Memories of Dress: Recollections of Material Identities

Memories of Dress: Recollections of Material Identities

Memories of Dress: Recollections of Material Identities

Memories of Dress: Recollections of Material Identities

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Overview

Memories of clothing feature prominently in auto/biographies, yet traditionally they have not been subjected to the same level of academic scrutiny as other sources. Memories of Dress redresses this imbalance by bringing auto/biographical memories to the centre of a new methodology for understanding fashion history, material culture, and other disciplines.

Presenting a comprehensive overview of theoretical and practice-based approaches, the book invites readers to explore the relations between clothing and memory through diverse examples ranging from oral histories of Madchester men and Hungarian socialist sewing, to a quilt-making autoethnography into the complexities of American racial heritage and imagined memories within museum collections. Chapters by leading and emerging experts consider the ways in which dress is remembered and the ways that memories and nostalgia in turban influence everyday dress practices, unpicking the meanings and motivations-both collective and public, personal and private-behind the clothes we wear in different times, places and life stages; and the impact of class, gender, ethnicity, and disability on material identities. Uniquely weaving personal recollection with theory, this multidisciplinary book offers new ways of understanding clothing, material culture, and memory.


Product Details

ISBN-13: 9781350370463
Publisher: Bloomsbury Academic
Publication date: 10/31/2024
Pages: 272
Product dimensions: 6.14(w) x 9.21(h) x 1.00(d)

About the Author

Alison Slater is Senior Lecturer in Design History at Manchester School of Art, Dept. of Art & Performance, Manchester Metropolitan University, UK. She has contributed to the jourbanal Critical Studies in Fashion and Beauty and her PhD research features in the BBC Radio 4 documentary Rags to Riches.

Susan Atkin is Deputy Division Head for Fashion Design at Manchester Fashion Institute, Manchester Metropolitan University, UK. She was previously the designer-owner of womenswear label Electricity.

Elizabeth Kealy-Morris is Senior Lecturer in Fashion Communication and Fashion Cultures at Manchester Fashion Institute, Manchester Metropolitan University, UK. Her research into body dressing work has featured in The Guardian.

Table of Contents

List of Illustrations
List of Contributors
Acknowledgements

Introduction by Alison Slater, Susan Atkin, and Elizabeth Kealy-Morris

Concepts
1. Personal Objects and Dress as Instruments for Anchoring the Self, Remembering the Past, and Enhancing Well-Being by Soljana Çili

Histories
2. Remembering Respectability: Collective Memories of Working-Class Dress in Wartime Lancashire by Alison Slater
3. Memories of Making: Home Sewing in Socialist Hungary by Zsofia Juhasz
4. Nostalgia, Myth and Memories of Dress: The Cultural Memory of Madchester by Susan Atkin

Objects
5. Wardrobes and Soundtracks: Resources for Memories of Youth by Jo Jenkinson
6. Ken Tynan's Tommy Nutter Jacket as 'Materialized Memory' by Ben Whyman
7. Soft Murmurings: Sensing Memories in Collections of Dress by Jane Webb

Practices
8. 'The American Look': Memories of Not Fitting In by Elizabeth Kealy-Morris
9. Black/White/Yellow by Elizabeth Chin
10. Cloth(ing) Memories: Rituals of Grieving by Lesley Beale

References
Index

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