The Mermaids Singing (Tony Hill and Carol Jordan Series #1)

The Mermaids Singing (Tony Hill and Carol Jordan Series #1)

by Val McDermid
The Mermaids Singing (Tony Hill and Carol Jordan Series #1)

The Mermaids Singing (Tony Hill and Carol Jordan Series #1)

by Val McDermid

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Overview

The Mermaids Singing is a chilling and taut psychological mystery from Val McDermid, the basis for the ITV series Wire in the Blood, starring Robson Green and Hermione Norris.

This was the summer he discovered what he wanted—at a gruesome museum of criminology far off the beaten track of more timid tourists. Visions of torture inspired his fantasies like a muse. It would prove so terribly fulfilling.

The bodies of four men have been discovered in the town of Bradfield. Enlisted to investigate is criminal psychologist Tony Hill. Even for a seasoned professional, the series of mutilation sex murders is unlike anything he's encountered before. But profiling the psychopath is not beyond him. Hill's own past has made him the perfect man to comprehend the killer's motives. It's also made him the perfect victim.

A game has begun for the hunter and the hunted. But as Hill confronts his own hidden demons, he must also come face-to-face with an evil so profound he may not have the courage—or the power—to stop it...


Product Details

ISBN-13: 9781250094032
Publisher: St. Martin's Publishing Group
Publication date: 03/01/2005
Series: Tony Hill and Carol Jordan Series , #1
Pages: 400
Sales rank: 451,535
Product dimensions: 5.00(w) x 7.90(h) x 1.00(d)

About the Author

About The Author
Val McDermid was a journalist for sixteen years and is now a full-time writer living in South Manchester. In 1995, she won the Gold Dagger Award for Best Crime Novel of the Year for The Mermaids Singing. Her novel A Place of Execution won a Los Angeles Times Book Prize, was nominated for the Edgar Award for Best Novel, and named a New York Times Notable Book of the Year.

Read an Excerpt

Chapter One

Gentlemen, I have, had the honour to be appointed by your committee to the trying task of reading the Williams' Lecture on Murder, considered as one of the Fine Arts; a task which might be easy enough three or four centuries ago, when the art was little understood, and few great models had been exhibited, but in this age, when masterpieces of excellence have been executed by professional men, it must be evident, that in the style of criticism applied to them, the public will look for something of a corresponding improvement.

Tony Hill tucked his hands behind his head and stared up at the ceiling. There was a fine web of cracks around the elaborate plaster rose which surrounded the light fitting, but he was oblivious to it. The faint light of dawn tinged with the orange of sodium streetlamps filtered in through a triangular gap at the top of his curtains, but he had no interest in that either Subconsciotisly, he registered the central-heating boiler kicking in, readying itself to take the edge off the damp winter dull that seeped in round door and window frames. His nose was cold, his eyes gritty He couldn't remember the last time he had a straight night's sleep. His concerns about what he bad to get through that day was part of the reason for the nights interrupted dreams, but there was more than that. Much more.

As if today wasn't more than enough to worry about. He knew what was expected of him, but delivering it was another story Other people managed these things with nothing more than a short-lived flutter in the stomach, but not Tony. It required all his resources to maintain the facade he'd needto get through the day. In circumstances like these, he understood how much it took out of method actors to produce the fraught, driven performances that captivated their audiences. By tonight, he'd be good for nothing except another vain attempt at eight hours' sleep.

He shifted in bed, pulling one hand out and running it through his short dark hair. He scratched the stubble on his chin and sighed. He knew what he wanted to do today, but equally, he was well aware it would be professional suicide if he did. it didn't matter that he knew there was a serial killer loose in Bradfield. He couldn't afford to be the one to say it first. His stomach clenched on emptiness and he winced. With a sigh, he pushed the duvet back and got out of bed, shaking his legs to unfurl the concertina folds of his baggy pyjamas.

Tony trudged off to the bathroom and snapped on the light. As he emptied his bladder, he reached out with his free hand and switched on the radio. Bradfield Sound's traffic announcer was revealing the mornings projected bottlenecks with a cheerfulness that no motorist could have equalled without large doses of Prozac. Thankful that he wouldn't be driving that morning, Tony turned to the sink.

He gazed into his deep-set blue eyes, still bleary with sleep. Whoever said the eyes were mirrors of the soul was I a true bullshit merchant, he thought ironically. Probably just as well, or he wouldn't have an intact mirror in the house. He undid the top button of his pyjama jacket and opened the bathroom cabinet, reaching out for the shaving foam. The tremor he spotted in his hand stopped him short. Angrily, he slid the door shut with a loud crack and reached up for his electric razor. He hated the shave it produced, never leaving him with the fresh, clean feeling that came from a wet shave. But better to feel vaguely scruffy than to turn up looking like a walking illustration of the death of a thousand cuts.

The other disadvantage of the electric razor was that he didn't have to concentrate so hard on what he was doing, leaving his mind free to range over the day ahead. Sometimes it was tempting to imagine that everybody was like him, getting up each morning and selecting a persona for the day But he had learned over years of exploring other peopIe's minds that it wasn't so. For most people, the available selection was severely limited. Some people would doubtless be grateful for the choices that knowledge, skill and necessity had brought Tony. He wasn't one of diem.

As he switched Off the razor, he heard the frantic chords that preceded every news summary on Brad field Sound. With a sense of foreboding, he turned to face the radio, tense and alert as a middle-distance runner waiting for the starting pistol. At the end of the five-minute bulletin, he sighed with relief and pushed open the shower curtain. He'd expected a revelation that would have been impossible for him to ignore. But so far, the body count was still three.

On the other side of the city, John Brandon, Bradfield Metropolitan Police's Assistant Chief Constable (Crime) stooped over the washbasin and stared glumly into the bathroom mirror. Not even the shaving soap covering his face like a Santa Claus beard could give him an air of benevolence. If he hadn't chosen the police, he'd have been an ideal candidate for a career as a funeral director. He was two inches over six feet, slim to the point of skinny, with deepset dark eyes and prematurely steel-grey hair Even when he smiled, his long face managed to sustain an air of melancholy.. Today, he thought, he looked like a bloodhound with a head cold. At least there was good reason for his misery. He was about to pursue a course of action that would be as popular with his Chief Constable as a priest in an Orange Lodge.

Brandon sighed deeply, spattering the mirror with foam. Derek Armthwaite, his Chief, had the burning blue eyes of a visionary, but there was nothing revolutionary in what they saw He was a man who thought the Old Testament a more appropriate handbook for police officers than the Police And Criminal Evidence Act. He believed most modem police methods were not only ineffective but also heretical...

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