The Land Remembers: The Story of a Farm and Its People

The Land Remembers: The Story of a Farm and Its People

The Land Remembers: The Story of a Farm and Its People

The Land Remembers: The Story of a Farm and Its People

Paperback(9 Large Print)

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Overview

This beloved American memoir is about a farm and its people, recollections of a boyhood in Wisconsin's Driftless region. Ben Logan grew up on Seldom Seen Farm with his three brothers, father, mother, and hired hand Lyle. The boys discussed and argued and joked over the events around their farm, marked the seasons by the demands of the land, and tested each other and themselves.

Product Details

ISBN-13: 9780299309046
Publisher: University of Wisconsin Press
Publication date: 05/23/2017
Edition description: 9 Large Print
Pages: 336
Sales rank: 179,531
Product dimensions: 5.40(w) x 8.40(h) x 0.90(d)

About the Author

Ben Logan (1920–2014) traveled as a merchant seaman and worked many years in New York as a novelist, lecturer, and writer/producer of films and television. He returned in the 1980s to Seldom Seen Farm in Wisconsin. The farm is now privately owned but has been preserved through a land trust with the Mississippi Valley Conservancy.

Read an Excerpt

Chapter 1
The Land Remembers

0nce you have lived on the land, been a partner with its moods, secrets, and seasons, you cannot leave. The living land remembers, touching you in unguarded moments, saying, "I am here. You are part of me.

When this happens to me, I go home again, in mind or in person, back to a hilltop world in southwestern Wisconsin. This is the story of that farm and its people. That land is my genesis. I was born there, cradled by the land, and I am always there even though I have been a wanderer.

I cannot leave the land. How can I when a thousand sounds, sights, and smells tell me I am part of it? Let me hear the murmur of talk in the dusk of a summer night and I am sitting again under the big maple tree in the front yard, hearing the voices of people I have loved. Mother listens to the whippoorwills with that look the sound always brings to her face. Father has just come from the oat field across the dusty road. He sits with a half dozen stems in his hands, running his fingers along the heads of grain, asking the oats if tomorrow is the day harvest should begin.

Let me hear drying plants rattle somewhere in a cold wind and I am with the corn-shredding crew. Men are talking about the hill country. "Why, my father used to say he dropped a milk pail once. By the time it stop rolling, couple days later, it was all the way down in the valley.Fellow who lived there said he hadn't bought a new milk pail in thirty years. Didn't know where they came from, he said, they just rolled in any time he needed one."

There is laughter. A big man slaps his thigh.

"Never happens to me," says another voice. "I got me some square milk pails."

Let me feel the softness of ground carpeted with pine needles and I am lying on my back in the middle of a great grove of trees, looking up to where the swaying tops touch the blue. Around me are my three brothers, and we argue endlessly about the mystery of the pines. Where did they come from? How old are they? Could a tree that's three feet through and eighty feet tall come from a seed not much bigger than the head of a pin?

Let the smell of mint touch me. I am kneeling along a little stream, the water numbing my hands as I reach for a trout. I feel the fish arch and struggle. I let go, pulling watercress from the water instead.

Let me see a certain color and I am standing beside the threshing machine, grain cascading through my hands. The seeds we planted when snow was spitting down have multiplied a hundred times, returning in a stream of bright gold, still warm with the sunlight of the fields.

Let me hear an odd whirring. I am deep in the woods, following an elusive sound, looking in vain for a last passenger pigeon, a feathered lightning I have never seen, unwilling to believe no person will ever see one again.

Let me look from a window to see sunlight glitter on a winding stream and I am in the one-room schoolhouse in Halls Branch Valley. A young teacher has asked me to stay after school because of a question I asked. Voice full of emotion as it seldom is during the school day, she reads to me of an Indian speaking to his people. He sweeps his hands in a circle, taking in all lands, seas, creatures, and plants, all suns, stars, and moons. "We are a People, one tiny fragment in the immense mosaic of life. What are we without the corn, the rabbit, the sun, the rain, and the deer? Know this, my people: The all does not belong to us. We belong to the all."

Let me hear seasons changing in the night. It is any season and I am every age I have ever been. Streams are wakening in the spring, rain wets the dust of summer, fallen apples ferment in an orchard, snow pelts the frozen land and puts stocking caps of white on the fence posts.

I cannot leave the land.

The land remembers. It says, "I am here. You are part of me."

Table of Contents

Part One: Genesis
1 The Land Remembers
2 Hilltop World
 
Part Two: Spring
3 The Awakening Land
4 Four Boys
5 The Magic Seeds
6 The Garden
7 Black Grass
8 Which Came First?
9 Scrambled Eggs for Easter
 
Part Three: Summer
10 First Day of Summer
11 The Big Maple Tree
12 A Place for Dreams
13 Haying
14 Tractors
15 The Fertile Land
16 Rainy Days and the Sea
17 Drouth
18 The Bees
19 Hunting for Bee Trees
20 Some of the Blowing Dust Was Gold
21 Harvest of Gold
22 Rites of Passage
23 A Day of Our Own
24 Something Hidden
25 My Brother Could See Inside Me
26 Wildflowers
27 The Hired Men
 
Part Four: Fall
28 A Time of Change
29 Ghosts
30 One-Room Community
31 Tom Withers
32 Corn
33 The Cat with a Right-Angle Tail
34 The Killing Frost
 
Part Five: Winter
35 Short Days and Yellow Lamplight
36 The Year the Corn Shredder Stayed All Winter
37 Season Within a Season
38 Blizzard
39 Promise of Change
 
Part Six: An Ending, A Beginning
An Ending, A Beginning
Afterword

Interviews

Characters reveal themselves when they speak, and characters drive a story, give it its life. My father told a story about an Irish family he knew. A Norwegian family bought a farm next to them in that otherwise all-Irish neighborhood. Next time Father saw the Irish woman he asked how they liked their new Norwegian neighbors. The woman bristled. "Now look," she said, "those are good people. They keep up their fences. They keep their children to home. They change work with us come harvest time, and if those folks want to go to hell that's their own business!"

Most of these glimpses I have of the past came not from my own direct experiences but from the experiences and memory of others. The glimpses tell me how lucky I am to have grown up rural, surrounded by a diversity of Old World accents, in a time when entertainment was homemade and oral storytelling was for many a primary literature. That literature connects me with the past, lets me be a part of the past without losing my foothold on the present. Ben Logan from the Wisconsin Magazine of HistoryThe Power of Legend and Story

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