Anything Is Possible

by Elizabeth Strout

Overview

NEW YORK TIMES BESTSELLER • An unforgettable cast of small-town characters copes with love and loss in this “compulsively readable” (San Francisco Chronicle) novel from #1 bestselling author and Pulitzer Prize winner Elizabeth Strout

“This book, this writer, are magnificent.”—Ann Patchett

Winner of The Story Prize • A Washington Post and New York Times Notable Book • One of USA Today’s top 10 books of the year

Recalling Olive Kitteridge in its richness, structure, and complexity, Anything Is Possible explores the whole range of human emotion through the intimate dramas of people struggling to understand themselves and others.

Here are two sisters: One trades self-respect for a wealthy husband while the other finds in the pages of a book a kindred spirit who changes her life. The janitor at the local school has his faith tested in an encounter with an isolated man he has come to help; a grown daughter longs for mother love even as she comes to accept her mother’s happiness in a foreign country; and the adult Lucy Barton (the heroine of My Name Is Lucy Barton, the author’s celebrated New York Times bestseller) returns to visit her siblings after seventeen years of absence.

Reverberating with the deep bonds of family, and the hope that comes with reconciliation, Anything Is Possible again underscores Elizabeth Strout’s place as one of America’s most respected and cherished authors.

Product Details

ISBN-13:	9780812989403
Publisher:	Random House Publishing Group
Publication date:	04/25/2017
Pages:	272
Sales rank:	1,074,314
Product dimensions:	5.70(w) x 7.70(h) x 1.20(d)

About the Author

Elizabeth Strout is the #1 New York Times bestselling author of Olive Kitteridge, winner of the Pulitzer Prize; Olive, Again, an Oprah’s Book Club pick; Anything Is Possible, winner of the Story Prize; My Name is Lucy Barton, longlisted for the Man Booker Prize; The Burgess Boys, named one of the best books of the year by The Washington Post and NPR; Abide with Me, a national bestseller; and Amy and Isabelle, winner of the Los Angeles Times Art Seidenbaum Award for First Fiction and the Chicago Tribune Heartland Prize. She has also been a finalist for the National Book Critics Circle Award, the PEN/Faulkner Award for Fiction, the International Dublin Literary Award, and the Orange Prize. Her short stories have been published in a number of magazines, including The New Yorker and O: The Oprah Magazine. Elizabeth Strout lives in New York City.

Hometown:

Brooklyn, New York

Date of Birth:

January 6, 1956

Place of Birth:

Portland, Maine

Education:

B.A., Bates College, 1977; J.D., Syracuse College of Law, 1982

Website:

http://www.elizabethstrout.com

Read an Excerpt

The Sign
(Continues…)

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Excerpted from "Anything Is Possible"
by .
Copyright © 2017 Elizabeth Strout.
Excerpted by permission of Random House Publishing Group.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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Table of Contents

The Sign 3

Windmills 32

Cracked 63

The Hit-Thumb Theory 92

Mississippi Mary 115

Sister 150

Dottie's Bed & Breakfast 181

Snow-Blind 209

Gift 227

Reading Group Guide

1. Why do you think Elizabeth Strout chose to structure Anything Is Possible as a novel in the form of linked stories? How would your understanding of the book change if it had been written instead as a novel with a single narrative?

2. How does the town of Amgash feature in the text? How does it shape the lives of its residents? If Amgash had its own personality, how would you characterize it?

3. The past plays a strong role in these stories, and many of the characters find themselves struggling to reconcile with it. What are the various ways in which the past shapes them? How do they attempt to deal with their own pasts, and those of the people around them?

4. Strout deals with many different types of family relationships in the book—between parents and children, between spouses, among siblings. How are these different types of relationships treated? What are the differences and similarities in the ways the characters navigate these relationships? Which ones resonated most with you, and why?

5. An emotion that Strout addresses throughout Anything Is Possible is shame. What are the different roles shame plays for the various characters in these stories? How are they motivated, propelled, or hindered by shame? What effects does shame have on these characters’ sense of self and their relationships with others?

6. Lucy Barton’s legend looms large in Amgash. How do we perceive her through the eyes of the characters in each of these stories? How do these impressions of her differ? When Lucy makes an appearance in “Sister,” did your perception of her change as Strout reveals the impact of Lucy’s absence on her siblings?

7. Strout portrays wealth and/or poverty through the changing circumstances of several of her characters: Linda Peterson-Cornell; Abel Blaine; Abel’s sister, Dottie; Tommy Barton and his sister Vicky. How do these characters react to their economic circumstances? How do these circumstances shape their relationships to those around them, and how they are perceived?

8. Many of the characters in these stories overcome adverse circumstances to experience moments of grace—Abel Blaine, Patty Nicely, and Angelina Mumford, for example. How do these moments of grace present themselves? Why do you think Strout decided to give her characters these opportunities for grace? How did this shape your understanding of these stories and characters?

9. Was there a character or story that affected you more than the others? Which, and why?

10. How did you interpret Strout’s choice of Anything Is Possible as a title, and how do you think this concept resonated with Abel Blaine in the last chapter of the book?

Editorial Reviews

Anything Is Possible might look like a sequel, since it takes place after the action of…My Name Is Lucy Barton, and portrays many of the same characters. But it's actually something far more complex, reaching across space (think of Faulkner's work, or Louise Erdrich's) and through layers of memory. Where the earlier book turned on the crystalline austerity and reserve of its narrative voice, guided by Strout's unerring sense of what Lucy would omit, the new work almost literally undoes the older one. What Lucy omitted, we learn—what Lucy hid?—radically alters our understanding of what Lucy said…Strout's brilliant achievement is to create in one book a character who can give a clear but deeply reserved account of what it's like to be isolated, poor and abused, even as she makes us see the dignity in refusing to dwell on the details. And then, in Anything Is Possible, Strout creates a messier, more richly human version of that character's world, thick with details and even more profound in its rendering of the ways we save, or fail to save, one another.

The New York Times Book Review - Andrea Barrett

Like Olive Kitteridge, Anything Is Possible is really a necklace of short stories about people in a small town, studded with clues about who's connected to whom. (Strout was born to be an omniscient narrator, born to flit and swoop from one crooked perch to the next.) It is most useful to think about Strout's work thematically. The same ideas continually preoccupy her, and her characters often behave in similar ways. They indulge in the petty comforts of gossip, their judgments disguised as concern, their desperation to reassure themselves of their luck—and virtue—disguised as pity. They throb with loneliness and fume with disappointment…Anything Is Possible is certainly more grim than Strout's previous work. It's more audacious, too, and more merciless, daring you to walk away…But the writing is wrenchingly lovely. It almost always is with Strout, whether she's knitting metaphors or summarizing, with agonizing economy, whole episodes of a life…You read Strout, really, for the same reason you listen to a requiem: to experience the beauty in sadness.

The New York Times - Jennifer Senior

★ 02/20/2017
In her latest work, Strout achieves new levels of masterful storytelling. Damaged lives can be redeemed but, as she eloquently demonstrates in this powerful, sometimes shocking, often emotionally wrenching novel, the emotional scars can last forever. If some readers felt that Strout’s previous novel, My Name Is Lucy Barton, was too subtle and oblique about Lucy’s hellish childhood, here Strout reveals specific details of the horrible circumstances in which Lucy and her siblings were raised, as recollected by some of the inhabitants of Amgash, Ill., and the surrounding communities. Using the novel-in-stories format of Olive Kitteridge, Strout again proves Tolstoy’s observation that each family is unhappy in its own way. Except for one episode in which Lucy herself comes back for a tortured sibling reunion, she is the absent but omnipresent thread that weaves among the dozen or so characters who are have suffered secret misery and are longing for love and understanding. Some are lucky: one of the five Mumford sisters reunites with her runaway mother in Italy; another, an angry young girl, is suddenly able to see the way to a brighter future. Others, including a Vietnam veteran with PTSD and a rich woman who is complicit in her husband’s depraved behavior survive despite the baggage of tortured memories. “They had grown up on shame; it was the nutrient of their soil,” one character acknowledges. Strout’s prose is pared down, yet rich with implication. It is left for the character in the final episode, Lucy’s cousin Abel, who despite a similarly deprived childhood is now a happy and successful business executive, husband, father, and grandfather, to observe, in what may be his final moments, that “Anything was possible for anyone.” (Apr.)

Publishers Weekly

★ 04/01/2017
In Strout's previous best seller, My Name Is Lucy Barton, the main character eventually escapes her life of fear and poverty by leaving town. This title follows some of the people who continue to live in the town Lucy fled, which has more than its share of poverty, domestic unhappiness, violence, and abuse. Those who were left behind continue on in their daily struggles, some faring better than others. Each chapter provides a brief look at one or two of those individuals, building a web of relationships and connections among the community and, tangentially, Lucy. The school janitor, the high school guidance counselor, Lucy's brother and sister, and several others provide insights into the different interpretations of events, showing the range of human response that is possible in the face of challenges. VERDICT With her latest work, Pulitzer Prize winner Strout (for Olive Kitteridge) crafts a deep and complex inside view of the hearts and minds of individuals who make up a community. [See Prepub Alert, 11/21/16.]—Joanna Burkhardt, Univ. of Rhode Island Libs., Providence

Library Journal

★ 2016-12-27
A radiant collection of stories linked to Strout's previous novel, My Name Is Lucy Barton (2016, etc.), but moving beyond its first-person narration to limn small-town life from multiple perspectives.Lucy is long gone from Amgash, Illinois, but her absence looms large; now that she's a well-known author, the fact that her desperately poor family was despised and outcast has become an uncomfortable memory for the locals, including her damaged brother, Pete, and resentful sister, Vicky. Strout stakes out the collection's moral terrain in its first story, "The Sign." Tommy Guptill, who was kind to Lucy when she was a girl, still drops by the ramshackle Barton house to check on Pete even though it's quite likely that Pete's father was responsible for the fire that destroyed Tommy's dairy farm and reduced him to taking a job as a school janitor. Tommy is an extraordinarily good man who took the calamitous fire as a spiritual lesson in what was truly important and has lived by it ever since. Patty Nicely, protagonist of "Windmills," is another genuinely decent person who returns kindness for cruelty from Vicky's angry daughter, Lila, who, in addition to viciously insulting Patty, states the jaundiced town wisdom about Lucy: "She thinks she's better than any of us." That isn't so, we see in the story in which Lucy finally visits home ("Sister"), but there are plenty of mean-spirited people in Amgash who like to think so; it excuses their own various forms of uncaring. Class prejudice remains one of Strout's enduring themes, along with the complex, fraught bonds of family across the generations, and she investigates both with tender yet tough-minded compassion for even the most repulsive characters (Patty's nasty sister, Linda, and her predatory husband, Jay, in the collection's creepiest story, "Cracked"). The epic scope within seemingly modest confines recalls Strout's Pulitzer Prize winner, Olive Kitteridge (2008), and her ability to discern vulnerabilities buried beneath bad behavior is as acute as ever. Another powerful examination of painfully human ambiguities and ambivalences—this gifted writer just keeps getting better.

Kirkus Reviews

When Elizabeth Strout is on her game, is there anybody better? . . . This is a generous, wry book about everyday lives, and Strout crawls so far inside her characters you feel you inhabit them. . . . This is a book that earns its title. Try reading it without tears, or wonder.”—USA Today (four stars)

“Readers who loved My Name Is Lucy Barton . . . are in for a real treat. . . . Strout is a master of the story cycle form. . . .  She paints cumulative portraits of the heartache and soul of small-town America by giving each of her characters a turn under her sympathetic spotlight.”—NPR

“These stories return Strout to the core of what she does more magnanimously than anyone else, which is to render quiet portraits of the indignities and disappointments of normal life, and the moments of grace and kindness we are gifted in response. . . . Strout hits the target yet again.”—The Washington Post

“In this wise and accomplished book, pain and healing exist in perpetual dependence, like feuding siblings.”—The Wall Street Journal

“Anything Is Possible confirms Strout as one of our most grace-filled, and graceful, writers.”—The Boston Globe

“Anything Is Possible keenly draws a portrait of a small town where options are few, where everyone’s business is everyone’s business, and where verdicts rendered while young follow you your whole life. . . . It joins a vast genre, and elevates it.”—Minneapolis Star Tribune

“Neither novel nor linked story collection strikes me as adequate terms to describe this book’s ingenious structure. . . . Strout’s sentence style fits these Midwestern folks and tales: straightforward while also seeming effortlessly lyrical, seeded both with humor and bitterness like many of our days.”—Milwaukee Journal Sentinel

“Stunning . . . Strout, always good, just keeps getting better.”—Vogue

“Full of searing insight into the darkest corners of the human spirit . . . Anything Is Possible is both sweeping in scope and incredibly introspective. That delicate balance is what makes its content so sharp and compulsively readable. . . . Strout’s winning formula . . . has succeeded once again. With assuredness, compassion and utmost grace, her words and characters remind us that in life anything is actually possible.”—San Francisco Chronicle

“While we recommend everything by the Pulitzer Prize-winning writer—like, say her recent book My Name Is Lucy Barton—this novel, which explores life’s complexities through interconnected stores, stands on its own. . . . It’s a joy to read a modern master doing her thing.”—Marie Claire

“If you miss the charmingly eccentric and completely relatable characters from Pulitzer Prize winner Elizabeth Strout’s best-selling My Name Is Lucy Barton, you’ll be happily reunited with them in Strout’s smart and soulful Anything Is Possible.”—Elle

“Strout pierces the inner worlds of these characters’ most private behaviors, illuminating the emotional conflicts and pure joy of being human, of finding oneself in the search for the American dream.”—NYLON

From the Publisher

Through a series of linked stories, Strout revisits the small-town world she introduced in MY NAME IS LUCY BARTON. The citizens, now older but not necessarily wiser, face life's uncertainties as best they can. In an impressive encore performance of Strout's prose, Kimberly Farr successfully mines the essence of each flawed character, giving hope and pain equal billing without succumbing to theatrics. Farr teases out the conflicting emotions of a mother and daughter who are reunited after years apart, the fragility of a Vietnam War veteran on the brink of a PTSD flashback, and the guilt a man feels over his father's long-ago sins. Farr's presence melts into the background, allowing the stories themselves to take center stage. This is an audiobook to get lost in. C.B.L. Winner of AudioFile Earphones Award © AudioFile 2017, Portland, Maine

APRIL 2017 - AudioFile