JANUARY 2015 - AudioFile
Violet, a popular girl who is still reeling from the death of her older sister in a car accident that she survived, and Finch, a “freak” who is struggling to cope with bipolar disorder, met on the ledge of the school’s bell tower. Who saved whom? Kirby Heyborne is outstanding as Finch, using pacing and tone to make the young man believable as he navigates his mania and depression, dreaming up ways to die, then finding reasons to embrace life. Ariadne Meyers projects the voice of a well-loved but damaged teenager who is afraid to reenter life but is drawn to this new friend who needs her as much as she needs him. The story—dark and sad yet clever and funny—shines a light on the timely and important issue of teen mental illness. N.E.M. 2016 Audies Finalist © AudioFile 2015, Portland, Maine
The New York Times Book Review - Andrew Smith
At the heart—a big one—of All the Bright Places lies a charming love story about this unlikely and endearing pair of broken teenagers…it seems inevitable that All the Bright Places will be compared to Rainbow Rowell's Eleanor & Park and John Green's The Fault in Our Stars, and deservedly so, at least in the case of its central characters. Violet and Finch are the archetypal offering in contemporary young adult fiction: a pair of damaged, heart-tugging teenagers who are at once outcasts and isolated, trapped by the dissonant alchemy of their combined fates.
Publishers Weekly - Audio
★ 02/23/2015
Voice actors Heyborne and Meyers team up for the audio edition of Niven’s teen love story. Last spring, Violet survived the car accident that killed her sister. She has been barely getting by, and now, on the first day of the new term, she has climbed the bell tower at school and is thinking of throwing herself off. It is here that Violet encounters Theodore Finch, better known as “Freak” around school, who manages to talk her down. Saving Violet seems to have given Finch a new lease on life. He woos her, gets assigned to be her partner for a class project, and slowly brings Violet back to life. Both Violet and Finch take turns telling their story. Heyborne makes Finch sound warm, relatable, and sympathetic. When Finch turns manic, Heyborne picks up the pace, and his voice becomes frantic, harried, and ragged. For Violet, Meyers’s voice is sharp and tight, almost pinched at times. She only sounds loose and comfortable when she’s with Finch. When bad things happen and Violet’s voice is cracking and near tears, listeners will become misty-eyed as well. Still, the story is not without humor, and the narrators nail the comedic notes, lightening the mood. This is an emotional book, and Meyers and Heyborne do an outstanding job infusing their performances with sentiment and warmth. Ages 14–up. A Knopf hardcover. (Jan.)
Publishers Weekly
★ 11/03/2014
Seniors Theodore Finch and Violet Markey run into each other on their school bell tower, contemplating what it would be like to jump. It’s more dark-cute than meet-cute, which also describes the book. Finch thinks about suicide every day; Violet was happy until her sister died in a car crash. While Finch, aka “Theodore Freak,” is a marginal presence in their high school, he’s smart and handsome—a musician who, readers gradually realize, suffers from undiagnosed manic depression. Violet is equally smart, and as they traverse Indiana for a geography project, looking for “wonders,” they flirt, argue, admit dark secrets, and fall in love. In her YA debut, adult author Niven (Velva Jean Learns to Drive) creates a romance so fresh and funny that it seems like it could save Finch; she also makes something she foreshadows from the first line surprising. The journey to, through, and past tragedy is romantic and heartbreaking, as characters and readers confront darkness, joy, and the possibilities—and limits—of love in the face of mental illness. Ages 14–up. Agent: Kerry Sparks, Levine Greenberg Rostan Literary Agency. (Jan.)
From the Publisher
…this heartbreaking love story about two funny, fragile, and wildly damaged high school kids named Violet and Finch is worth reading. Niven is a skillful storyteller who never patronizes her characters – or her audience.”
— Entertainment Weekly
“Many teen novels touch on similar themes, but few do it so memorably.”
—Kirkus Reviews, starred review
"In her YA debut, adult author Niven creates a romance so fresh and funny. . . The journey to, through, and past tragedy is romantic and heartbreaking, as characters and readers confront darkness, joy, and the possibilities—and limits—of love in the face of mental illness.”
—Publishers Weekly, starred review
“The writing in this heartrending novel is fluid, despite the difficult topics… Finch in particular will linger in readers’ minds long after the last page is turned.”
—School Library Journal, starred review
"Ultimately, the book, with narration that alternates between Finch and Violet, becomes Violet’s story of survival and recovery, affirming the value of loving deeply, grieving openly, and carrying your light forward."
—The Bulletin of the Center for Children's Books
“Have The Fault in Our Stars withdrawal? Pick up this heartrending novel about a girl who vows to live with purpose after bonding with a boy who plans to end his own life.”
— SELF Magazine
"It’s touching, vibrant, and an impressively honest depiction of depression."
— BuzzFeed
A Publishers Weekly Best Book of the Year
A Miami Herald Best Books for Children
GoodReads Choice Awards Young Adult Fiction Category Winner
A TIME Top Young Adult Book of the Year
A NPR Guide to Great Reads Book
School Library Journal
★ 12/01/2014
Gr 10 Up—Violet Markey is on the ledge of her school's bell tower, six stories up, and frozen in terror. Theodore Finch, the Freak, stands on the ledge nearby. Before she can panic, he calms her down and gets her back on solid ground. He even lets everyone think she's the one who talked him out of jumping. Violet, until recently, was a popular cheerleader and Finch has a well-earned reputation for being manic, violent, and unpredictable. But Finch won't let their encounter rest. He's suddenly everywhere Violet goes and even signs her up as his partner on a "Wander the State" school project. As the two drive around Indiana, Violet begins to see the lame tourist attractions through Finch's eyes, and each spot becomes something unique and special. He pushes and challenges the protagonist, and seems to understand the effect her sister's death made on her. But though Violet begins to recover from the devastating grief that has cocooned her for almost a year, Finch's demons refuse to let go. The writing in this heartrending novel is fluid, despite the difficult topics, as Niven relays the complex thought processes of the two teens. Finch and Violet, with their emotional turmoil and insecurities, will ring true to teens. Finch in particular will linger in readers' minds long after the last page is turned. Give this to fans of Rainbow Rowell's Eleanor & Park (St. Martin's Pr., 2013), John Green's The Fault in Our Stars (Dutton, 2012), or Jennifer Hubbard's The Secret Year (Viking, 2010).—Heather Miller Cover, Homewood Public Library, AL
Kirkus Reviews
★ 2014-10-01
Two struggling teens develop an unlikely relationship in a moving exploration of grief, suicide and young love. Violet, a writer and member of the popular crowd, has withdrawn from her friends and from school activities since her sister died in a car accident nine months earlier. Finch, known to his classmates as "Theodore Freak," is famously impulsive and eccentric. Following their meeting in the school bell tower, Finch makes it his mission to re-engage Violet with the world, partially through a school project that sends them to offbeat Indiana landmarks and partially through simple persistence. (Violet and Finch live, fortunately for all involved, in the sort of romantic universe where his throwing rocks at her window in the middle of the night comes off more charming than stalker-esque.) The teens alternate narration chapter by chapter, each in a unique and well-realized voice. Finch's self-destructive streak and suicidal impulses are never far from the surface, and the chapters he narrates are interspersed with facts about suicide methods and quotations from Virginia Woolf and poet Cesare Pavese. When the story inevitably turns tragic, a cast of carefully drawn side characters brings to life both the pain of loss and the possibility of moving forward, though some notes of hope are more believable than others. Many teen novels touch on similar themes, but few do it so memorably. (Fiction. 14 & up)
