Publishers Weekly
01/18/2021
If farm animals and crayons can have labor disputes, why not days of the week? In this amusing spoof of talent competitions by Meltzer (the Ordinary People Change the World series) and Caldecott Medalist Santat, Sunday, tired of being unpaid and unappreciated, quits. While she talks about going off to take up waterskiing and “learn Italian. No, Sanskrit, like the Buddhists,” the other days, rendered with the feel of characters from Inside Out, put out an audition call for a replacement. In the chaos that follows, shown in busy comics-style panels, every appreciated possibility, such as DogDay (“Puppies! Dogs! Everyone gets one!”), is accompanied by a slew of rejects, including Big-BurpDay (“Next!”), and increasingly desperate mash-ups (“KnightsWhoseSwordsAreHerringsDay”). But the creators have something more in mind than giving readers a highly inventive tickle. When one of the auditionees offers gratitude to the judges and earnestly suggests “a nice day... when people can show more kindness to each other,” Sunday declares herself back in the game, and the weekdays learn to appreciate each other. It’s a lovely and apt way to tie a bow on all the preceding silliness, with enough room left over to end on a cat joke. Ages 3–5. (Mar.)
From the Publisher
★ "The watercolor, colored-pencil, and crayon illustrations by Caldecott medalist Santat intensify the fun and meaning of this romp." —Booklist, starred review
"Bright art captures the mania, with cotton-candy hues representing each of the anthropomorphic days . . . A humorous, meandering approach to a life lesson about leading every day with benevolence." —Kirkus
"[T]he amount of silliness carries the story through . . . With their oddball shapes and candy-colored hues, the days each have a distinct personality [and] make vivid, solid anchor points as the chaos around them grows." —BCCB
"In this amusing spoof of talent competitions . . . the creators have something more in mind than giving readers a highly inventive tickle." —Publishers Weekly
"Santat’s iconic style launches these antics in vivid, expressive illustrations; his pages are saturated with color and, with the funny word-bubble text, give this a graphic novel feel . . . Occasional rhymes provide a sing-song quality that appears at choice moments in the vibrant narrative. Enjoyably executed, this story emphasizes the importance of kindness in a world that sometimes forgets." —School Library Journal
School Library Journal
01/01/2021
Gr 3–5—Every week progresses the same way—Sunday moves through Saturday and circles back again—and it is easy to take the routine for granted. Fed up with the lack of appreciation she feels in her job, Sunday announces that she is quitting! The other days are aghast, but they ultimately follow Monday's lead and move to seek out a new day to take Sunday's place. An audition process begins, inviting submissions from all over; some ideas are terrible, others are fine, but none feel quite right. That is, until one final prospect brings a sentiment to the table that changes Sunday's outlook for the better. Santat's iconic style launches these antics in vivid, expressive illustrations; his pages are saturated with color and, with the funny word-bubble text, give this a graphic novel feel. Myriad characters are used to tell the story, enhancing the silly and chaotic plot. The characters vary somewhat in appearance, in pale tones to technicolor ones. The length of text and subject matter are best suited to older elementary readers and will have them chuckling from beginning to end. Occasional rhymes provide a sing-song quality that appears at choice moments in the vibrant narrative. Enjoyably executed, this story emphasizes the importance of kindness in a world that sometimes forgets. VERDICT This is a dynamic and engaging addition to libraries for young readers.—Mary Lanni, formerly at Denver P.L.
Kirkus Reviews
2020-11-27
To the consternation of the other six days of the week, Sunday quits in protest, tired of being unappreciated for her consistent delivery of a weekly “beautiful free day.”
Sunday’s abrupt decision prompts the others to look for her replacement with an advertisement inviting auditions before the remaining six days. The competition quickly grows increasingly fierce as ideas are broached for DogDay, Big-BurpDay, PieDay, Band-AidDay, and, ridiculously, FirepoleSlidingIntoPoolsOfCottonCandyDay. Amid all this boisterous and frenzied rivalry, a little girl approaches the misunderstood Sunday with a small plant to say thank you and to suggest “simply a nice day. A day when people can show more kindness to each other.” The child’s humble gratitude is enough for Sunday to return to her important weekly position and to prompt all the days to value kindness as the key to each day’s possibilities. Bright art captures the mania, with cotton-candy hues representing each of the anthropomorphic days. Though undeniably comical as it unfolds in busy cartoon illustrations and speech balloons, the drawn-out, nonsensical, and unexpected course the narrative takes may be a stretch for youngsters who cannot always distinguish among days. Kindness as the ingredient for achieving a harmonious week is nevertheless a valuable message, however circuitously expressed. (This book was reviewed digitally with 11-by-18-inch double-page spreads viewed at 50% of actual size.)
A humorous, meandering approach to a life lesson about leading every day with benevolence. (Picture book. 5-7)
