The Complete Cosmicomics

by Italo Calvino

Overview

The definitive edition of the cosmicomics, Italo Calvino's short stories explore natural phenomena and the origins of the universe. The Complete Cosmicomics brings together all of these enchanting stories—including some never before translated—in one volume for the first time.

Italo Calvino’s beloved cosmicomics cross planets and traverse galaxies, speed up time or slow it down to the particles of an instant. Through the eyes of an ageless guide named Qfwfq, Calvino explores natural phenomena and tells the story of the origins of the universe. Poignant, fantastical, and wise, these thirty-four dazzling stories—collected here in one definitive anthology—relate complex scientific and mathematical concepts to our everyday world. They are an indelible (and unfailingly delightful) literary achievement.

“Nimble and often hilarious . . . Trying to describe such a diverse and entertaining mix, I have to admit, just as Calvino does so often, that my words fail here, too. There’s no way I — or anyone, really — can muster enough of them to quite capture the magic of these stories . . . Read this book, please.” — Colin Dwyer, NPR

Product Details

ISBN-13:	9780544577879
Publisher:	HarperCollins
Publication date:	09/08/2015
Edition description:	New Edition
Pages:	432
Sales rank:	151,380
Product dimensions:	5.20(w) x 7.90(h) x 1.40(d)

About the Author

ITALO CALVINO (1923–1985) attained worldwide renown as one of the twentieth century’s greatest storytellers. Born in Cuba, he was raised in San Remo, Italy, and later lived in Turin, Paris, Rome, and elsewhere. Among his many works are Invisible Cities, If on a winter’s night a traveler, The Baron in the Trees, and other novels, as well as numerous collections of fiction, folktales, criticism, and essays. His works have been translated into dozens of languages.

Editorial Reviews

"In story after story, Calvino displays the same singular talent for wresting the profound from the absurd...One of the joys of the collection is the chance to watch his evolution as a writer — from the purebred fantasy of his early years to the brain-wrinkling experiments of his later, more famous novels...A diverse and entertaining mix...Read this book, please." —NPR.org "A major event in the English language to give even more evidence why the great Italian post-modern master was among the greatest of writers in his sadly truncated lifetime...marvelous, poetic, hilarious, sublime and wholly original tales which could please the brightest and most advanced students of literary post-modernism as well as the brightest and most advanced of pubescent readers...Over the course of years from the time of their invention, the tales first occasioned by 'Cosmicomics' became among the greatest achievements of a writer who couldn’t possibly have been more deserving of our era’s most fabled literary award." —Buffalo News "Calvino’s stories offer us beauty and hilarity while imparting concepts from the hard sciences...This exuberant and humorous collection will appeal to a cross section of readers, including lovers of speculative fiction, fantasy, and literary fiction." --Library Journal   —

From the Publisher

09/29/2014
Reviewed by Seth Satterlee. Nearly 50 years after the publication of the original Cosmicomics, Calvino's 34 connected tales—spanning three separate collections—are finally together for the first time in English. The majority of the stories begin with a scientific assertion (reasonable or far-fetched) and feature the omnipresent narrator Qfwfq, cosmological guide and witness to the origins and formation of the universe. The first section (Calvino's initial collection of 12 stories) sticks closely to this script. The infinitely dense, infinitely hot moment just before the Big Bang is the subject of "All at One Point." In "A Sign in Space," Calvino imagines "the first ever sign," the very origin of language, as a marker Qfwfq invents to calculate his revolutions around the galaxy. Although the stories all feature such grandiose conceits, most also take up Qfwfq's human (if that adjective applies) passions and desires. The most well-known of the stories, "The Aquatic Uncle," concerns a stubborn sea creature who refuses to make the evolutionary transition to land. And in "The Spiral," a mollusk, having no visual perception of the outside world, constructs a beautiful shell for his potential mates and, in that process, comes to grips with the concept of time. Where the section of early stories feels very immediate—a young Calvino experimenting with style and narrative—stories from his later collections feel more derivative, as they build on the early stories and pay homage to Calvino's vast array of influences. "The Origin of Birds" and "The Mushroom Moon," for instance, incorporate the structure of cartoons. And Calvino's interest in mixing logic into his writing—he was a member of the OULIPO collective of writers and mathematicians—comes through in stories like "t zero," a rewriting of Zeno's paradoxes, and "The Chase," which uses deductive reasoning to build tension around a car chase on traffic-jammed streets. In "The Count of Monte Cristo," Abbe Faria and Edmond Dante consider the best strategy for escaping Chateau d'If, weighing the merits of theory versus practice as they try to understand the labyrinthine prison. While the stories often read like word problems, Calvino helps the medicine go down with playful intros and lighthearted tangents away from his weighty scientific reasoning. Where these stories are intentionally formulaic, the characters are all very human. In total, seven stories are translated here for the first time in English. Of these, two that were written specifically for a 1984 edition display the evolution of Calvino's literary interests. Using the same basic structure as the earlier Cosmicomics, these stories approach their scientific assertions with a more overtly philosophical bent. In "Nothing and Not Much," Calvino takes up the moment just before the Big Bang for the second time in the collection. Instead of simply playing with the assumptions of the theory as before, in this version he considers the totalizing consequences of believing in a universe spawned from nothing. While history has been unkind to some of the book's more outlandish conceits, stories like "Nothing and Not Much" show the prescience of Calvino's undertaking. As the known world becomes increasingly complex, storytelling must take the same path—to the very edges of the universe. (Sept.)

Publishers Weekly