Hardcover
-
PICK UP IN STORECheck Availability at Nearby Stores
Available within 2 business hours
Related collections and offers
Overview
In this remarkable biography of the elusive artist, Hayden Herrera observes this driving force of Noguchi's creativity as intimately tied to his deep appreciation of nature. As a boy in Japan, Noguchi would collect wild azaleas and blue mountain flowers for a little garden in front of his home. As Herrera writes, he also included a rock, "to give a feeling of weight and permanence." It was a sensual appreciation he never abandoned. When looking for stones in remote Japanese quarries for his zen-like Paris garden forty years later, he would spend hours actually listening to the stones, scrambling from one to another until he found one that "spoke to him." Constantly striving to "take the essence of nature and distill it," Noguchi moved from sculpture to furniture, and from playgrounds to sets for his friend the choreographer Martha Graham, and back again working in wood, iron, clay, steel, aluminum, and, of course, stone.
Noguchi traveled constantly, from New York to Paris to India to Japan, forever uprooting himself to reinvigorate what he called the "keen edge of originality." Wherever he went, his needy disposition and boyish charm drew women to him, yet he tended to push them away when things began to feel too settled. Only through his art-now seen as a powerful aesthetic link between the East and the West-did Noguchi ever seem to feel that he belonged.
Combining Noguchi's personal correspondence and interviews with those closest to him-from artists, patrons, assistants, and lovers-Herrera has created an authoritative biography of one of the twentieth century's most important sculptors. She locates Noguchi in his friendships with such artists as Buckminster Fuller and Arshile Gorky, and in his affairs with women including Frida Kahlo and Anna Matta Clark. With the attention to detail and scholarship that made her biography of Gorky a finalist for the Pulitzer Prize, Herrera has written a rich meditation on art in a globalized milieu. Listening to Stone is a moving portrait of an artist compulsively driven to reinvent himself as he searched for his own "essence of sculpture."
Product Details
ISBN-13: | 9780374281168 |
---|---|
Publisher: | Farrar, Straus and Giroux |
Publication date: | 04/21/2015 |
Pages: | 592 |
Sales rank: | 1,170,904 |
Product dimensions: | 6.30(w) x 9.10(h) x 2.00(d) |
About the Author
Table of Contents
Introduction 3
1 Parents 7
2 Dear Baby 20
3 Tokyo 27
4 Cbigasaki 36
5 St. Joseph College 43
6 Interlaken 55
7 La Porte 59
8 I Became a Sculptor 66
9 I Will Rival the Immortals 80
10 Out from the Shadow of a Big Tree 89
11 Head Buster 99
12 To Find Nature's Reasons 110
13 A Close Embrace of the Earth 117
14 Lonely Traveler, Social Lion 125
15 Toward a Sculpture of Space 134
16 Art with a Social Purpose 140
17 Mexico 148
18 New York, 1936-39 156
19 California 169
20 Poston 177
21 MacDougal Alley 186
22 Letters to Ann 199
23 Noguchi and Martha Graham, Passionate Collaborators 211
24 The Rock and the Space Between 220
25 Tara 230
26 1946-48 235
27 Impasse 242
28 Bollingen Travels 248
29 Harbinger Pigeon 255
30 Shinbanraisha 263
31 Mitsukoshi Exhibition 269
32 Yoshiko Yamaguchi 277
33 Kita Kamakura 292
34 My Solace Has Always Been Sculpture 310
35 UNESCO: A Somewhat Japanese Garden 322
36 Changed Visions 334
37 Priscilla 345
38 Working with Noguchi 356
39 Levitating Rocks, Wings of Prayer 363
40 Toward an Autobiography 372
41 A Primer of Shapes and Functions 378
42 The Wheat Itself 386
43 Red Cube, Black Sun 396
44 The Stone Circle 408
45 To Intrude on Nature's Way 417
46 A Place for People to Go 436
47 Imaginary Landscapes 447
48 California Scenario 459
49 Bayfront Park 467
50 All Things Worthwhile Must End as Gifts 474
51 Kyoko 488
52 No Beginnings, No Endings 499
Notes 511
Acknowledgments 553
Index 557