11/30/2015
The strange and desolate Farallon Islands serve as the backdrop for this evocative and enchanting debut novel. Geni transports us to this jagged, treeless archipelago off the coast of San Francisco to explore a single house, inhabited by five biologists, an intern, and the narrator—a nature photographer named Miranda. Wherever she travels, Miranda writes letters to her dead mother, revealing parts of herself that remain hidden to the rest of the world. While she photographs the elephant seals, whales, sharks, and birds, the looming danger of the ocean and the islands themselves force Miranda to rely on her often elusive housemates. There is Galen, the longest resident, who is a shark specialist; Mick, the amiable whale biologist; Charlene, the young, enthusiastic intern; and Lucy, a private but determined ornithologist. A series of mysterious accidents and injuries augur more surprises during Miranda’s tumultuous stay on the islands. Geni (The Last Animal) writes with the clear, calm confidence of a master storyteller. This is a haunting and immersive adventure, set in an unforgettable, wild habitat of its own. (Jan.)
"Readers . . . will find themselves carried along by a sturdy, rather old–fashioned thriller ramped up by some modern, ecologically themed plot twists . . . The plot is structured like that of a horror film, moving from one alarming event to another, and in between, maintaining a tension around the question of how much worse the situation will get . . . [a] peculiar, atmospheric novel . . . It's become customary—the fallback consolation of the book reviewer—to say that one is eager to see what a writer will do next. But in fact that is the case here. Ultimately, what engages us in The Lightkeepers, beyond its energetic plot, is the sense of watching its author discover her ability to construct a suspenseful narrative. And we finish this novel curious to find out what sorts of stories Abby Geni will choose to tell."
—New York Times Book Review
"Spending a year documenting the harsh beauty of California's Farrallon Islands is a dream come true for photographer Miranda—until her idyll turns deadly."
—People Magazine, Great New Fiction
"Violence in the small community seems to be everywhere, and everyone and everything seems culpable."
—Marie Claire
"Geni's haunting debut takes place on an island just 30 miles from San Francisco, but it might as well be another planet—killer sharks circle the water, violent birds rip the skin off of seals and peck humans in the head, and the waters are so rough, there isn't even a dock for boats. Miranda, a nature photographer, applies for short–term residence on the island, living in a cabin with a few quirky biologists. But things change when she suffers a violent attack—and then her attacker is mysteriously killed the next day. Geni's writing about the natural world is marvelous and her atmospheric novel is not to be missed."
—Entertainment Weekly, 11 Books You have to Read in January
"[A] dazzlingly unsettling first novel . . . The language is as startlingly rich as the terrain, making you look at everything as if you had never seen it before . . . Geni expertly propels her story into a breathtakingly shocking climax. The nature she describes has no sense of right or wrong. And what's more frightening, neither do her characters, and in this stunning debut, both pull you in and hold you like a riptide."
—Caroline Leavitt, San Francisco Chronicle
"Part murder mystery, part psychological thriller, part ode to one of the western world's wildest landscapes, this dark, compelling tale is an astonishingly ambitious debut . . . Like many literary classics and novels that are destined to be classics, The Lightkeepers raises questions about humanity that are anything but light. Unlike many classics, it's an accessible page–turner whose surprises, both fictional and stylistic, unfold so satisfyingly that the novel is also a pleasure to read."
—Meredith Maran, Chicago Tribune
"Mysterious, vivid, and original, The Lightkeepers will quickly ensnare readers in its cruelly beautiful world."
—Buzzfeed
"With The Lightkeepers, Geni joins the ranks of Barbara Kingsolver and Annie Proulx—novelists for whom nature is a driving narrative force instead of a backdrop. However, Geni's debut is a few shades darker than Prodigal Summer or Close Range, and instead of Kingsolver and Proulx's architectural prose, Geni writes in small, perfect sentences stripped of ornamentation, often single clauses. It's a beautiful effect; pages pass quickly and effortlessly. By the novel's end, you'll crave another journey with Geni to some other wild, forgotten corner of the globe."
—Chicago Review of Books
"The strange and desolate Farallon Islands serve as the backdrop for this evocative and enchanting debut novel . . . Geni writes with the clear, calm confidence of a master storyteller. This is a haunting and immersive adventure, set in an unforgettable, wild habitat of its own."
—Publishers Weekly, (starred and boxed review)
"Miranda's travelogue, at once emotional and dreamy and rendered in crisp, stunning prose, is so central to the book that readers may at times forget the underpinnings of the locked–room mystery or brush off the question of her reliability as a narrator . . . Geni may be unmatched in her ability to describe nature in ways that feel both photographically accurate and emotionally resonant. Natural wildness, human unpredictability, and the subtle use of literary devices are woven here into a remarkable, vertiginous web."
—Kirkus Reviews (starred review)
"The six biologists of the Farallon Islands, like the animals they observe, survive on instinct. Even as they analyze and obsess, they act upon each other with ferocity, with tenderness, with primal need. We are as captivated by, as trapped by, these islands as the characters—and no one in this hypnotic story, including the reader, stands on solid ground. The Lightkeepers is a stunner: intense, surefooted, masterful. This is a book to swallow whole."
—Rebecca Makkai, author of The Hundred–Year House
Xe Sands narrates this debut novel, written as a series of letters from the protagonist to her long deceased mother. Miranda, an emotionally damaged nature photographer, joins six reclusive biologists at a research station in the Farallon Islands, a beautiful but dangerous wilderness preserve. Sands reads in a natural-sounding voice. She becomes Miranda, speaking in a halting, detached manner reflective of her insecurities. The richly detailed writing evokes the heaviness of the cold, damp air, the wonder of seal pups nursing, and the raucous sounds of savage gulls. Sands is convincing in her portrayal of Miranda’s devastating year in a wilderness where animals and humans alike struggle for survival. D.L.G. Winner of AudioFile Earphones Award © AudioFile 2016, Portland, Maine
★ 2015-10-22
What truly separates people from the wilderness of the Earth they inhabit? Geni, author of the short story collection The Last Animal (2013), continues to provocatively prod these boundaries in her debut novel. The Farallon Islands are a rocky archipelago 30 miles off the coast of San Francisco. Now a wildlife preserve, they are rich in birds, sharks, whales, and seals. The only humans are biologists who live in a small research cabin. Whether the islands are, in real life, as treacherous, desolate, astonishing, and beautiful as experienced by Miranda, the novel's protagonist, is near impossible to know; they are closed to the public. But Miranda gains access to the cabin—and its strange family of quirky researchers—as a nature photographer. She is to spend a year capturing the crumbling landscape and copious wildlife of the historically named "Islands of the Dead." A loner by nature, Miranda falls in love with the place, and she stays in love, though she quickly suffers an assault at the hands of one of the biologists. More violence follows, and the question of whether it is wrought by human hands or the island itself hangs over the book like a fog. Miranda's travelogue, at once emotional and dreamy and rendered in crisp, stunning prose, is so central to the book that readers may at times forget the underpinnings of the locked-room mystery or brush off the question of her reliability as a narrator. And yet, at other times, the expository velocity is so unrelenting that the prose could almost get lost in the momentum. But not entirely—Geni may be unmatched in her ability to describe nature in ways that feel both photographically accurate and emotionally resonant. Natural wildness, human unpredictability, and the subtle use of literary devices are woven here into a remarkable, vertiginous web.