The Golem of Paris

The Golem of Paris

The Golem of Paris

The Golem of Paris

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Overview

From two #1 bestselling masters of crime fiction comes an extraordinary thriller about family, murder, and secrets.
 
It’s been more than a year since LAPD detective Jacob Lev learned the remarkable truth about his family, and he’s not coping well. He’s back to drinking, the LAPD Special Projects Department continues to shadow him, and the memory of a woman named Mai haunts him. And while Jacob has tried to build a bridge to his mother, she remains imprisoned inside her own tattered mind. Then he comes across the file for a gruesome unsolved murder that brings the two halves of his life into startling collision. Finding the killer will take him halfway around the world, to Paris. It’s a dangerous search for truth that plunges him into the past. And for Jacob Lev, there is no place more frightening.

Product Details

ISBN-13: 9780515156089
Publisher: Penguin Publishing Group
Publication date: 09/06/2016
Series: Jacob Lev Series , #2
Pages: 528
Sales rank: 522,155
Product dimensions: 4.20(w) x 7.50(h) x 1.20(d)
Age Range: 18 Years

About the Author

About The Author
Jonathan Kellerman is one of the world’s most popular authors, with more than three dozen New York Times–bestselling crime novels, most recently Motive and The Murderer’s Daughter. He has won the Goldwyn, Edgar, and Anthony Awards, and has been nominated for the Shamus Award. Jonathan and his wife, bestselling novelist Faye Kellerman, live in California, New Mexico, and New York.
 
Jesse Kellerman won the Princess Grace Award for best young American playwright and is the author of Sunstroke, Trouble, The Genius (for which he won the 2010 Grand Prix des Lectrices de Elle), The Executor, and Potboiler (for which he was nominated for the Edgar Award for Best Novel). He lives in California.

Hometown:

Beverly Hills, California

Date of Birth:

August 9, 1949

Place of Birth:

New York, New York

Education:

B.A. in psychology, University of California-Los Angeles; Ph.D., University of Southern California, 1974

Read an Excerpt

Chapter One.
(Continues…)



Excerpted from "The Golem of Paris"
by .
Copyright © 2016 Jonathan Kellerman.
Excerpted by permission of Penguin Publishing Group.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

What People are Saying About This

From the Publisher

The Golem of Hollywood transcends genre. It’s a whole that exceeds the sum of its very considerable parts, creative and otherwise . . . a story so wonderfully told that your bookshelf must have it.” —Bookreporter.com
 
“One of the craziest, wildest, and most compelling works of popular fiction in years.”
Commentary
 
“A witty, propulsive, and frequently chilling read . . . as ambitious as it is entertaining.” —Kirkus Reviews

Reading Group Guide

Reading Guide Questions for The Golem of Paris

1.) When The Golem of Paris opens, Detective Lev refuses to trust the Special Projects division of the LAPD, his father, or his own senses. How does his distrust change over the course of the novel? Is Detective Lev right in his final assessment?

2.) The past—be it cold cases, glimpses into Bina Reich’s painful experiences, ancient lore, or political crises—plays a key role in the events that unfold. Should the characters explore their history or are they allowing themselves to be governed by it?

3.) Though Detective Lev, Mai, and Special Projects may share the same enemies, they are not always on the same team. Who are the heroes and the villains among these crucial figures? Do the main characters always do the right thing?

4.) Detective Lev seems to have varied relationships with the members of Special Projects. What does this say about the group as a whole? Are all of the officers on the same page or do they have different aims in mind? How important is it for a collective to agree on how to arrive at a shared goal?

5.) In the final pages, Mallick says, “I’m not designed to operate in today’s world. None of us are. Media. YouTube… We’re forever scrambling to play catch-up.” Do you think he has a reason to be worried? Is it possible to keep a secret in the modern era?

6.) What is the significance of naming in The Golem of Paris? Bina Reich, for example, changes hers twice in her life.
 

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