The Mulberry Bush: A Novel

The Mulberry Bush: A Novel

by Charles McCarry

Narrated by Robert Fass

Unabridged — 10 hours, 18 minutes

The Mulberry Bush: A Novel

The Mulberry Bush: A Novel

by Charles McCarry

Narrated by Robert Fass

Unabridged — 10 hours, 18 minutes

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Overview

Author of The Tears of Autumn and The Shanghai Factor, Charles McCarry is widely regarded as one of the finest espionage novelists writing today. His latest masterpiece, The Mulberry Bush, burns with the fury of the wronged, as personal vendetta and political idealism collide.

In a rose garden in Buenos Aires, an unnamed American spy meets the beautiful daughter of a famous Argentinean revolutionary. He becomes infatuated, and so does she. But he is no ordinary spy-he is an off-the-books lone wolf who spent his first five years working for Headquarters hunting terrorists in the Middle East. Unbeknownst to his lenient handlers, he is loyal to a hidden agenda: to avenge his father, who was laughed out of Headquarters many years before and died a beggar. In the sultry young Argentinean, Luz, the spy thinks he has found an ally. Like his father, her parents also met a terrible fate. But as his path becomes further entwined with hers, the spy finds himself caught in a perilous web of passions, affiliations, and lies that spans three continents and stretches back to the Cold War.

Steeped in the knowledge of modern-day tradecraft, The Mulberry Bush is a potent and seductive novel that explores what happens when the most powerful political motivator is revenge.


Editorial Reviews

FEBRUARY 2016 - AudioFile

Narrator Robert Fass shares his gift for crisp articulation and natural-sounding conversation in this notable audiobook. His warm tones enhance the unusual spy story that unfolds. An American agent falls in love with an enchanting Argentinean beauty, but their relationship is encumbered by the shadows of their fathers—his an alienated American spy and hers a famous revolutionary. Fass delicately renders the voice of beautiful Luz and creates subtle but distinguishable characterizations of people from the Middle East and Russia. As the American spy coldly manipulates his many clandestine affiliations, the listener wonders whether he’ll get the revenge he so earnestly seeks. N.M.C. © AudioFile 2016, Portland, Maine

Publishers Weekly - Audio

02/29/2016
Former CIA operations officer McCarry’s many novels reflect his insider’s knowledge of spy craft. This time he has concocted a splendid revenge tale in which the young and brilliant unnamed narrator sets out to take down the CIA spy masters responsible for destroying the career (and spirit) of his estranged but not unloved late father. He quickly works his way upward in the agency. Then, on assignment in Buenos Aires, he meets Luz Aguilar, the beautiful and influential daughter of two revolutionaries killed by the Argentinian police. He decides to woo and conscript her into assisting him in avenging both of their late fathers. Reader Fass provides the narrator with a soft-spoken, almost gentle conversational voice that proves surprisingly appropriate, even for a tale as hard-edged as this. After all, the narrator is engaged in a mind game that requires a calculated coolness. There are some moments when his emotions are unleashed and others when his calm turns sharply cynical. Thanks to the plot and its presentation, this is a revenge dish served cold and satisfying. A Grove/Atlantic/Mysterious hardcover. (Nov.)

Publishers Weekly

★ 08/31/2015
The unnamed narrator of this exceptional spy novel from McCarry (The Shanghai Factor) vows to avenge his father, a disgraced secret agent. The narrator engineers his own recruitment into “Headquarters” (McCarry’s name for the CIA) and, after training, begins his career as a covert agent, hunting and killing terrorists in the Middle East, though he never forgets his chief purpose in life: exacting retribution on those responsible for his father’s downfall. Amzi Strange, the deputy director for operations and his father’s former enemy at Headquarters, brings the narrator back home, where he decides to implement his plan by infiltrating the remains of a terror organization in Latin America that was led by the charismatic Alejandro Aguilar. The narrator begins an affair with Aguilar’s 29-year-old daughter, Luz, and eventually they marry. McCarry spins his riveting story in unexpected ways; the writing is always subdued but brilliant, leading unsuspecting readers to collide straight into the unforgiving wall of a stunning ending. In a cover blurb, Lee Child says, “Charles McCarry is better than John le Carré.” Many thriller fans will agree. (Nov.)

From the Publisher

Praise for The Mulberry Bush:

“Blending old-time yarns with a contemporary saga of payback and political intrigue . . . McCarry merges time-honored tradecraft with the technology of the day . . . [His] real-life cloak-and-dagger work is long past. But he’s clearly banked plenty of know-how from those days, and he continues to parcel it out in entertaining spy novels like this one.”—Washington Post

“Charles McCarry is criminally underrated: The former CIA operative has been writing brilliant thrillers under the radar for decades—the latest being The Mulberry Bush . . . McCarry’s twisty plot doubles back on itself multiple times, keeping us off-kilter to the last moment.”—Seattle Times

“America’s finest spy writer, Charles McCarry, proves impressively up-to-date with the methods and tensions of international espionage in The Mulberry Bush.”—Guardian (UK), “best crime and thriller books of 2015”

“Is there a thriller writer alive today who both worked for the CIA and wrote speeches for Eisenhower? Yes, there is—and McCarry, after his spectacular early career, has achieved remarkable success as a novelist. In his latest book, a young spy infiltrates the CIA to avenge the death of his father.”—Financial Times, “The FT’s best books of 2015”

“This exceptional spy thriller, from the exceptionally talented McCarry, starts slowly and builds to an incredible ending . . . A worldwide cat-and-mouse game. Grade: A”—Cleveland Plain Dealer

“[An] exceptional spy novel . . . McCarry spins his riveting story in unexpected ways; the writing is always subdued but brilliant, leading unsuspecting readers to collide straight into the unforgiving wall of a stunning ending.”—Publishers Weekly (starred review)

“Treat the mystery lover on your list to this thrilling Buenos Aires-based spy tale from The Shanghai Factor author Charles McCarry.”—Parade

“Veteran spy thriller novelist and former CIA covert operative Charles McCarry follows the body-strewn, undercover trail of a hot-shot agent determined to avenge his father . . . A little Ian Fleming, a little Charles Cumming, a little Barry Eisler—McCarry is in fine company.”—Shelf Awareness

“Like Shakespeare’s Prince Hamlet, the protagonist in this new novel from McCarry is a young man set on avenging the grievous wrong done to his deceased father . . . Just as Hamlet ends with an intricately choreographed scene of violent death, this novel concludes in a crescendo of lethal treachery, but not before McCarry, who has mined the rich vein of spycraft for decades, dazzles us with smart dialog, fascinating characters, and local exotica of wonderful variety and authenticity.”—Library Journal

“McCarry is a well regarded espionage novelist . . . As one frequently discovers in the world of espionage very little is as it appears and The Mulberry Bush’s protagonist . . . must do battle with his own employers. Needless to say, McCarry knows how the game is played and tells it well.”—Our Man in Boston

“Classic noir themes of trust, motive, and tarnished ideals spin through this mordant, cerebral thriller about an agent on a two-tiered mission. Veteran thriller author and former CIA op McCarry opens this latest with a cracking good setup.”—Kirkus Reviews

“McCarry is one of the finest spy novelists in the world, with 13 masterful novels to prove it . . . Serpentine and stylish, McCarry has the late Eric Ambler’s elegant sureness of touch.”—Daily Mail (UK)

“A slow, cerebral thriller than nonetheless offers a persuasive account of the realities of the espionage life.”—Mail on Sunday (UK), “Thriller of the Week”

Praise for Charles McCarry:

"Charles McCarry is perhaps the best ever."—Lee Child, bestselling author of the Jack Reacher series, on The Shanghai Factor

"Recognized as a spy novelist of uncommon gifts."—Washington Post, on The Old Boys

Library Journal - Audio

★ 02/01/2016
McCarry's (The Tears of Autumn) latest espionage thriller features a story that goes back a generation and ranges from Soviet-era Moscow to the Dirty War in Argentina to the bazaars of the Arabian Peninsula, as the listener is taken on a crash course of the tradecraft of spies. The main character is a legendary, but unnamed, American agent, the son of a brilliant but humiliated spy, whose plans for revenge involve a relationship with the beautiful daughter of Argentine revolutionaries and simultaneous crosses and double-crosses with both headquarters and KGB spymasters. VERDICT Narrated by the excellent Robert Fass, this brilliantly crafted novel makes a superb audiobook. ["McCarry…dazzles us with smart dialog, fascinating characters, and local exotica of wonderful variety and authenticity": LJ Xpress Reviews 6/18/15 review of the Mysterious hc.]—Scott R. DiMarco, Mansfield Univ. of Pennsylvania Lib.

Library Journal

06/15/2015
Like Shakespeare's Prince Hamlet, the protagonist in this new novel from McCarry (The Shanghai Factor; Shelley's Heart) is a young man set on avenging the grievous wrong done to his deceased father. The injury was committed by CIA higher-ups, so son joins the force to strike from within and advances far into its elite ranks. While on assignment in Buenos Aires, he falls desperately in love with Luz, whose father, a hero of the Argentine revolution, was also fatally betrayed. Seeking justice for their fathers, the young couple settle in Washington, DC, and start on their vengeful path. In the hands of espionage master McCarry, the only relief from the wild joyride of this plot comes in the torrid sex scenes. VERDICT Just as Hamlet ends with an intricately choreographed scene of violent death, this novel concludes in a crescendo of lethal treachery, but not before McCarry, who has mined the rich vein of spycraft for decades (he's in his mid-80s), dazzles us with smart dialog, fascinating characters, and local exotica of wonderful variety and authenticity. [See Kristi Chadwick's mystery feature, "Not Your Usual Suspects," LJ 4/15/15.—Ed.]—Barbara Conaty, Falls Church, VA

FEBRUARY 2016 - AudioFile

Narrator Robert Fass shares his gift for crisp articulation and natural-sounding conversation in this notable audiobook. His warm tones enhance the unusual spy story that unfolds. An American agent falls in love with an enchanting Argentinean beauty, but their relationship is encumbered by the shadows of their fathers—his an alienated American spy and hers a famous revolutionary. Fass delicately renders the voice of beautiful Luz and creates subtle but distinguishable characterizations of people from the Middle East and Russia. As the American spy coldly manipulates his many clandestine affiliations, the listener wonders whether he’ll get the revenge he so earnestly seeks. N.M.C. © AudioFile 2016, Portland, Maine

Kirkus Reviews

2015-08-17
Classic noir themes of trust, motive, and tarnished ideals spin through this mordant, cerebral thriller about an agent on a two-tiered mission. Veteran thriller author and former CIA op McCarry opens this latest with a cracking good setup. The narrator, an intelligence agent never named, bitterly recalls his father's fate at the hands of Headquarters, an agency that clearly represents the CIA. To spite his bosses for thwarting his career, the father, acting independently, took in a Russian spy whose plea for amnesty may have been the genuine article or a ploy to infiltrate Headquarters, an uncertainty the father hoped would frustrate his superiors. Outraged by this dark prank, the men at Headquarters cut the father loose, stripping him of his benefits. In vivid, stinging scenes, the son recalls his father's swift, tragic demise and vows revenge: he'll pursue a mission that seemingly benefits, but really devastates, Headquarters. The narrator's bilevel junket sends him to Buenos Aires, where he works with, and against, a group of revolutionaries with ties to Russia. He falls in love with one of them, Luz, a voluptuary who seems to have wandered into the plot from a 1960s Bond movie and/or a gig at the Playboy Mansion—she spends most of her time in bed pleasuring the narrator. This lack of development extends to other secondary characters, dogging the novel, especially in its midsection. Here, the narrator works through a cat's cradle of agents and terrorists. Their uncertain, shifting, and negotiable actions lucidly illustrate the methods of spies at work, but as these characters are defined by little more than their intentions, their scenes become redundant. The narrator's handlers, a nest of sly snakes, are somewhat more sharply developed. They send the narrator on a final errand that bookends the tale's swift, exciting start and reaches a splendidly ironic resolution. Good enough while it lasts, but richer characters would have made it last longer.

Product Details

BN ID: 2940170069903
Publisher: HighBridge Company
Publication date: 11/03/2015
Edition description: Unabridged

Read an Excerpt

CHAPTER 1

Although I am, for the time being, hiding something from you when I put the matter so simply, I became a spy because my father before me was a spy. He was recruited during his final semester in New Haven. Being chosen in this way was the culminating honor of an early life filled with promise. He had been a star athlete at school, he was a popular man on campus. He posted good marks, was tapped for one of the more desirable secret societies, held his liquor and his tongue, smiled when the situation warranted it. He was presentable in an all-American way, and even the prettiest Seven Sisters girls would not have refused a proposal of marriage if he made one. He was a fine tennis player and a fairly good midfielder in lacrosse. In other words, he was the whole package.

In those days, as the Cold War waxed, many of Headquarters's most alert talent spotters were professors at Harvard, Princeton, and Yale and at smaller eastern colleges that specialized in producing a type that thought alike, spoke alike, and behaved with predictability. Though I suppose he had his suspicions, Father never knew which of his mentors recommended him or why exactly he had been singled out. It didn't really matter. He had been tapped for membership in the most exclusive fraternity in American life, and that was enough for him to know. He accepted the invitation to go undercover without a moment's hesitation.

The Korean War was in progress, and to his surprise, Headquarters sent him to the Marine Corps instead of straight into the heart of darkness as he had hoped and expected. No one told him the reason for this detour (he assumed it was just a detour), and mindful that he was being watched by invisible judges, he did not ask. He completed officer candidate training at Quantico with his usual brio and was commissioned in the Marine Corps reserves as a second lieutenant. His commission was, in the jargon of the intelligence community, a "genuine-false" credential — that is to say, the commission was genuine, but its purpose, its only purpose, was to provide him with a convincing résumé.

While the other new second lieutenants with whom he had trained went off to risk their lives in the mud and snows of Korea, Father was sent into quarantine at a secret installation on a locked-down military base in Virginia. There he was trained in the techniques of espionage and absorbed into the culture of the craft, which was not so very different from the culture of the secret society to which he had been elected at Yale — or for that matter, from that of a summer camp of the Boy Scouts of America. The Plantation, as this installation was called, was an incubator, a place so closely guarded, so profoundly secure that not even his real name was at risk. He and his fellow trainees were called by their "funny," i.e., fictitious, names. They were told that even the instructors did not know their true identities. Father and his classmates were assured in many small ways that they were now on the definitive inside, immunized against risk or even visibility — safe, protected, nonexpendable. Glamorous.

Meanwhile, one in every four of Father's Quantico classmates were being killed or maimed on the battlefields of Korea. In later years the gnawing guilt he felt about his own escape from combat tended to emerge in fits of anger, usually after the third martini. Suddenly he would become a different person — angry, loud, wild-eyed. Mother called these drunken tantrums "the escape of the lout." She hated these non-U outbursts, and over the years decided, as his career spun downward and their marriage crumbled, that the lout was the real him.

I don't really know what, if anything, the ghosts of dead or mutilated classmates had to do with the first step in Father's self-destruction, but it began with something he did at the Plantation. The training course for apprentice spies was a game, something like military maneuvers, with a clueless rabble of students pitted against a disciplined, battle-tested Wehrmacht of instructors in a series of exercises that the Wehrmacht always won. The pedagogical goal was to teach the students, through repeated failure and humiliation and constructive criticism, to learn from their mistakes, and like children learning to talk, to master tradecraft by absorption rather than by precept.

The emphasis was on the tried-and-true: proven methods brought desired results, reckless innovation bred disaster. The final exercise in the cycle was a mock operation in which the students attempted to penetrate a Wehrmacht target and neutralize it without arousing suspicion. It was a given that the students would fail to achieve this impossible objective, be captured by the Wehrmacht, be interrogated with realistic brutality, and in some cases be broken and give up their service, their country, and their honor, and be weeded out before it was too late.

For my father, this contrived failure, this suspension of his natural worth, no matter how brief, was a bitter pill to swallow. His upbringing and his education had endowed him with a belief in his own value, in his natural invulnerability. No one could be his puppeteer, no one could touch him without his permission — especially not those who were not his equals and could never be his equals. The instructors, or some of them, affected the manner of the underworld: tough talk, uncouth accents, Neanderthal politics, contempt for hapless rich kids, a manner that suggested that their street smarts were a hell of a lot more useful than the dead language of literacy the neophytes had learned in Ivy League classrooms.

Father, along with other students — these young men were not where they were because they were stupid — understood that the outcome was designed to humble the students. He decided to teach the instructors a lesson about the danger of making false assumptions. What happened next became part of Headquarters lore. Under Father's leadership, a core of the smartest students turned themselves into a gang and put together an operational plan to turn the tables on the instructors. In a preemptive strike, the students captured the instructors, interrogated them, broke a couple of them, and infuriated all the rest.

The chief instructor, a revered figure who had done great things behind enemy lines in World War II, was gagged and tied to a chair and denied bathroom privileges, a standard interrogation technique. He fouled his pants. When his gag was removed he shouted that Father had a lot to learn about playing the game. With maddening insouciance Father replied that the chief instructor had just learned that playing the game was a matter of not always playing the game.

This anecdote was passed on to me years later by a lofty superior, a friend and admirer of the chief instructor, who had known Father at the Plantation and who had prudently refused to take part in the coup Father engineered. Father himself never mentioned the episode to me, or for that matter, anything else having to do with his work. His early education had taught him to keep secrets from those who had no natural right to know them.

Father's schoolboy prank, which placed so many assumptions in question, split Headquarters into two camps. The old guard wanted to fire him and blackball him from all other employment that normally was reserved for men of his social class in the outside world. The positive thinkers and those with a sense of humor, a minority at Headquarters butat the time a powerful one because it included an imaginative director, thought that Father was exactly the kind of young fellow Headquarters needed — unafraid and smart and daring and, above all, creative.

He was retained, even promoted a little ahead of time. Had he been as smart as his admirers thought he was, he would have at that point resigned with his laurels intact and gone back to the real world. Apparently he liked the glow he now gave off as a result of his wonderful joke, because he elected to remain inside. This was a fateful decision. For the rest of his career his admirers pushed him into assignments where they believed he would shine. But when he got to where he was going, the chief of station almost always was an avenger of the chief instructor who saw Father's arrival in his shop as an opportunity to put out the bastard's lights.

Consequently, Father never became the star at Headquarters or in the field that he had been for that brief moment at the Plantation, or before that in college, home, and school. It is difficult to pinpoint the reasons why a man who seems destined to succeed fails to live up to expectations. Father could have dispelled the mystery by telling his own rollicking story at dinner parties, but he never emerged from his tomb of discretion to set the record straight.

Never apologize, never explain, he counseled me, his only child, over and over again. I listened to this precept, and as you will learn, it cost me, in the end, almost as much as it had cost him.

My mother also paid a steep price for his folly. She married Father expecting to become, in due course, the wife of the Director, dining with the world's most powerful men and playing bridge and gossiping on the telephone with their wives. It was Father's fault that this did not happen. He had misled her into marriage, he had betrayed her in a way that was a hundred times worse than adultery. Obviously he had something wrong with him, a skeleton in his closet, a genetic defect he had failed to disclose to her. He was imperfect. He had hidden this from her. Hedeserved no sympathy. The important thing to her, the central fact of her life, was her own crushing disappointment.

Another of my superiors, who had known Father in his youth and afterward shunned him as damaged goods, summed it up with cruel brevity.

"Your old man," he said, "was all sizzle and no steak."

Maybe so.

Father was what he was, and like so many others in all walks of life, he is remembered for his worst or best moments, depending on your point of view. He was living proof that there are no second acts in American lives. If in fact he was incompetent except for that one brief Fitzgeraldian flash of brilliance when he was twenty-three years old, he had plenty of company.

My own experience of the world of intelligence and the wider world is this: 90 percent of the workforce feigns effort, and of the 10 percent who do put their hearts and minds into the job, no more than one in ten is any damn good.

My own ambition — and I had no illusions about my chances of success — was to do one great thing to clean up Father's reputation before I used up my life and its opportunities.

Like father, like Quixote.

Father crashed and burned for good when he was about twenty years into his blighted career. His own opportunities, as we have seen, were severely limited. Over time, his fitness reports portrayed his work as acceptable, nothing more, and he had risen in rank in step with those findings. Promotion at Headquarters tends to be fairly rapid in the early years. Headquarters does not use military rank, but most intelligence officers (there were very few women on board in Father's time) reach a level equivalent to the military rank of major by their early thirties. Some advance to the equivalent of colonel around their fortieth birthday, and then, for most, promotion stops.

At forty-five Father was posted to Moscow, an assignment in which he had almost no chance of succeeding. He spoke no Russian and had no background in Soviet affairs or expertise in communism, which he regarded as a sham religion, modeled on Christianity, that was mainly interested in controlling the poor as a means of accumulating wealth.

At the time, Father's civil service pay grade was that of a lieutenant colonel, the tombstone rank of officers who are neither successes nor failures. The Moscow assignment would be his last before he was shooed out the door. He knew this, and the knowledge that the end was in sight plunged him into a midlife crisis. He who had once, long ago, been a somebody in the fabulous somewhere of his famous university, had become a nobody. His colleagues regarded him as a drone. His wife treated him as if he were invisible and hadn't granted him access to her body in fifteen years. Other Headquarters wives, who seemed to smell this rejection upon him, treated him like a eunuch. His friends had surpassed him and fallen away.

He and his only son, myself, had barely a nodding acquaintance. I imagine him, three sheets to the wind after the fourth martini and all alone in his bugged, shabby, underheated Moscow flat, uttering a loud Fuck it! into the empty air and deciding to wing it in whatever time and identity he had left.

In the months that followed, he drank too much at diplomatic receptions and often showed up at the office smelling of booze and seemingly incapacitated by hangovers. The chief of station ignored him but sometimes gave him a meaningless assignment. When tasked to meet a potential asset, a female Muslim from Kazakhstan in whom the station had no real interest, he embraced her on the street and kissed her moistly on the cheeks and (or so it was said) squeezed her left breast. She fled in outrage and was never seen again.

He slept with the first sparrow, or trained sex specialist, the KGB put in his way, and was photographed by hidden cameras committing Kama Sutraian acts with her and two of her coworkers, one of whom was male. Father himself told me this story during the brief moments toward the end of his life when after years of estrangement, we became friends. After the encounter with the sparrows, he knew that he had not seen the last of the KGB. In his fertile mind, a plan took shape — he would entrap the Russians who were trying to entrap him. In one last prank, he would turn the tables on them and on his own service and make his enemies at Headquarters shit their pants.

He began to take long, lonely nighttime walks, knowing that the Russians would take notice and see an opportunity. They would follow him, watch him, and in due course attempt to hook him. What fun.

To record the approach of the apparatchiks, he wired and miked himself and wore on his tie clip a tiny camera that took clear pictures in very dim light. All of this gear was his own property, not the station's. He had bought it in a spyware store in a Virginia mall before leaving for Moscow. His plan worked. He was followed, monitored, watched by teams of sidewalk men wearing overcoats that resembled grocery bags with sleeves attached and fur hats like sawed-off shakos pulled down to their eyebrows. In his who-gives-ashit state of mind, all this amused him tremendously. His intention, fueled by alcohol and disdain for his tormentors at Headquarters and the sheer boredom of having operated at 10 percent of capacity for twenty years, was that this joke would be the way his world would end: not with a howl but with a giggle.

The KGB's approach came as he sat on a park bench at two in the morning under a flickering light standard. Snow was falling, fat flakes of it tinted yellow by the artificial light. He knew, of course, that there was someone behind him, someone with a different tread and a different feel from the usual gumshoes who shadowed him, and he had chosen this bench because there was light enough for his camera, and because the snow-muffled silence was perfect for his microphone. Father crossed his legs, took off his fur hat, and scratched his head, coughed, as if signalingthe all clear to a contact. When after a long interval no contact appeared, a Russian sat down beside him. He had an un-Slavic face — shaggy eyebrows, large brown eyes, nose like a doge.

"May I join you?" he asked in competent American English.

Father grunted and offered him the silver flask of bourbon he had stowed in an overcoat pocket. The Russian drank it down like vodka. He coughed and made a face.

"Awful stuff."

Father said, "True, but it gets the job done."

The Russian chuckled. He said, "I am called Vadim."

Father said, "Bob"— not his true name, but Vadim already knew that.

"I have brought the photographs you ordered," Vadim said, and handed over a large envelope.

It was already addressed to my mother in McLean, and bore the correct Russian postage.

"Very kind of you," Father said, tapping the sealed envelope with a forefinger but not opening it. "How much do I owe you?"

Vadim waved a hand in dismissal of this small favor.

"Our pleasure," he said.

With a smile, Father said, "Mine, actually."

It began to snow more heavily. Vadim's hat and overcoat were coated with the stuff, so that with his great nose he looked like an emaciated snowman.

(Continues…)


Excerpted from "The Mulberry Bush"
by .
Copyright © 2015 Charles McCarry.
Excerpted by permission of Grove Atlantic, Inc..
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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