Really, I don't think there's anything to equal the dreariness of these fen roads in winter. It's most fortunate your accident landed you comparatively close to the village."

"It is indeed." Wimsey gratefully took in the cosy sitting-room, with its little tables crowded with ornaments, its fire roaring behind a chaste canopy of velvet overmantel, and the silver tea-vessel winking upon the polished tray. "I feel like Ulysses, come to port after much storm and peril."

He bit gratefully into a large and buttery muffin.

"Tom Tebbutt seems a good deal better today," observed the Rector. "Very unfortunate that he should be laid up just now, but we must be thankful that it is no worse. I only hope there are no further casualties. Young Pratt will manage very well, I think; he went through two long touches; this morning without a single mistake, and he is extremely keen. By the way, we ought, perhaps, to warn our visitor—"

"I'm sure we ought," said Mrs. Venables. "My husband has asked you to stay the night, Lord Peter, but he ought to have mentioned that you will probably get very little sleep, being so close to the church. But perhaps you do not mind the sound of bells."

"Not at all," said Wimsey.

"My husband is a very keen change-ringer," pursued Mrs. Venables, "and, as this is New Year's Eve—"

The Rector, who seldom allowed anybody else to finish a sentence, broke in eagerly.

"We hope to accomplish a real feat tonight," he said, "or rather, I should say, tomorrow morning. We intend to ring the New Year in with—you are not, perhaps, aware that we possess here one of the finest rings in the country?"

"Indeed?" said Wimsey. "Yes, I believe I have heard of the Fenchurch bells."

"There are, perhaps, a few heavier rings," said the Rector, "but I hardly know where you would rival us for fullness and sweetness of tone. Number seven, in particular, is a most noble old bell, and so is the tenor, and the John and Jericho bells are also remarkably fine—in fact, the whole ring is most 'tuneable and sound,' as the old motto has it."

"It is a full ring of eight?"

"Oh, yes. If you are interested, I should like to show you a very charming little book, written by my predecessor, giving the whole history of the bells. The tenor, Tailor Paul, was actually cast in a field next the churchyard in the year 1614. You can still see the depression in the earth where the mould was made, and the field itself is called the bell-field to this day."

"And have you a good set of ringers?" inquired Wimsey, politely.

"Very good indeed. Excellent fellows and most enthusiastic. That reminds me. I was about to say that we have arranged to ring the New Year in tonight with no less," said the Rector, emphatically, "no less than fifteen thousand, eight hundred and forty Kent Treble Bob Majors. What do you think of that? Not bad, eh?"


(Continues...)

Excerpted from The Nine Tailors by Dorothy L. Sayers. Copyright © 1962 Lloyd's Bank Limited. Excerpted by permission of OPEN ROAD INTEGRATED MEDIA.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Table of Contents

Contents

Foreword,
A SHORT TOUCH OF KENT TREBLE BOB MAJOR (TWO COURSES),
THE FIRST COURSE: THE BELLS ARE RUNG UP,
THE SECOND COURSE: THE BELLS IN THEIR COURSES,
A FULL PEAL OF GRANDSIRE TRIPLES (HOLT'S TEN-PART PEAL),
THE FIRST PART: MR. GOTOBED IS CALLED WRONG WITH A DOUBLE,
THE SECOND PART: LORD PETER IS CALLED INTO THE HUNT,
THE THIRD PART: LORD PETER IS TAKEN FROM LEAD AND MAKES THIRDS PLACE,
THE FOURTH PART: LORD PETER DODGES WITH MR. BLUNDELL AND PASSES HIM,
THE FIFTH PART: TAILOR PAUL IS CALLED BEFORE WITH A SINGLE,
THE SIXTH PART: MONSIEUR ROZIER HUNTS THE TREBLE DOWN,
THE SEVENTH PART: PLAIN HUNTING,
THE EIGHTH PART: LORD PETER FOLLOWS HIS COURSE BELL TO LEAD,
THE NINTH PART: EMILY TURNS BUNTER FROM BEHIND,
THE TENTH PART: LORD PETER IS CALLED WRONG,
A SHORT TOUCH OF STEDMAN'S TRIPLES (FIVE PARTS),
THE FIRST PART: THE QUICK WORK,
THE SECOND PART: NOBBY GOES IN SLOW AND COMES OUT QUICK,
THE THIRD PART: WILL THODAY GOES IN QUICK AND COMES OUT SLOW,
THE FOURTH PART: THE SLOW WORK,
THE FIFTH PART: THE DODGING,
A FULL PEAL OF KENT TREBLE BOB MAJOR (THREE PARTS),
THE FIRST PART: THE WATERS ARE CALLED OUT,
THE SECOND PART: THE WATERS ARE CALLED HOME,
THE THIRD PART: THE BELLS ARE RUNG DOWN,
Preview: Gaudy Night,
A Biography of Dorothy L. Sayers,

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